Prix de Rome
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The Prix de Rome (pronounced: [pʁi də ʁɔm]) was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were given a bursary that let them stay in Rome for three to five years at the expense of the state. The prize was extended to architecture in 1720, music in 1803 and engraving in 1804. The prestigious award was suppressed in 1968 by André Malraux, the Minister of Culture.
Contents
- 1 History
- 2 Winners in the Architecture category
- 3 First Prize Winners in the Painting category
- 4 First Prize Winners in the Sculpture category
- 5 First Prize Winners in the Engraving category
- 6 First Prize Winners in the Musical Composition category
- 7 Prix de Rome (Netherlands)
- 8 Prix de Rome (Belgium)
- 9 See also
- 10 References
- 11 External links
History
The Prix de Rome was initially created for painters and sculptors in 1663 in France during the reign of Louis XIV. It was an annual bursary for promising artists having proved their talents by completing a very difficult elimination contest. The prize, organised by the Académie Royale de Peinture et de Sculpture (Royal Academy of Painting and Sculpture), was open to their students. From 1666, the award winner could win a stay of three to five years at the Palazzo Mancini in Rome at the expense of the King of France. In 1720, the Académie Royale d’Architecture began a prize in architecture. Six painters, four sculptors, and two architects[1] would be sent to the French Academy in Rome founded by Jean-Baptiste Colbert from 1666.
Expanded after 140 years into five categories, the contest started in 1663 as two categories: painting and sculpture. Architecture was added in 1720. In 1803, music was added, and after 1804 there was a prix for engraving as well. The primary winner took the "First Grand Prize" (called the agréé)[2] and the "Second Prizes" were awarded to the runners-up.
In 1803, Napoleon Bonaparte moved the French Academy in Rome to the Villa Medici with the intention of preserving an institution once threatened by the French Revolution. At first, the villa and its gardens were in a sad state, and they had to be renovated in order to house the winners of the Prix de Rome. In this way, he hoped to retain for young French artists the opportunity to see and copy the masterpieces of antiquity and the Renaissance.
Jacques-Louis David, having failed to win the prize three years in a row, considered suicide. Édouard Manet, Edgar Degas, Ernest Chausson and Maurice Ravel attempted the Prix de Rome, but did not gain recognition. Ravel tried a total of five times to win the prize, and the last failed attempt in 1905 was so controversial that it led to a complete reorganization of the administration at the Paris Conservatory.
During World War II (1939–45) the prize winners were accommodated in the Villa Paradiso in Nice.[3] The Prix de Rome was suppressed in 1968 by André Malraux, who was Minister of Culture at the time. Since then, a number of contests have been created, and the academies, together with the Institut de France, were merged by the State and the Minister of Culture. Selected residents now have an opportunity for study during an 18-month (sometimes 2-year) stay at The Academy of France in Rome, which is accommodated in the Villa Medici.
The heyday of the Prix de Rome was during the late eighteenth and early nineteenth centuries.[4] It was later imitated by the Prix Abd-el-Tif and the Villa Abd-el-Tif in Algiers, 1907–1961, and later Prix d'Indochine including a bursary to visit the École des Beaux-Arts de l'Indochine in Hanoi, 1920–1939, and bursary for residence at the Casa de Velázquez in Madrid, 1929–present.
Winners in the Architecture category
The Prix de Rome for Architecture was created in 1720.
18th century (architecture)
| Year | Premier Prix | Deuxième Prix | Troisieme Prix | Competition project |
|---|---|---|---|---|
| 1720 | Antoine Deriset | An entry to a Doric palace | ||
| 1721 | Philippe Buache | Guillot-Aubry | Jean Pinard | A plan of a church measuring 20 toises [40 metres] square |
| 1722 | Jean-Michel Chevotet | Jolivet | A triumphal arch | |
| 1723 | Jean Pinard | Pierre Mouret | A mansion for a great nobleman | |
| 1724 | Jean-Pierre Le Tailleur de Boncourt | Pierre-Étienne Le Bon | A high altar for a cathedral | |
| 1725 | Pierre-Étienne Le Bon [5] | Clairet | A convent church | |
| 1726 | François Carlier | Aufrane | Clairet | A portal of a church |
| 1727 | François Gallot | Joseph Eustache de Bourge | Pierre Mouret | A mansion for a great nobleman |
| 1728 | Antoine-Victor Desmarais | Joseph Eustache de Bourge | Quéau | A chateau for a great nobleman |
| 1729 | Joseph Eustache de Bourge | Devillard | Quéau | A cathedral |
| 1730 | Claude-Louis d'Aviler | Pierre Laurent | de Devilliard | A triumphal arch |
| 1731 | Jean-Baptiste Marteau | Pierre Rousset | Courtillié | A building 25 toises [50 metres] across |
| 1732 | Jean-Laurent Legeay | de Mercy | Pierre Rousset | A portal of a church |
| 1733 | Jacques Haneuse | Bailleul | Jean-Baptiste Courtonne | A public square |
| 1734 | Vattebled | Pierre Laurent | Lafond | A high altar of a church |
| 1735 | Pierre Laurent | Jean-Louis Pollevert | Lindet | A gallery with a chapel |
| 1736 | Jean-Louis Pollevert | Maximilien Brébion | Gabriel Pierre Martin Dumont | A country house |
| 1737 | Gabriel Pierre Martin Dumont | Lindet | Datif | Two staircases and a vestibule of a palace |
| 1738 | Nicolas Marie Potain | Lancret | Jean-Baptiste Courtonne | A gallery with a chapel |
| 1739 | Nicolas Dorbay | Maximilien Brébion | Lecamus | A great stable for a royal chateau |
| 1740 | Maximilien Brébion | Cordier | de Dreux | A garden 400 toises [800 metres] long |
| 1741 | Nicolas-Henri Jardin | Armand | Bourdet | A choir of a cathedral |
| 1742 | Armand | Lecamus | Bourdet | A façade of a city hall |
| 1743 | Jean Moreau | Cordier | Brébion | A garden 400 toises [800 metres] long |
| 1744 | No prize awarded, due to the low quality of entries | |||
| 1745 | Ennemond Alexandre Petitot | Hazon (recorded as "Hazin") | Deveau and Lelu | A lighthouse |
| 1746 | Charles-Louis Clérisseau and Brébion J., ex-aequo | Lelu and Nicolas de Pigage | Turgis | A mansion for a great nobleman |
| 1747 | Jérôme Charles Bellicard | Giroux | Lieutaut | A triumphal arch |
| 1748 | Parvis | Lelu | Duvivier | An exchange |
| 1749 | François Dominique Barreau de Chefdeville | Julien-David Le Roy | Pierre-Louis Moreau-Desproux | A temple to peace |
| 1750 | Julien-David Le Roy | Pierre-Louis Moreau-Desproux | Charles De Wailly | An orange garden |
| 1751 | Marie-Joseph Peyre | Pierre-Louis Moreau-Desproux | Pierre-Louis Helin | A public fountain |
| 1752 | Charles De Wailly | Pierre-Louis Helin | Moreau | A façade of a palace |
| 1753 | Louis-François Trouard | Jardin | A gallery 50 toises [100 metres] long | |
| 1754 | Pierre-Louis Helin | Billaudet | Jardin | An art salon |
| 1755 | Victor Louis et Charles Maréchaux, ex-aequo | Boucart | Rousseau | A funereal chapel |
| 1756 | Henri-Antoine Lemaire | Houdon | An isolated chapel | |
| 1757 | Competition canceled[6] | A concert hall | ||
| 1758 | Mathurin Cherpitel[7] and Jean-François-Thérèse Chalgrin, ex-aequo | Jacques Gondouin and Claude Jean-Baptiste Jallier de Savault[7][8] | Houdon and Gérendo | A pavilion at the corner of a terrace |
| 1759 | Antoine Le Roy | Joseph Elie Michel Lefebvre | Cauchois and Jacques Gondouin | A horse-riding school |
| 1760 | Joseph Elie Michel Lefebvre | Claude Jean-Baptiste Jallier de Savault | Gabriel | A parish church |
| 1761 | Antoine-Joseph de Bourge | Boucher | Antoine-François Peyre | A concert hall |
| 1762 | Antoine-François Peyre | Pierre d'Orléans | Adrien Mouton | A covered market |
| 1763 | Charles François Darnaudin | Boucher | Louis-François Petit-Radel | A triumphal arch |
| 1764 | Adrien Mouton | Pierre d'Orléans | Naudin | A school |
| 1765 | Jean-François Heurtier | Boucu | Paris | A dome of a cathedral |
| 1766 | Jean-Arnaud Raymond | Pierre d'Orléans | Paris | A portal of a cathedral |
| 1767 | Pierre d'Orléans[9] | Le Moyne | Marquis | A customs house |
| 1768 | Jean-Philippe Lemoine de Couzon[9] | Bernard Poyet | Paris | A theater |
| 1769 | Jacob Guerne[9] | Lussault | Paris | A public festival for a prince |
| 1770 | Jean-Jacques Huvé[9] | Renard | Panseron | An arsenal |
| 1771 | Not awarded | A city hospital | ||
| 1772 | Claude-Thomas de Lussault and Jean-Auguste Marquis[9][10] | Renard | Nicolas-Claude Girardin | A palace for the parent of a sovereign |
| 1773 | Jean Augustin Renard[11] | Mathurin Crucy and Coutouly[10] | Thierry and Herbelot[10] | A pavilion for a sovereign |
| 1774 | Mathurin Crucy | Bonnet | Charles Joachim Bénard, | Mineral baths |
| 1775 | Paul Guillaume Le Moine le Roman | Louis-Étienne de Seine | Doucet[12] | Schools of medicine |
| 1776 | Louis-Jean Desprez | Charles Joachim Bénard | - | A chateau for a great nobleman |
| 1777 | Louis-Étienne de Seine | Guy de Gisors | - | A water tower |
| 1778 | First and second prizes carried over to 1779 | - | Public prisons | |
| 1779 | Guy de Gisors[13] and Père François Jacques Lannoy | Durand[13] and Barbier | - | An art museum |
| 1780 | Louis Alexandre Trouard | Durand | - | A school on a triangular plot |
| 1781 | Louis Combes | Moitte | - | A cathedral |
| 1782 | Pierre Bernard | Cathala | - | A courthouse |
| 1783 | Antoine Vaudoyer | Charles Percier | - | A menagerie |
| 1784 | Auguste Cheval de Saint-Hubert | Moreau | - | A lazaret |
| 1785 | Jean-Charles Alexandre Moreau | Pierre-François-Léonard Fontaine[14] | - | A funereal chapel |
| 1786 | Charles Percier | Louis-Robert Goust | - | A meeting house for all the Académies |
| 1787 | First and second prizes carried over to 1788 | - | A city hall | |
| 1788 | Jacques-Charles Bonnard[15] and Jean Jacques Tardieu, ex-aequo | Louis-Robert Goust and Romain[15] | - | A public treasury |
| 1789 | Jean-Baptiste Louis François Le Febvre | Gaucher | - | A school of medicine |
| 1790 | No competition[16] | |||
| 1791 | Claude-Mathieu Delagardette | Normand | - | A gallery of a palace |
| 1792 | Pierre-Charles-Joseph Normand | Bergognion | - | A public market for a great city |
| 1793 | No first prize awarded | Constant Protain | - | A barracks |
| 1794 | No competition[17] | |||
| 1795 | ||||
| 1796 | ||||
| 1797 | Louis Ambroise Dubut and Cousin, ex-aequo | Éloi Labarre and Maximilien Joseph Hurtault | - | Public granaries |
| 1798 | Joseph Clémence | Joseph Pompon | - | A maritime exchange |
| 1799 | Louis-Sylvestre Gasse and Auguste Henri Victor Grandjean de Montigny, ex-aequo | Jean-Baptiste Guignet | - | A cemetery 500 meters long |
| 1800 | Simon Vallot and Jean-François-Julien Mesnager, ex-aequo | Jean-Baptiste Dedeban and Hubert Rohault | - | An institute of sciences and arts or a national school of fine arts |
Notes
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<references />, or <references group="..." />19th century (architecture)
| Year | Premier Prix | Deuxième Prix | Troisieme Prix/ Honorable Mention |
Competition project |
|---|---|---|---|---|
| 1801 | Auguste Famin | Dedeban | A forum | |
| 1802 | Hubert Rohault de Fleury | Bury | A trade fair with exhibition pavilion for industrial products | |
| 1803 | François-Narcisse Pagot | André Chatillon | A maritime port | |
| 1804 | Jules Lesueur | André Chatillon | A palace of a sovereign | |
| 1805 | Auguste Guenepin | Huyot | Six houses for six families | |
| 1806 | Jean-Baptiste Desdeban | Louis-Hippolyte Lebas | A palace for a legion of honor | |
| 1807 | Jean-Nicolas Huyot | Leclère | Giroust[18] | A palace for the education of princes |
| 1808 | Achille-François-René Leclère | François-Auguste Jolly | Public baths for Paris | |
| 1809 | André Chatillon | Grillon | A cathedral | |
| 1810 | Martin-Pierre Gauthier | Vauchelet and Jacques Lacornée | An exchange for a coastal city | |
| 1811 | Jean-Louis Provost | Renié | A palace for a university | |
| 1812 | Tilman-François Suys | Baron | Poisson[19] | A private hospital |
| 1813 | Auguste Caristie | Fedel and Landon | A city hall | |
| 1814 | Charles Henri Landon and Louis Destouches, ex-aequo | Louis Visconti | Vauchelet | A museum and library |
| 1815 | Pierre Anne Dedreux | Louis-Julien-Alexandre Vincent | A technical college | |
| 1816 | Lucien Van Cleemputte | Jean-Baptiste-Cicéron Le Sueur | A palace for the Institut [de France] | |
| 1817 | Antoine Garnaud | Abel Blouet | A musical conservatory | |
| 1818 | No first prize awarded | Félix-Emmanuel Callet | Desplans (mentioned) | A public promenade |
| 1819 | Félix-Emmanuel Callet and Jean-Baptiste Lesueur, ex-aequo | François Villain | A cemetery | |
| 1820 | François Villain | Auguste-Théophile Quantinet and Émile Jacques Gilbert | A medical school | |
| 1821 | Guillaume-Abel Blouet | Henri Labrouste | A courthouse | |
| 1822 | Émile Gilbert | Fontaine and Jules Bouchet | Léon Vaudoyer | An opera house |
| 1823 | Félix Duban | Alphonse de Gisors et Jean-Louis Victor Grisart | A customs house | |
| 1824 | Henri Labrouste | Lépreux et Léon Vaudoyer | Augustin Burdet | A court of cassation |
| 1825 | Joseph-Louis Duc | Felix Friès | Dommey | A city hall |
| 1826 | Léon Vaudoyer | Marie Antoine Delannoy | Dommey | A palace for the Academy [of architecture] of France in Rome |
| 1827 | Théodore Labrouste | François-Alexis Cendrier | A natural history museum | |
| 1828 | Marie Delannoy | Bourguignon | Abric | A public library |
| 1829 | Simon-Claude Constant-Dufeux | Pierre-Joseph Garrez | A lazaret | |
| 1830 | Pierre-Joseph Garrez | Alphonse-François-Joseph Girard | A house of entertainment for a prince | |
| 1831 | Prosper Morey | Jean-Arnoud Léveil | A establishment for thermal waters | |
| 1832 | Jean-Arnoud Léveil | François-Joseph Nolau | A museum | |
| 1833 | Victor Baltard | Hector-Martin Lefuel | Chargrasse | A military academy |
| 1834 | Paul-Eugène Lequeux | Nicolas-Auguste Thumeloup | Alphonse-Augustin Finiels | An Atheneum |
| 1835 | Charles Victor Famin | Jean-Baptiste Guenepin and Alexis Paccard | A medical school | |
| 1836 | François-Louis-Florimond Boulanger and Jean-Jacques Clerget | Antoine Isidore Eugène Godebœuf | A hall for the exhibition of works of art and industrial products | |
| 1837 | Jean-Baptiste Guenepin | Antoine-Julien Hénard and Jules Duru | A Pantheon | |
| 1838 | Toussaint Uchard | Auguste-Joseph Magne | A cathedral church | |
| 1839 | Hector Lefuel | François-Marie Péron | A Town Hall | |
| 1840 | Théodore Ballu | Philippe-Auguste Titeux | A palace of the House of Lords | |
| 1841 | Alexis Paccard | Jacques-Martin Tétaz | An overseas French ambassadorial palace | |
| 1842 | Philippe-Auguste Titeux | Prosper Desbuisson and Louis-Etienne Lebelin | Albert-François-Germain Delaage | A palace of the archives |
| 1843 | Jacques-Martin Tétaz | Pierre-Joseph Dupont and Louis-Jules André | A palace of the Institute | |
| 1844 | Prosper Desbuisson | Charles Jean Lainé and Agis-Léon Ledru | Agis-Léon Ledru and Eugène Démangeat | A palace for the French Academy |
| 1845 | Félix Thomas | Pierre Trémaux and Charles-Auguste-Philippe Lainé | A cathedral church | |
| 1846 | Alfred-Nicolas Normand | Thomas-Augustin Monge and Jacques-Louis-Florimond Ponthieu | A Natural History museum | |
| 1847 | Louis-Jules André | Charles-Mathieu-Quirin Claudel | A palace for the Chamber of Deputies | |
| 1848 | Charles Garnier | Achille-Aimé-Alexis Hue | Denis Lebouteux | A Conservatory for Arts and Crafts |
| 1849 | Denis Lebouteux | Gabriel-Jean-Antoine Davioud | Paul-Renè-Léon Ginain | A school of Fine Arts |
| 1850 | Victor Louvet | Edouard-Auguste Villain | A large public square | |
| 1851 | Gabriel-Auguste Ancelet | Michel-Achille Triquet | Joseph-Alfred Chapelain | A hospice in the Alps |
| 1852 | Léon Ginain | Louis-François Douillard the elder and Michel Douillard the younger | A Gymnasium | |
| 1853 | Arthur-Stanislas Diet | Georges-Ernest Coquart | Pierre-Jérôme-Honoré Daumet | A museum for a capital city |
| 1854 | Paul Émile Bonnet and Joseph Auguste Émile Vaudremer jointly | François-Philippe Boitte | A monument dedicated to the burial of the sovereign of a great empire | |
| 1855 | Honoré Daumet | Edmond-Jean-Baptiste Guillaume and Joseph-Eugène Heim the younger | Conservatory of Music and Declamation | |
| 1856 | Edmond Guillaume | Constant Moyaux | Palace of the Ambassador at Constantinople | |
| 1857 | Joseph Heim | Ernest Moreau | A Faculty of Medicine | |
| 1858 | Georges-Ernest Coquart, Eugène Train | Imperial Hotel for Naval invalids | ||
| 1859 | Charles Thierry and Louis Boitte jointly | A Court of Cassation | ||
| 1860 | Joseph Louis Achille Joyau | Bénard | Julien Guadet | An Imperial Residence at Nice |
| 1861 | Constant Moyaux | François-Wilbrod Chabrol | An establishment for thermal waters | |
| 1862 | François-Wilbrod Chabrol | A palace for the Governor of Algeria | ||
| 1863 | Emmanuel Brune | A main staircase | ||
| 1864 | Julien Guadet and Arthur Dutert jointly | A hospice in the Alps | ||
| 1865 | Louis Noguet and Gustave Gerhardt jointly | A hostel for travellers | ||
| 1866 | Jean-Louis Pascal | A banking house | ||
| 1867 | Henri Jean Émile Bénard | An exhibition of Fine Art | ||
| 1868 | Charles Alfred Leclerc | A calvary | ||
| 1869 | Ferdinand Dutert | A French Embassy | ||
| 1870 | Albert-Félix-Théophile Thomas | A Medical School | ||
| 1871 | Émile Ulmann | A Palace of Representatives | ||
| 1872 | Stanislas Louis Bernier | A Natural History Museum | ||
| 1873 | Marcel Lambert | A water tower | ||
| 1874 | Benoît Édouard Loviot | A Palace of Faculties | ||
| 1875 | Edmond Paulin | Jean Bréasson | A Palace of Justice for Paris | |
| 1876 | Paul Blondel | A Palace of Arts | ||
| 1877 | Henri-Paul Nénot | Adrien Chancel | An Atheneum for a capital city | |
| 1878 | Victor Laloux | Louis-Marie-Théodore Dauphin and Victor-Auguste Blavette | A cathedral church | |
| 1879 | Victor-Auguste Blavette | A Conservatory | ||
| 1880 | Louis Girault | Jacques Hermant | A hospice for sick children on the Mediterranean | |
| 1881 | fr:Henri Deglane | A Palace of Fine Art | ||
| 1882 | Pierre Esquié | A Palace for the Council of State | ||
| 1883 | Gaston Redon | A necropolis | ||
| 1884 | Hector d’Espouy | A thermal establishment | ||
| 1885 | François Paul André | A Medical Academy | ||
| 1886 | Alphonse Defrasse | Albert Louvet | A Palace for the Court of Auditors | |
| 1887 | Georges Chedanne | Henri Eustache and Charles Heubès | A gymnasium | |
| 1888 | Albert Tournaire | A Parliamentary Palace | ||
| 1889 | Constant-Désiré Despradelle | Demerlé | A casino by the sea | |
| 1890 | Emmanuel Pontremoli | A monument to Joan of Arc | ||
| 1891 | Henri Eustache | François-Benjamin Chaussemiche | A central railway station | |
| 1892 | Émile Bertone | Guillaume Tronchet | An Artillery Museum | |
| 1893 | François-Benjamin Chaussemiche | Paul Dusart | Alfred-Henri Recoura | A Palace for Academics |
| 1894 | Alfred-Henri Recoura | Auguste-René-Gaston Patouillard Gabriel Héraud | A central School of Arts and Manufacture in the capital of a large country | |
| 1895 | René Patouillard-Demoriane | An Exhibition Palace | ||
| 1896 | Louis-Charles-Henri Pille | Gustave Umbdenstock | A Naval School | |
| 1897 | Eugène Duquesne | A votive church | ||
| 1898 | Léon Chifflot | André Arfvidson | A palace | |
| 1899 | Tony Garnier | Henri Sirot | A central bank building | |
| 1900 | Paul Bigot | Thermal baths and a casino |
Notes
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<references />, or <references group="..." />20th century (architecture)
| Year | Premier Prix | Deuxième Prix | Troisieme Prix/ Honorable Mention |
Competition project | |
|---|---|---|---|---|---|
| 1901 | Jean Hulot | An American Academy | |||
| 1902 | Henri Prost | Eugène Chifflot | A national print house | ||
| 1903 | Léon Jaussely | Jean Wielhorski and Henri Joulie | A public square | ||
| 1904 | Ernest Michel Hébrard | Pierre Leprince-Ringuet | A carpet manufactory | ||
| 1905 | Camille Lefèvre | A water tower | |||
| 1906 | Patrice Bonnet | A French college | |||
| 1907 | Charles Nicod | An observatory and scientific station | |||
| 1908 | Charles Louis Boussois | ||||
| 1909 | Maurice Boutterin | A colonial palace | |||
| 1910 | Georges-Fernand Janin | A sanatorium on the Mediterranean coast | |||
| 1911 | René Mirland | Paul Tournon | A monument to the glory of the independence of a large country | ||
| 1912 | Jacques Debat-Ponsan | Roger-Henri Expert | A casino in a spa town | ||
| 1913 | Roger Séassal | Gaston Castel | |||
| 1914 | Albert Ferran | A military college | |||
| 1919 | Jacques Carlu and Jean-Jacques Haffner | Eugène-Alexandre Girardin and Louis Sollier ; André Jacob | A palace for the League of Nations at Geneva | ||
| 1920 | Michel Roux-Spitz | Marc Brillaud de Laujardière | |||
| 1921 | Léon Azéma | Maurice Mantout | A manufactory of tapestries and art fabrics | ||
| 1922 | Robert Giroud | A large Military development college | |||
| 1923 | Jean-Baptiste Mathon | Georges Feray | The residence of the French ambassador in Marocco | ||
| 1924 | Marcel Péchin | An institute of general botany | |||
| 1925 | Alfred Audoul | Marcel Chappey | A National School of Applied Arts | ||
| 1926 | Jean-Baptiste Hourlier | A summer residence for a Chief of State | |||
| 1927 | André Lecomte | André-Albert Dubreuil | An Institute of Archaeology and Art | ||
| 1928 | Eugène Beaudouin | Gaston Glorieux and Roger Hummel | An embassy in a large Far Eastern country | ||
| 1929 | Jean Niermans | Germain Grange and André Hilt | A palace for the Institute of France | ||
| 1930 | Achille Carlier | Noël Le Maresquier and Alexandre Courtois | A college of fine arts | ||
| 1931 | Georges Dengler | Georges Bovet | A French intellectual centre of propaganda abroad | ||
| 1932 | Camille Montagné | André Aubert and Robert Pommier | A summer residence in the mountains | ||
| 1933 | Alexandre Courtois | Robert Camelot and Charles-Gustave Stoskopf | A church of pilgrimage | ||
| 1934 | André Hilt | Georges Letélié and Pierre-Jean Guth | A permanent exhibition of contemporary art | ||
| 1935 | Paul Domenc | An institute of intellectual cooperation | |||
| 1936 | André Remondet | Georges Noël and Pierre Lablaude | A naval museum | ||
| 1937 | Georges Noël | Othello Zavaroni and Paul Jacques Grillo | A French Pantheon | ||
| 1938 | Henry Bernard | Pierre Dufau and Gonthier | A sports organisation centre | ||
| 1939 | Bernard Zehrfuss | Sachs and Sergent | A palace of the French colonial empire | ||
| 1942 (?) | Raymond Gleize | ||||
| 1943 | André Chatelin and Jean Dubuisson | ||||
| 1944 | Claude Béraud | Henry Pottier | |||
| 1945 | Jean Dubuisson and Jean de Mailly jointly | Palace for the Court of Justice | |||
| 1946 | Guillaume Gillet | Grand Foyer of the crews of the Fleet | |||
| 1947 | Jacques Cordonnier | Paul La Mache | Ministry of Arts | ||
| 1948 | Yves Moignet | ||||
| 1949 | Paul Vimond | A French college | |||
| 1950 | Jacques Perrin-Fayolle | Poutu, Audoul and Castel jointly, Xavier Arsène-Henry | A Mediterranean university | ||
| 1951 | Louis-Gabriel de Hoÿm de Marien | Bergerioux and Marriage | A conference and congress centre | ||
| 1952 | Louis Blanchet | Pierre-André Dufétel and Levard | Communal home of a large city | ||
| 1953 | Olivier-Clément Cacoub | Chaudonneret and Bourdon | Mount of Martyrs | ||
| 1954 | Michel Marot | Marty and Chauvin | A centre of African Research in Kano | ||
| 1955 | Ngô Viết Thụ | Pouradier Duteil and Maréchal | A votive sanctuary | ||
| 1956 | Serge Menil | Michel Folliasson | An Acropolis | ||
| 1957 | Jean-Marie Brasilier | Delb and Robert | A Palace of Natural Science | ||
| 1958 | Gérard Carton | Claude Bach and Menart | A Pantheon for Europe | ||
| 1959 | Gérard Carton | Tournier and Hardy | An international conference centre for drama and opera | ||
| 1960 | Jean-Claude Bernard | Doucet and Cacaut | Business centre of large capital city | ||
| 1961 | Jacques Labro | A monastery | |||
| 1962 | Jean-Loup Roubert and Christian Cacault | ||||
| 1963 | Jean-Louis Girodet | ||||
| 1964 | Bernard Schoebel | An artificial island with arts centre and water sports | |||
| 1965 | Jean-Pierre Poncabaré | A foundation for the study of modern architecture | |||
| 1967 | Daniel Kahane | Michel Longuet and Aymeric Zublena | (last award) | A house for Europe in the event of a transformation of the center of Paris |
First Prize Winners in the Painting category
17th century (painting)
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18th century (painting)
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19th century (painting)
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20th century (painting)
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First Prize Winners in the Sculpture category
17th century (sculpture)
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18th century (sculpture)
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19th century (sculpture)
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20th century (sculpture)
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First Prize Winners in the Engraving category
- The engraving prize was created in 1804.
19th century (engraving)
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20th century (engraving)
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First Prize Winners in the Musical Composition category
19th century (musical composition)
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20th century (musical composition)
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Prix de Rome (Netherlands)
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A Prix de Rome was also established in the Kingdom of Holland by Lodewijk Napoleon to award young artists and architects. During the years 1807–1810 prize winners were sent to Paris and onwards to Rome for study. In 1817, after the Netherlands had gained its independence, King Willem I restarted the prize; though it took until 1823 before the new "Royal Academies" of Amsterdam and Antwerp could organize the juries. Suspended in 1851 it was reinstated in 1870 by William III of the Netherlands. Since then the winners have been selected by the Rijksakademie in Amsterdam under the main headings of architecture and the visual arts.
Prix de Rome (Belgium)
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The Belgian Prix de Rome (Dutch: Prijs van Rome) is an award for young artists, created in 1832, following the example of the original French Prix de Rome. The Royal Academy of Fine Arts Antwerp organised the prize until 1920, when the national government took over. The first prize is also sometimes called the Grand Prix de Rome. There were distinct categories for architecture, painting, sculpture and music.
See also
- Académie de France Rome
- American Academy in Rome
- American School of Classical Studies at Athens
- American Schools of Oriental Research
- British School at Rome
- Deutsches Archäologisches Institut Rom
- Rome Prize
References
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<references />, or <references group="..." />External links
- The Prix de Rome Contests in Painting
- The Prix de Rome winners in Sculpture (in French)
- Villa Medici Fellows — Prix de Rome winners listed before 1968
- ↑ Lee, S. "Prix de Rome", Grove Dictionary of Art online
- ↑ Clarke, Michael. The Concise Oxford Dictionary of Art Terms, Oxford University Press, 2001
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lee, ibid
- ↑ Though sent to Rome in 1741.
- ↑ "After the students present for the architecture competition left, only eight returned to make an esquisse, but none were admitted to continue"
- ↑ 7.0 7.1 Carried over from 1757.
- ↑ Noted as Jollivet.
- ↑ 9.0 9.1 9.2 9.3 9.4 From 1767 through 1772, the winners of the Prix de Rome were deprived of the usual scholarship that funded their trips to Rome; this occurred because of the vengeance exacted by Abel-François Poisson de Vandières in an enormous abuse of his power. Having quarreled with the Académie d'Architecture, Poisson de Vendières sent his personal manservants instead to Rome instead of the winners of the Grand Prix.
- ↑ 10.0 10.1 10.2 Carried over from 1771.
- ↑ In 1773 the funding for the scholarship to Rome was reestablished for architects through the generosity of the Abbé Terray, successor of the Marquis de Marigny.
- ↑ 1775 was the last year that a third prize (Troisieme Prix) was awarded.
- ↑ 13.0 13.1 Carried over from 1778.
- ↑ Fontaine would never win the Prix de Rome; however, a space at the Mancini Palace opened up in 1787 due to the delay in awarding the prize for that year, and Fontaine became the resident pensionnaire, remaining in Rome until 1790.
- ↑ 15.0 15.1 Carried over form 1787.
- ↑ "The projected entrants boycotted the contest by renouncing their status of students until the Académie adopted the changes they demanded in the old regulations.
- ↑ From 1794-96 no competitions were held, since the Académies established by the Ancien Régime had been abolished by the Republican government. They were re-established by decree of 28 October 1796 under a new body known as the Institut de France.
- ↑ Medal of encouragement.
- ↑ Troisieme Prix restored in 1812.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ artnet.com: Resource Library: Durameau, Louis-Jacques retrieved 25 October 2009 (English)
- ↑ The Field of Cultural Production: Essays on Art and Literature, Pierre Bourdieu, p. 215, ISBN 0-231-08287-8, 1993, Columbia University Press
- ↑ 1911 Encyclopedia
- ↑ The Legacy of Homer: Four Centuries of Art from the Ecole Nationale Superieure Des Beaux-arts, Paris, 2005, Yale University Press, ISBN 0-300-10918-0
- ↑ The New International Year Book, Published 1966. Dodd, Mead and Co. P 86
- ↑ Grove's Fifth Edition 1954; Vol 6 p936
