Rebecca Sjöwall
Rebecca Sjöwall is an American opera singer. She has a B.A. in Political Science from Luther College, a Master's Degree in Vocal Performance from UCLA and is a two-time District Winner in the Metropolitan Opera National Council Auditions.[1]
In 2007, Sjöwall won the American Jenny Lind competition sponsored by the Barnum Festival and in cooperation with the Royal Swedish Academy of Music, which led to a concert tour of Sweden.[2][3] In 2008, she made her professional debut as Micaëla in a West Bay Opera staging of Carmen.[4] She has since appeared with Arizona Opera, San Francisco Lyric Opera,[5] and Festival Opera [6][7] and has performed a variety of roles, including Violetta in "La traviata", Contessa Almaviva in "The Marriage of Figaro", Pamina in "The Magic Flute", Gilda in Rigoletto, and Liù Turandot. She also created the role of Anna Roosevelt Boettiger in the world premiere performances of The First Lady, an opera depicting the days following Franklin D. Roosevelt's death.[8]
In 2009, Sjöwall was part of the singing cast for the radio musical The Seduction of Ingmar Bergman by Sparks, which premiered on Sveriges Radio and was later released on vinyl and in CD format.[1][9] Andy Gill in The Independent gave The Seduction of Ingmar Bergman a maximum rating of 5 stars and included the record among his 20 albums of the year.[10] The world premiere of the live musical took place on June 25, 2011, at the John Anson Ford Amphitheatre in Hollywood. It was hosted by the Los Angeles Film Festival and starred Sparks, Guy Maddin, Finnish actor Peter Franzén as Bergman, Tammy Glover recreating her role as the Hollywood Welcoming Committee, Sjöwall reprising her role as the Hollywood starlet, and Ann Magnuson as Greta Garbo.[11]
Sjöwall is also the singer of the "Rapture Anthem" on the popular video game BioShock.
Reception
Of Sjöwall's appearance as Micaëla (Carmen), the San Francisco Classical Voice wrote, "she lit up the proceedings with glowing, sweet tone and a radiant persona, which rightfully reaped some of the longest applause of the evening." [12] Her 2009 performance as Gilda in Rigoletto was judged to show "real promise" with an "impressive high E-flat".[13] In addition, her performance in Turandot was lauded as a "lovely and limpid Liù" that was "deeply affecting."[7]
References
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