Remy de Gourmont

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Remy de Gourmont
Portrait of Remy de Gourmont by Dufau.jpg
Portrait of Gourmont, by Hélène Dufau
Born (1858-04-04)4 April 1858
Bazoches-au-Houlme, Orne
Died 27 September 1915(1915-09-27) (aged 57)
Paris, France
Occupation Poet, novelist, critic
Literary movement Symbolism

Remy de Gourmont (4 April 1858 – 27 September 1915) was a French Symbolist poet, novelist, and influential critic. He was widely read in his era, and an important influence on Blaise Cendrars and Georges Bataille.[nb 1] The spelling Rémy de Gourmont is incorrect, albeit common and used by Ezra Pound in translations of his work.


De Gourmont was born at Bazoches-au-Houlme, Orne, into a publishing family from Cotentin. He was the son of Count Auguste-Marie de Gourmont and his countess, born Mathilde de Montfort. In 1866 he moved to a manor close to Villedieu near La Manche. He studied law at Caen, and was awarded a bachelor's degree in law in 1879; upon his graduation he moved to Paris.

Caricature of Gourmont by André Rouveyre, 1909

In 1881, de Gourmont was employed by the Bibliothèque nationale. He began to write for general circulation periodicals such as Le Monde and Le Contemporain. He took an interest in ancient literature, following the footsteps of Gustave Kahn. During this period, he also met Berthe Courrière, model for, and heir of, the sculptor Auguste Clésinger, with whom he formed a lifelong attachment, he and Berthe living together for the rest of their lives.

De Gourmont also began a literary alliance with Joris-Karl Huysmans, to whom he dedicated his prose work Le Latin mystique (Mystical Latin). In 1889 de Gourmont became one of the founders of the Mercure de France, which became a rallying point of the Symbolist movement.[1] Between 1893 and 1894 he was the co-editor, along with Alfred Jarry, of L'Ymagier, a magazine dedicated to symbolist wood carvings. In 1891 he published a polemic called Le Joujou Patriotisme (Patriotism, a toy) in which he argued that France and Germany shared an aesthetic culture and urged a rapprochement between the two countries, contrary to the wishes of nationalists in the French government. This political essay led to his losing his job at the Bibliothèque Nationale,[2] despite Octave Mirbeau's chronicles.

During this same period, de Gourmont was stricken with lupus vulgaris.[nb 2] Disfigured by this illness, he largely retired from public view appearing only at the offices of the Mercure de France. In 1910, de Gourmont met Natalie Clifford Barney, to whom he dedicated his Lettres à l'Amazone (Letters to the Amazon).

De Gourmont's health continued to decline and he began to suffer from locomotor ataxia and be increasingly unable to walk. He was deeply depressed by the outbreak of World War I and died in Paris of cerebral congestion in 1915. Berthe Courrière was his sole heir, inheriting a substantial body of unpublished work which she sent to his brother Jean de Gourmont, and dying within the year. De Gourmont is buried in Père-Lachaise Cemetery.


His poetic works include Litanies de la Rose (1892), Les Saintes du Paradis (1898), and Divertissements (1912). His anthology Hieroglyphes (1894), contains his experiments with the possibilities of sound and rhythm.[3] plunge from perhaps ironic piety to equally ironic blasphemy; they reflect, more than anything else, his interest in medieval Latin literature, and his works led to a fad for late Latin literature among authors like Joris-Karl Huysmans. He was also a literary critic and essayist of great importance, most notably his Le Problème du Style.[4] Created in response to Antoine Albalat's The Art of Writing in Twenty Lessons (1899),[5] Le Probleme du Style was a source book for many of the ideas that inspired the literary developments in both England and France[6] and was also admired by T. S. Eliot and Ezra Pound in that capacity. In 1921 Aldous Huxley translated Gourmont's novel A Virgin Heart. Pound observed in 1915 that the English Imagist poetic movement derived from the French Symbolistes,[7] Eliot describing Gourmont as the "critical conscience of his generation".[8]



  • Litanies de la Rose (1892).
  • Fleurs de Jadis (1893).
  • Hiéroglyphes (1894).
  • Les Saintes du Paradis (1899).
  • Oraisons Mauvaises (1900).
  • Simone (1901).
  • Divertissements (1912).
  • Poésies Inédites (1921).
  • Rimes Retrouvées (1979).
  • L'Odeur des Jacynthes (1991).


  • Merlette (novel, 1886).
  • Sixtine (novel, 1890).
  • Le Fantôme (1893).
  • Le Château Singulier (1894).
  • Proses Moroses (short stories, 1894).
  • Histoire Tragique de la Princesse Phénissa (1894).
  • Histoires Magiques (1884).
  • Le Pèlerin du Silence (1896).
  • Phocas (1895).
  • Les Chevaux de Diomède (novel, 1897).
  • D'un Pays Lointain. Miracles. Visages de Femmes (1898).
  • Le Songe d'une Femme (novel, 1899).
  • Une Nuit au Luxembourg (1906).
  • Un Cœur Virginal (1907).
  • Couleurs, Contes Nouveaux Suivi de Choses Anciennes (1908).
  • Lettres d'un Satyre (1913).
  • Lettres à l'Amazone (1914).
  • Monsieur Croquant (1918).
  • La Patience de Grisélidis (1920).
  • Lettres à Sixtine (1921).
  • Le Vase Magique (1923).
  • Fin de Promenade et Trois Autres Contes (short stories, 1925).
  • Le Désarroi (novel, 2006).


  • Lilith (1892).
  • Théodat (1893).
  • Le Vieux Roi (1897).
  • L'Ombre d'une Femme (1923).


  • Un Volcan en Éruption (1882).
  • Une Ville Ressuscitée (1883).
  • Bertrand Du Guesclin (1883).
  • Tempêtes et Naufrages (1883).
  • Les Derniers Jours de Pompéi (1884).
  • En Ballon (1884).
  • Les Français au Canada et en Acadie (1888).
  • Chez les Lapons, Mœurs, Coutumes et Légendes de la Laponie Norvégienne (1890).
  • Le Joujou Patriotisme (1891).
  • Le Latin Mystique. Les Poètes de l'Antiphonaire et la Symbolique au Moyen Âge (with a preface by J. K. Huysmans, 1892).
  • L'Idéalisme (1893).
  • L'Ymagier (with Alfred Jarry, 1896).
  • La Poésie Populaire (1896).
  • Le Livre des Masques (1896).
  • Almanach de "L'Ymagier", Zodiacal, Astrologique, Littéraire, Artistique, Magique, Cabalistique et Prophétique (1897).
  • Le Deuxième Livre des Masques (1898).
  • Esthétique de la Langue Française (1899).
  • La Culture des Idées (1900).
  • Preface to Les Petites Revues (1900).
  • Le Chemin de Velours (1902).
  • Le Problème du Style (1902).
  • Épilogues: Réflexions sur la Vie, 1895-1898 (1903).
  • Physique de l'Amour. Essai sur l'Instinct Sexuel (1903).
  • Promenades Littéraires (1904).
  • Judith Gautier (1904).
  • Promenades Philosophiques (1905).
  • Dante, Béatrice et la Poésie Amoureuse. Essai sur l'Idéal Féminin en Italie à la Fin du XIIIe Siècle (1908).
  • Le Chat de Misère. Idées et Images (1912).
  • La Petite Ville (1913).
  • Des pas sur le Sable (1914).
  • La Belgique Littéraire (1915).
  • Pendant l'Orage, Bois d'André Rouveyre (1915).
  • Dans la Tourmente (Avril-juillet 1915) (with a preface by Jean de Gourmont, 1916).
  • Pendant la Guerre. Lettres pour l'Argentine (with a preface by Jean de Gourmont, 1917).
  • Les Idées du Jour (1918).
    • Vol. I: (Octobre 1914-avril 1915).
    • Vol. II: (Mai 1915-septembre 1915).
  • Trois Légendes du Moyen Âge (1919).
  • Pensées Inédites (with a Preface by Guillaume Apollinaire, 1920).
  • Le Livret de "L'Ymagier" (1921).
  • Petits Crayons (1921).
  • Le Puits de la Vérité (1922).
  • Dernières Pensées Inédites (1924).
  • Dissociations (1925).
  • Nouvelles Dissociations (1925).
  • La Fin de l'Art (1925).
  • Les Femmes et le Langage (1925).
  • Deux Poètes de la Nature: Bryant et Emerson (1925).
  • Le Joujou et Trois Autres Essais (1926).
  • Lettres Intimes à l’Amazone (1926).
  • Promenades Littéraires (1929).

In English translation



  1. Gourmont was Georges Bataille's bedtime reading as a student. Cf. Surya, Michel (2002). Georges Bataille: An Intellectual Biography. New York: Verso. pp. 27–28.
  2. Denkinger, Marc (1937). "Remy de Gourmont Critique". PMLA. LII (4): 1148. Denkinger refers to the disease as "lupus tuberculeux", apparently lupus vulgaris, which is a form of tuberculosis of the skin, unrelated to systemic lupus erythematosus, the disease now commonly known as lupus.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>


  1. Burne 1963
  2. Curtis 1959, 40.
  3. Burne 1963
  4. Gourmont 1902
  5. Mattix, Micah (May 28, 2014). "The Art of Writing Well". The American Conservative. Retrieved 17 August 2016.CS1 maint: ref=harv (link)<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  6. Read 1957
  7. Tryphonopoulos & Adams 2005, 227.
  8. Eliot 1957, 44.


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Gourmont, Remy de (1902), Le Problème du Style, Paris: Société du Mercure de France<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>.
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Powys, John Cowper (1916), "Remy de Gourmont", Suspended Judgements, New York: G. Arnold Shaw, pp. 225–54<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>.
Ransome, Arthur (1912), "Translator's Preface", in Gourmont, Remy de (ed.), A Night in the Luxembourg, New York: Boni & Liveright, pp. 9–18<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>.
Read, Herbert (1957), The Tenth Muse, London: Routledge and Kegan Paul<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>.
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Further reading

External links