Red Corner

From Infogalactic: the planetary knowledge core
Jump to: navigation, search
Red Corner
File:Red corner poster.jpg
Theatrical release poster
Directed by Jon Avnet
Produced by
Written by Robert King
Music by Thomas Newman
Cinematography Karl Walter Lindenlaub
Edited by Peter E. Berger
Distributed by Metro-Goldwyn-Mayer
Release dates
  • October 31, 1997 (1997-10-31) (USA)
Running time
122 minutes
Country United States
Language English
Budget $48 million[1]
Box office $22,415,440 (USA)

Red Corner is a 1997 American mystery thriller film directed by Jon Avnet, and stars Richard Gere, Bai Ling and Bradley Whitford. Written by Robert King, the film is about an American businessman on business in China who ends up wrongfully on trial for murder. His only hope of exoneration and freedom is a female defense lawyer from the country.[2] The film received the 1997 National Board of Review Freedom of Expression Award (Richard Gere, Jon Avnet) and the NBR Award for Breakthrough Female Performance (Bai Ling). Ling also won the San Diego Film Critics Society Award for Best Actress.[3]


Red Corner tells the story of a wealthy American businessman named Jack Moore (played by Richard Gere) working in China and attempting to put together a satellite communications deal as part of a joint venture with the Chinese government. Before the deal goes through, he is framed for the murder of a powerful Chinese general's daughter, and the satellite contract is awarded to Moore's competitor, Gerhardt Hoffman. Moore's court-appointed lawyer Shen Yuelin, (played by Bai Ling), initially does not believe his claims of innocence, but the pair gradually unearth further evidence that not only vindicates Moore but also implicates powerful figures within the Chinese central government administration, exposing undeniable conspiracy and corruption. Shen manages to convince several high-ranking Chinese officials to release evidence that proves Moore's innocence. Moore is quickly released from prison while the conspirators that framed him are arrested. At the airport, Moore asks Shen to leave China with him, but she decides to stay as there are many more things to change in China. However, she admits that meeting Moore has changed her life, and she considers him part of her family now. They both then share a heartfelt hug on the airport runway.



Red Corner was shot in Los Angeles using elaborate sets and CGI rendering of 3,500 still shots and two minutes of footage from China. In order to establish the film's verisimilitude, several Beijing actors were brought to the United States on visas for filming. The judicial and penitentiary scenes were recreated from descriptions given by attorneys and judges practicing in China and the video segment showing the execution of Chinese prisoners was an actual execution. The individuals providing the video and the descriptions to Avnet and his staff took on a significant risk by providing it.[5]


Upon its theatrical release in the United States, Red Corner received generally negative reviews. On Rotten Tomatoes the film received a 32% positive rating from top film critics based on 22 reviews, and a 49% positive audience rating based on 7,795 reviews.[6]

Cynthia Langston of Film Journal International responded to the film, "So unrealistic, so contrived and so blatantly 'Hollywood' that Gere can't possibly imagine he's opening any eyes to the problem, or any doors to its solution, for that matter."[7]

In his review in the Los Angeles Times, Kenneth Turan described Red Corner as a "sluggish and uninteresting melodrama that is further hampered by the delusion that it is saying something significant. But its one-man-against-the-system story is hackneyed and the points it thinks it's making about the state of justice in China are hampered by an attitude that verges on the xenophobic."[8]

Salon film critic Andrew O'Hehir noted that the movie's subtext "swallows its story, until all that is left is Gere's superior virtue, intermixed with his superior virility—both of which are greatly appreciated by the evidently underserviced Chinese female population." O'Hehir also noted that the film reinforces the infamous Western stereotypes of Asian female sexuality (as in those of The World of Suzie Wong) as well as the hoariest stereotyping.[9]

Total Film gave a 3/5 star rating describing stating that Red Corned was "A semi-powerful thriller let down by pedestrian direction and a lacklustre Richard Gere. Even so, newcomer Bai Ling and an unblinking stare at the Draconian Chinese legal system prevent Red Corner from being an open-and-shut case" and describes some scenes depicting the harsh treatment of the Chinese legal system as "thought provoking" yet describes the rest as only "mildly entertaining".[10]


  2. "Red Corner". Internet Movie Database. Retrieved March 19, 2012.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  3. "Awards for Red Corner". Internet Movie Database. Retrieved March 19, 2012.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  4. "Full cast and crew for Red Corner". Internet Movie Database. Retrieved March 20, 2012.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  5. Jon Avnet (Director) (1997). Red Corner (DVD). Los Angeles: MGM. External link in |title= (help)<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  6. "Red Corner (1997)". Rotten Tomatoes. Retrieved March 20, 2012.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  7. Red Corner. Film Journal International.
  8. Turan, Kenneth (October 31, 1997). "'Corner': A Heavy-Handed Battle With Justice in China". Los Angeles Times. Retrieved March 20, 2012.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  9. O'Hehir, Andrew (October 31, 1997). "Richard Gere Seduces China". Salon. Retrieved March 20, 2012.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>

External links