Pyramid Texts

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Pyramid texts from Teti I's pyramid.

The Pyramid Texts are a collection of ancient Egyptian religious texts from the time of the Old Kingdom. Written in Old Egyptian, the pyramid texts were carved on the walls and sarcophagi of the pyramids at Saqqara during the 5th and 6th Dynasties of the Old Kingdom. The oldest of the texts have been dated to between ca. 2400–2300 BC.[1] Unlike the later Coffin Texts and Book of the Dead, the pyramid texts were reserved only for the pharaoh and were not illustrated.[2] Following the earlier Palermo Stone, the pyramid texts mark the next-oldest known mention of Osiris, who would become the most important deity associated with afterlife in the Ancient Egyptian religion.[3]

The spells, or "utterances", of the pyramid texts are primarily concerned with protecting the pharaoh's remains, reanimating his body after death, and helping him ascend to the heavens, which are the emphasis of the afterlife during the Old Kingdom. The spells delineate all of the ways the pharaoh could travel, including the use of ramps, stairs, ladders, and most importantly flying. The spells could also be used to call the gods to help, even threatening them if they did not comply.[4]

Versions

The texts were first discovered in 1881 by Gaston Maspero, and translations were made by Kurt Heinrich Sethe (in German), Louis Speleers (in French), Raymond O. Faulkner, Samuel A. B. Mercer and James P. Allen (the latest translation in English).

The oldest version consists of 228 spells and comes from the Pyramid of Unas, who was the last king of the 5th Dynasty. Other texts were discovered in the pyramids of the 6th Dynasty kings Teti, Pepi I, Merenre, and Pepi II; they also occur in the pyramids of a number of 6th Dynasty queens, Ankhenespepy II, Neit, Iput II, Wedjebten, and Behenu. Pyramid Texts were also discovered on fragments of wood within in the tomb of queen Meretites II.

Kurt Sethe's first edition of the pyramid texts contained 714 distinct spells; after this publication additional spells were discovered bringing the total to 759. No single collection uses all recorded spells.

Examples

After death, the king must first rise from his tomb. Utterance 373 describes:[2]

Oho! Oho! Rise up, O Teti!
Take your head, collect your bones,
Gather your limbs, shake the earth from your flesh!
Take your bread that rots not, your beer that sours not,
Stand at the gates that bar the common people!
The gatekeeper comes out to you, he grasps your hand,
Takes you into heaven, to your father Geb.
He rejoices at your coming, gives you his hands,
Kisses you, caresses you,
Sets you before the spirits, the imperishable stars...
The hidden ones worship you,
The great ones surround you,
The watchers wait on you,
Barley is threshed for you,
Emmer is reaped for you,
Your monthly feasts are made with it,
Your half-month feasts are made with it,
As ordered done for you by Geb, your father,
Rise up, O Teti, you shall not die!

The texts then describe several ways for the pharaoh to reach the heavens, and one of these is by climbing a ladder. In utterance 304 the king says:[2]

Hail, daughter of Anubis, above the hatches of heaven,
Comrade of Thoth, above the ladder's rails,
Open Unas's path, let Unas pass!

Another way is by ferry. If the boatman refuses to take him, the king has other plans:

If you fail to ferry Unas,
He will leap and sit on the wing of Thoth,
Then he will ferry Unas to that side!

The cannibal hymn

Utterances 273 and 274 are sometimes known as the "cannibal hymn", because it describes the king hunting and eating parts of the gods:[2] They represent a discrete episode (Utterances 273-274) in the anthology of ritual texts that make up the Pyramid Texts of the Old Kingdom period.

Appearing first in the Pyramid of Unas at the end of the Fifth Dynasty, the Cannibal Hymn preserves an early royal butchery ritual in which the deceased king—assisted by the god Shezmu—slaughters, cooks and eats the gods as sacrificial bulls, thereby incorporating in himself their divine powers in order that he might negotiate his passage into the Afterlife and guarantee his transformation as a celestial divinity ruling in the heavens. [5][dead link]

The style and format of the Cannibal Hymn are characteristic of the oral-recitational poetry of pharaonic Egypt, marked by allusive metaphor and the exploitation of wordplay and homophony in its verbal recreation of a butchery ritual.

Apart from the burial of Unas, only the Pyramid of Teti displays the Cannibal Hymn.

A god who lives on his fathers,
who feeds on his mothers...
Unas is the bull of heaven
Who rages in his heart,
Who lives on the being of every god,
Who eats their entrails
When they come, their bodies full of magic
From the Isle of Flame...

The cannibal hymn later reappeared in the Coffin Texts as Spell 573.[6] It was dropped by the time the Book of the Dead was being copied.

In popular culture

In the first scene of Philip Glass's opera Akhnaten, the phrase "Open are the double doors of the horizon" is a quotation from the Pyramid Texts. More specifically, it seems to come from Utterance 220.

The American death metal band Nile made a song, "Unas Slayer of the Gods" which contains many references to the Pyramid Texts, including the Cannibal Hymn.

In the 2001 action-adventure movie, The Mummy Returns, when Imhotep gets a jar full of dust and blows it, he quotes part of the Utterance 373 and the dust turns into mummy warriors.

The 2013 BBC programme Ripper Street, Colonel Madoc Faulkner (Iain Glen) refers to a variant of Utterance 325

See also

Notes

References

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  5. http://cas.memphis.edu/~pbrand/Egypt%20Texts/Pyramid_Texts.htm
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Sources

  • Wolfgang Kosack "Die altägyptischen Pyramidentexte." In neuer deutscher Uebersetzung; vollständig bearbeitet und herausgegeben von Wolfgang Kosack Christoph Brunner, Berlin 2012, ISBN 978-3-9524018-1-1.
  • Kurt Sethe Die Altaegyptischen Pyramidentexte. 4 Bde. (1908-1922)

Further reading

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  • Timofey T. Shmakov, "Critical Analysis of J. P. Allen's 'The Ancient Egyptian Pyramid Texts'," 2012. [1]
  • Clesson H. Harvey, "The Great Pyramid Texts"

External links