|Comune di Rimini|
Top left: View of Adriatic Sea and backyard in Rimini, top right: View of Rimini Beach in Lungomare area, bottom left: Malatesta Temple, Bottom middle:Arch of Augustus, Bottom upper right:Rimini City Museum and Pope Paul V in Cavour Square, Bottom lower right:Tiberius Bridge
|Coordinates: Lua error in Module:Coordinates at line 668: callParserFunction: function "#coordinates" was not found.|
|Province / Metropolitan city||Rimini (RN)|
|Frazioni||Bellariva, Corpolò, Marebello, Miramare di Rimini, Rivabella, Rivazzurra, San Fortunato, San Giuliano a Mare, San Vito, Santa Aquilina, Santa Giustina, Torre Pedrera, Viserba, Viserbella|
|• Mayor||Andrea Gnassi (PD)|
|• Total||134 km2 (52 sq mi)|
|Elevation||6 m (20 ft)|
|Population (1 January 2013)|
|• Density||1,100/km2 (2,800/sq mi)|
|Time zone||CET (UTC+1)|
|• Summer (DST)||CEST (UTC+2)|
|Postal code||47921, 47922, 47923, 47924|
|Patron saint||St. Gaudentius|
|Saint day||October 14|
Rimini (Italian pronunciation: [ˈriːmini] ( listen); Latin: Ariminum) is a city of 146,606 inhabitants in the Emilia-Romagna region of Italy and capital city of the Province of Rimini. It is located on the Adriatic Sea, on the coast between the rivers Marecchia (the ancient Ariminus) and Ausa (ancient Aprusa). It is one of the most famous seaside resorts in Europe, thanks to its 15-kilometre-long (9 mi) sandy beach, over 1,000 hotels, and thousands of bars, restaurants and discos. The first bathing establishment opened in 1843. An art city with ancient Roman and Renaissance monuments, Rimini is the hometown of the famous film director Federico Fellini as well.
Founded by the Romans in 268 BC, throughout their period of rule Rimini was a key communications link between the north and south of the peninsula, and on its soil Roman emperors erected monuments like the Arch of Augustus and the Tiberius Bridge, while during the Renaissance, the city benefited from the court of the House of Malatesta, which hosted artists like Leonardo and produced works such as the Malatesta Temple. In the 19th century, Rimini was one of the most active cities in the revolutionary front, hosting many of the movements aimed at the unification of Italy. In the course of World War II, the city was the scene of clashes and bombings, but also of a fierce partisan resistance that earned it the honor of a gold medal for civic valor. Finally, in recent years it has become one of the most important sites for trade fairs and conferences in Italy.
The total approximate population of the Rimini urban area is 225,000 and the provincial population is 330,000.
- 1 History
- 2 Geography
- 3 Demographics
- 4 Economy
- 5 Arts and culture
- 6 Cityscape
- 7 Parks and recreation
- 8 Education
- 9 Transports
- 10 Sports
- 11 Notable natives of Rimini and environs
- 12 Twin towns — Sister cities
- 13 See also
- 14 Bibliography
- 15 References
- 16 Sources and external links
- For ecclesiastical history, see Roman Catholic Diocese of Rimini
In 268 BC at the mouth of the Ariminus river, in an area that had previously been inhabited by the Etruscans, the Umbrians, the Greeks and the Gauls, the Romans founded the colony of Ariminum, probably from the name of a nearby river, Ariminus (today, Marecchia). Previously the area had been Gaulish, from the 6th century BC, to that group's final defeat in 283 BC by the Umbri, in whose possession it remained until 263 BC when it became a Latin colony very helpful to the Romans during the late Gallic Wars.
The city was involved in the civil wars but remained faithful to the popular party and to its leaders, firstly Marius, and then Caesar. After crossing the Rubicon, the latter made his legendary appeal to the legions in the Forum of Rimini.
Ariminum was seen as a bastion against invaders from Gaul and also as a springboard for conquering the Padana plain. As the terminus of the Via Flaminia, which ended here in the surviving prestigious Arch of Augustus (erected 27 BC), Rimini was a road junction connecting central Italy and northern Italy by the Via Aemilia that led to Piacenza and the Via Popilia that extended northwards; it also opened up trade by sea and river. Remains of the amphitheater that could seat 12000 people, and a five-arched bridge of Istrian stone completed by Tiberius (21 AD) are also still visible. Later Galla Placida built the church of San Stefano.
Crisis in the Roman world was marked by destruction caused by invasions and wars, but also by the testimony of the palaces of the Imperial officers and the first churches, the symbol of the spread of Christianity that held an important Council in Rimini in 359.
When the Ostrogoths conquered Rimini in 493, Odoacer, besieged in Ravenna, had to capitulate. During the Gothic War Rimini was taken and retaken many times. In its vicinity the Byzantine general Narses overthrew (553) the Alamanni. Under the Byzantine rule, it belonged to the Pentapolis, part of the Exarchate of Ravenna.
In 728, it was taken with many other cities by the Lombard King Liutprand but returned to the Byzantines about 735. King Pepin gave it to the Holy See, but during the wars of the popes and the Italian cities against the emperors, Rimini sided with the latter.
In the 13th century, it suffered from the discords of the Gambacari and Ansidei families. The city became a municipality in the 14th century and with the arrival of the religious orders, numerous convents and churches were built, providing work for many illustrious artists. In fact, Giotto inspired the 14th-century School of Rimini, which was the expression of original cultural ferment.
The Malatesta family emerged from the struggles between municipal factions with Malatesta da Verucchio, who in 1239 was named podestà (feudal lord) of the city. Despite interruptions, his family held authority until 1528. In 1312 he was succeeded by Malatesta II, first signore (lord) of the city and Pandolfo I, the latter's brother, named by Louis the Bavarian imperial vicar in Romagna. Ferrantino, son of Malatesta II (1335), was opposed by his cousin Ramberto and by Cardinal Bertando del Poggetto (1331), legate of John XXII. Malatesta Guastafamiglia (1363) was also lord of Pesaro. He was succeeded by Malatesta Ungaro (1373) and Galeotto, uncle of the former (1385), lord also of Fano (from 1340), Pesaro, and Cesena (1378).
His son Carlo, one of the most respected condottieri of the time, enlarged the Riminese possessions and restored the port. Carlo died childless in 1429, and the lordship was divided into three parts, Rimini going to Galeotto Roberto, a Catholic zealot who turned out to be totally inadequate for the role. The Pesarese line of the Malatestas tried, in fact, to take advantage of his weakness and to capture the city, but Sigismondo Pandolfo Malatesta, Carlo's nephew, who was only 14 at the time, intervened to save it. Galeotto retired to a convent, and Sigismondo obtained the rule of Rimini.
Sigismondo Pandolfo was the most famous lord of Rimini. In 1433 Emperor Sigismund soujourned in the city and for a while he was the commander-in-chief of the Papal armies. A skilled general, Sigismondo often acted as condottiero for other states to gain money to embellish it (he was also a dilettante poet). He had the famous Tempio Malatestiano rebuilt by Leon Battista Alberti. However, after the rise of Pope Pius II he had to fight constantly for the independence of the city. In 1463 he was forced to submit to Pius II, who left him only Rimini and little more; Roberto Malatesta, his son (1482), under pope Paul II nearly lost his state but under Sixtus IV became the commanding officer of the pontifical army against Ferdinand of Naples. Sigismondo was, however, defeated by Neapolitan forces in the battle of Campomorto (1482). Pandolfo IV, his son (1500), lost Rimini to Cesare Borgia, after whose overthrow it fell to Venice (1503–1509), but it was later retaken by pope Julius II and incorporated into the Papal States. After the death of pope Leo X, Pandolfo returned for several months, and with his son Sigismondo held a rule which looked tyrannous even for the time. Pope Adrian VI expelled him again and gave Rimini to the Duke of Urbino, the pope's vicar in Romagna. In 1527 Sigismondo managed to regain the city, but in the following year the Malatesta dominion died forever.
At the beginning of the 16th century, Rimini, now a secondary town of the Papal States, was ruled by an Apostolic Legate. Towards the end of the 16th century, the municipal square (now Piazza Cavour), which had been closed off on a site where the Poletti Theatre was subsequently built, was redesigned. The statue of Pope Paul V has stood in the centre of the square next to the fountain since 1614.
In the 16th century, the 'grand square' (now the Piazza Tre Martiri in honor of three civilians hanged by the retreating Nazis at the end of World War II), which was where markets and tournaments were held, underwent various changes. A small temple dedicated to Saint Anthony of Padua and a clock tower were built there, giving the square its present shape and size.
Until the 18th century raiding armies, earthquakes, famines, floods and pirate attacks ravaged the city. In this gloomy situation and due to a weakened local economy, fishing took on great importance, a fact testified by the construction of structures such as the fish market and the lighthouse.
In 1797 Rimini, along with the rest of Romagna, was affected by the passage of the Napoleonic army and became part of the Cisalpine Republic. Napoleonic policy suppressed the monastic orders, confiscating their property and thus dispersing a substantial heritage, and demolished many churches including the ancient cathedral of Santa Colomba. On 30 March 1815, Joachim Murat launched his Rimini Proclamation to the Italian people from here, hoping to incite them to unity and independence. In 1845 a band of adventurers commanded by Ribbotti entered the city and proclaimed a constitution which was soon abolished. In 1860 Rimini and Romagna were incorporated into the Kingdom of Italy.
The city was transformed after the 1843 founding of the first bathing establishment and the Kursaal, a building constructed to host sumptuous social events, became the symbol of Rimini's status as a tourist resort. In just a few years the seafront underwent considerable development work making Rimini 'the city of small villas'. At the beginning of the 20th century The Grand Hotel, the city’s first major accommodation facility, was built near the beach.
During the first World War Rimini and its surrounding infrastructure was one of the primary targets of the Austro-Hungarian Navy. After Italy's declaration of war on 15 May 1915 the Austro-Hungarian fleet left its harbours the same day and started its assault on the Adriatic coast between Venice and Barletta.
During World War II the city was torn apart by heavy bombardments and by the passage of the front over the Gothic Line during the Battle of Rimini and was eventually captured by Greek and Canadian forces. Following its liberation on September 21, 1944, reconstruction work began, culminating in huge development of the tourist industry in the city.
Rimini is situated at 44°03’00’’ of latitude North e 12°34’00’’ of longitude East, along the coast of the Adriatic sea, at the south-eastern edge of Emilia-Romagna, at a short distance from Montefeltro and Marche. Rimini extends for 135.71 square km and borders the municipalities of Bellaria-Igea Marina, San Mauro Pascoli and Santarcangelo di Romagna towards NW, Verucchio and Serravalle towards SW, Coriano towards S and Riccione towards SE.
Rimini is located in a historically strategic position, at the extreme southern edge of the Po Valley, at the junction point of Northern and Central Italy. It is surrounded towards southwest by the gently hills of Covignano (153 metres high), Vergiano (81 m), San Martino Monte l’Abbate (57 m) and San Lorenzo in Correggiano (60 m), widely cultivated, with vineyards, olive groves and orchards, and dominated by ancient mansions. These hills, mostly made of clay and sand, connect the plains, created by Marecchia and Ausa, the two most important rivers of Rimini territory, to the higher hills of the Apennines.
The Marecchia river runs through its valley and the plain in a very large riverbed and, after receiving the waters of Ausa, it flows into the Adriatic sea through a deviator between San Giuliano Mare and Rivabella, while the ancient riverbed is used in its last section as the city’s harbour. The Marecchia, usually poor of water, was subjected to periodic, destructive floods near its mouth, where the riverbed became narrow after various bend: for this reason it was deviated towards North. Ausa creek, which was the eastern limit of Rimini for many centuries, was deviated as well after World War II, and its original riverbed was filled and turned into an urban park.
The coastal strip, made of recents marine deposits, is edged by a fine sandy beach, 15 km long and up to 200 metres wide, interrupted only by the mouth of the rivers and gently shelving towards the sea. Along the coastline there is a low sandy cliff, created by sea rise around 4000 B.C., partly conservated north of Rimini, between Rivabella and Bellaria-Igea Marina, at a distance of about 1,300 metres from the sea.
Rimini’s territory, for its geographical position and its climatic features, is situated on the edge between the mediterranean and the central European phytoclimatic zones, and thus it represents an environment of notable naturalistic value.
Rimini is the main centre of a 50 kilometres (31 miles) long coastal conurbation, which extends from Cervia to Gabicce Mare, including the seaside resorts of Cesenatico, Gatteo a Mare, Bellaria-Igea Marina, Riccione, Misano Adriatico and Cattolica. The conurbation has about 300,000 inhabitants and originated around the mid 20th century due to urban sprawl following intensive tourism development.
The city of Rimini includes the seaside localities and districts of Torre Pedrera, Viserbella, Viserba, Rivabella, San Giuliano Mare towards North and Bellariva, Marebello, Rivazzurra, Miramare towards South.
The city proper includes the historic centre, the four ancient boroughs of S. Giuliano, S. Giovanni, S. Andrea and Marina, the seaside district of Marina Centro and various modern districts - Celle, Marecchiese, INA Casa, V PEEP, Colonnella, Lagomaggio - and outer suburbs such as Padulli, Spadarolo, Covignano, Grottarossa and Villaggio 1° Maggio, located outside of the Adriatic Highway beltline. More outer suburbs are S. Giustina, S. Vito, Spadarolo, Vergiano, Corpolò and Gaiofana.
The historic centre of Rimini, surrounded by the city walls built by Malatesta, and formerly bounded by Marecchia and Ausa, has a distinctive, regular urban structure of Roman origins. It was divided since Middle Ages in four districts (Rioni): Cittadella, Clodio, Pomposo and Montecavallo. The boundaries of these districts are not known, but it is assumed that they followed the current Corso d’Augusto, Via Garibaldi and Via Gambalunga.
Rione Cittadella, in the western area of the centre, was the most important district of the city and included the Municipal palaces, Castel Sismondo and the Cathedral of Santa Colomba. Rione Clodio, towards north, was popular and a peculiar urban structure tied with the near Marecchia river and the ancient coastline, situated much inland than today’s one. Rione Pomposo, the most wide district of the city, included large orchards and convents. Rione Montecavallo, on the southern part of the historical centre, is characterized by bowed, irregular streets of medieval origins, by the Fossa Patara creek and a small hill called “Montirone”.
Outside of the city walls, there are four boroughs (Borghi), which were entirely incorporated to the city by the urban sprawl in early 20th century.
Borgo S. Giuliano, along Via Emilia, dates back to 11th century and was originally a fishermen’s settlement. Dominated by the Church of San Giuliano, it is one of the most picturesque spots of the city, with narrow streets and squares, colourful small houses and many frescoes representing characters and places of Federico Fellini’s films.
Borgo S. Giovanni, on both sides of Via Flaminia, was populated of artisans and middle-class; Borgo S. Andrea, located outside of Porta Montanara, along Via Covignano, Via Montefeltro and Via Monte Titano, was strictly tied with agriculture and commerce of cows. Both this two boroughs were developed in 15th century; then they burned in a fire in 1469 and were rebuilt in 19th century, relocating small industries and manufactures, including a brick factory and a phosphorus matches factory.
Borgo Marina, situated on the right bank of Marecchia, was a portual borough, heavily transformated by Fascist demolitions and World War II bombings, which hit this area due to the proximity to the bridges of the city and the railway station.
Rimini has a humid subtropical climate (Köppen: Cfa), with transitional features of mediterranean climate (Csa). According to Rivas-Martinez classification, it is included in the temperate sub-mediterranean climate zone.
The climate is moderated by the influence of the Adriatic sea, and it is relatively dry, due to the partial protection of the Apennines towards oceanic fronts. Rimini has the highest autumn and winter mean temperatures and the highest annual low temperatures in Emilia-Romagna.
Precipitations are relatively high (655 mm) and equally distributed during the year, with a peak in October (75 mm) and two minimums, in January (42 mm) and July (43 mm). In spring, autumn and winter precipitations mainly come from oceanic fronts, while in summer they are brought by thunderstorms, coming from the Apennines or the Po Valley.
Humidity is high all year round, with a minimum of 72% in June and July and a maximum of 84% in November and December. Prevailing winds blow from W, S, E and NE. Southwesterly winds, known as libeccio or garbino, are hot and dry foehn winds, which may bring very high temperatures in each season. On average, there are over 2,040 sunshine hours per year.
|Climate data for Rimini-Miramare 1971–2000|
|Record high °C (°F)||20.0
|Average high °C (°F)||7.7
|Daily mean °C (°F)||4.0
|Average low °C (°F)||0.4
|Record low °C (°F)||−17.2
|Average precipitation mm (inches)||41.8
|Average precipitation days (≥ 1.0 mm)||6||6||6||7||7||6||4||6||7||8||7||7||77|
|Source: MeteoAM |
As of 2014, Rimini has 147,537 inhabitants, with a density of over 1.080 inhabitants per square kilometre within the city limits.
In 1861, by the time of the first Italian census, the population was around 28.000; in 1931 was more than double, 57.000.
With the increasing tourism development, population rapidly grew between 1951 and 1981, the fastest growing period for Rimini in the 20th century, when the city’s population grew from 77.000 to over 128.000. By the end of the century, population growth rate slowed down due to the marked decreasing of natality rate, before rising again in the first decade of the 21st century, thanks to immigration.
Foreign population is 18,396, (12.5% of the total), mainly from eastern Europe, eastern Asia and northern Africa. Between 1992 and 2014, foreign population grew from around 1.800 to over 18.000 units. The most important foreign communities are Albanians (3.479), Romanians (2.904), Ukrainians (2.409), Chinese (1.197) and Moldovans (1.023). Other notable foreign groups in the city are Senegaleses, Moroccans, Macedonians, Tunisians, Russians, Bangladeshi and Peruvians.
The first cathedral of the diocese was the former Cathedral of Santa Colomba until 1798, when the title was transferred to the church of Sant’Agostino. Since 1809, Rimini’s cathedral is the Tempio Malatestiano.
Besides Roman Catholic churches, there are also Orthodox, Evangelical and Adventist churches. Between 13th and 14th century Rimini had a flourishing Jewish community, which built three distinct synagogues, all destroyed, formerly located around the area of Piazza Cavour, Via Cairoli and Santa Colomba.
Rimini is a major international tourist destination and seaside resort, among the most famous ones in Europe and the Mediterranean basin, thanks to a long sandy beach, well-equipped bathing establishments, theme parks and a number of opportunities for leisure and spare time. The economy of the city is entirely based on tourism, whose development started in the first half of the 19th century and increased after World War II.
Rimini’s origins as a seaside resort date back to 1843, when was founded the first “Bathing Establishment”, the oldest one of the Adriatic Sea. The wideness of the beach, the gentle gradient of the sea bed, the equipment of bathing establishments, the luxurious hotels, the mildness of the climate, the richness of curative waters, the prestigious social events, made Rimini a renowned tourist destination among the Italian and European aristocracy.
Tourism in Rimini started as therapeutic stay (thalassotherapy, idrotherapy and heliotherapy), evolving in élite vacation in the late 19th century, in middle-class tourism during the fascist era and finally in mass tourism in the postwar period.
Rimini concentrates a quarter of Emilia-Romagna’s hotels, with over 1,000 hotels, 300 of which are open all year round, and hundreds of apartment hotels, apartments, holiday homes, bed & breakfast and campings. Tourism is mainly based on seaside holidays, but also includes trade fairs and conventions, events, nightlife, culture, wellness, food and wine. Rimini is a leading trade fair and convention site in Italy, with an important Trade Fair (Rimini Fiera) and a Convention centre (Palacongressi di Rimini).
The city’s others economic sectors, such as services, commerce, construction industry, have been influenced by the development of tourism. Commerce is one of the main economic sectors, thanks to the presence of a large wholesale center, two hypermarkets, department stores, supermarkets and hundreds of shops and boutiques. Industry, less developed than tourism and services, includes various companies active in food industry, woodworking machineries, building constructions, furnishing, clothing and publishing. Notable companies are Bimota (motorcycles), SCM (woodworking machines), Trevi S.p.A. (electronic goods). Rimini is also seat of a historic railway works plant.
Agriculture and fishing were the city’s main economic sources until the early 20th century. Rimini boasts an important tradition in wine production (Sangiovese, Trebbiano, Rebola, Pagadebit, Albana wines) and an historic extra virgin olive oil production. The most common crops of the area, besides vineyards and olive groves, are orchards (peaches, nectarines, apricots, persimmons, apples, pears, cherries, kiwifruits and plums), vegetables and legumes (lettuce, zucchini, potatoes, tomatoes, beans, green beans, cauliflowers, fennels, strawberries), seminatives (wheat, barley, grain sorghum, corn, oat), sunflowers and canola. Fishing industry can count on a fleet of about 100 fishing boats, the most consistent of Rimini’s fishing department, which includes the coast between Cattolica and Cesenatico.
Arts and culture
The City Museum (Museo della Città), main museal institution of Rimini, was inaugurated as “Archaeology Gallery”, at the ground floor of Palazzo Gambalunga in 1872, thanks to riminese historian Luigi Tonini, active in researching and studying the local archaeological heritage. The Archaeology Gallery was the first museum of the city and was conceived as a collection of Etruscan civilization and Roman antiquities, found in Rimini and in the surrounding countryside.
The civic museum was arranged in San Francesco monastery in 1923 and in 1938 was enlarged with a section of Medieval Art. The objects avoid the destructions of World War II, being moved between 1940 and 1943 in two different shelters in Spadarolo and Novafeltria. In 1964, the collections were moved to Palazzo Visconti and finally, from 1990, in the Collegio dei Gesuiti, a large Jesuites convent designed by bolognese architect Alfonso Torreggiani, built in 1749.
In the Archaeological department are exhibited grave goods from Villanovian tombs of Verucchio and Covignano, architectural pieces, sculptures, mosaics, ceramics, coins of Republican and Imperial eras, and the exceptional medical kit from the Domus del Chirurgo. The collection of the Roman Lapidary, exhibited in the inner courtyard of the convent, has funerary monuments, epigraphies and milestones.
The Medieval and Modern Art departments include collections of paintings, sculptures and art objects by artists from Romagna (Giovanni da Rimini, Giuliano da Rimini, Guido Cagnacci), Emilia (Guercino, Vittorio Maria Bigari), Tuscany (Domenico Ghirlandaio, Agostino di Duccio) and Veneto (Giovanni Bellini), from 14th to 19th century. The City Museum arranges temporary exhibitions and promotes researches, study and restoration activities of the city’s historical and artistic heritage.
The Fellini Museum (Museo Fellini), dedicated to Federico Fellini, houses temporary exhibitions of documents, drawings, scenographies and costumes related to the movie production of the famous film director.
The Museum of Glances (Museo degli Sguardi), housed in Villa Alvarado, on Covignano hill, was instituted in 2005 acquiring the objects of the former Museum of Extra European Cultures “Dinz Rialto”, founded in Rimini in 1972 by explorer Delfino Dinz Rialto, the art pieces of the former Missionary Museum of the Grazie and other private collections. The museum has over 3,000 objects coming from China, Oceania, Africa and pre-Columbian America, with paintings, sculptures, everyday objects, totems, masks, musical instruments and clothes illustrating how the Western world has looked at these territories’ cultures through history.
The Museum of Small Fishing and Marine (Museo della Piccola Pesca e della Marineria), in Viserbella, shows the history of Rimini’s Marine through a collection of boats, fishing tools, photographs and a large seashells collection, with pieces from all over the Mediterranean Sea.
In the municipality of Rimini there are also two private museums: the Aviation Museum (Museo dell’Aviazione) in Sant’Aquilina, close to the boundary of the Republic of San Marino, and the National Museum of Motorcycle (Museo Nazionale del Motociclo) in Casalecchio.
The Gambalunghiana Library, historic institution founded in 1617 by jurist Alessandro Gambalunga, plays a leading role in the city’s cultural life. The library has over 280.000 books, including 60.000 ancient books, 1.350 manuscripts, 6.000 prints and 80.000 photographs. Among the incunables, dated back from the 15th century, stand out De Claris mulieribus (1497) by Giacomo Filippo Foresti and De re militari by Roberto Valturio. The collection of illuminated manuscripts, coming from different cultural and linguistic European boundaries, includes the Regalis Historia by Frate Leonardo and De Civitate Dei by Saint Augustine.
Theatre and Films
The first stable theatre in Rimini is documented since 1681, when the city council decided the transformation of the Arengo’s main hall into a large theatre hall, hosting shows of amateur dramatics companies and the young Carlo Goldoni, who was studying philosophy in the city at that time. Between 1842 and 1857 was built the great Municipal Theatre Vittorio Emanuele II, designed in Neoclassical style by the architect Luigi Poletti, according to the traditional canons of the 19th-century Italian theatre. The theatre was inaugurated by Giuseppe Verdi, who directed “L’Aroldo”, and hosted prestigious opera seasons until its destruction, occurred in 1943 due to aerial bombings. Since then, theatre shows has been hosted in the modern Teatro Ermete Novelli in Marina Centro.
Rimini appeared on the movie screen for the first time in some early footages, such as the documentary “Rimini l’Ostenda d’Italia” (1912), and in various Istituto Luce’s newsreels in the Thirties. Worldwide famous film director Federico Fellini, born and raised in Rimini, portrayed characters, places and atmospheres of its hometown through its movies, which however were almost entirely shot in Cinecittà’s studios in Rome: I Vitelloni, 8 e ½ (Oscar award in 1964), I clowns, Amarcord (Oscar award in 1975). Other italian movies filmed in Rimini includes “La prima notte di quiete” by Valerio Zurlini, "Rimini Rimini" by Sergio Corbucci, "Abbronzatissimi" by Bruno Gaburro, “Sole negli occhi” by Andrea Porporati, “Da zero a dieci” by Luciano Ligabue and “Non pensarci” by Gianni Zanasi.
The earliest musician from Rimini was Saint Arduino (10th century); a musical tradition of some relief is witnessed in the following century by the presence of a music school, named “Scuola cantorum”, at the Cathedral of Santa Colomba. French composer Guillaume Dufay stayed in Rimini, at Malatesta’s, court until 1427. In 1518 Pietro Aaron became the first choirmaster of the Cathedral’s chapel. In 1690 Carlo Tessarini, violinist and composer, was born in Rimini. The city also gave birth to the musician Benedetto Neri, professor at the Academy of Music in Milan.
Amintore Galli, illustrious musicologist and composer born in Talamello in 1845, attended the city’s Classical Lyceum before moving to Milan, where he studied at the Academy of Music; in 1945 the Municipal Theatre of Rimini was dedicated to him.
Between the late 19th and early 20th centuries, many social events and dance party took place at the Bathing Establishment, hosting celebrities such as soprano Elena Bianchini Cappelli and tenor Enrico Caruso.
In recent years, the city inspired the homonymous music album by Fabrizio De André, released in 1978, and it is cited in various popular Italian and foreign songs by Fabrizio De André, Francesco Guccini, Nino Rota, Elvis Costello, Fred Buscaglione. In Rimini were also born the songwriter Samuele Bersani and the composer and music producer Carlo Alberto Rossi, author of some of Mina’s songs.
Rimini’s cuisine is simple and characterized by intense flavours, and it is indissolubly related to the traditions of rural culture, with peculiar influences due to the city’s position between the sea and the hills, near the edge between Romagna and Marche.
The traditional main course is pasta, which includes regular pasta, pasta in broth and baked pasta, prepared in many different shapes. Almost all of pasta dishes require a base of “sfoglia”, a dough of eggs and flour, handmade with a rolling pin. First courses include cappelletti, passatelli in broth, lasagne, cannelloni, nidi di rondine, ravioli, tagliatelle, garganelli, maltagliati, gnocchi and strozzapreti, seasoned with bolognese sauce or a dressing of butter and sage.
Second courses include meat dishes, such as pollo alla cacciatora, rabbit in porchetta, meat-filled zucchini, sausages and mixed grilled meats, and fish dishes, like barbecues of atlantic mackerels, sardines, rotisseries of oily fishes, sepias with peas, fried squids and gianchetti (known here as “omini nudi”).
Piada is a flatbread of ancient traditions, thin and crumbly, obtained from a dough of flour, water, lard and salt, and baked on a schorching “testo” of terracotta or cast iron. It is often accompanied by grilled meats or fishes, sausages, gratinée vegetables, salami, prosciutto, fresh cheeses and country herbs. Cassoni, or cascioni, are stuffed flatbreads similar to piada, with various fillings: country herbs, potatoes and sausages, tomato and mozzarella. Side dishes include mixed salads, gratinée vegetables, roasted potatoes, sautée bladder campion leaves, marinated olives with dill, garlic and orange zest.
Traditional desserts are ciambella, Carnevale’s fried fiocchetti and castagnole, piada dei morti (a doughnuts with walnuts, raisins, pinenuts and almonds, prepared in November), zuppa inglese (a rich dessert with custard, savoiardi and liqueurs), caramelized figs, peaches in white wine and strawberries in red wine.
Typical local products are squacquerone (a fresh cheese) and saba, a grape syrup used to prepare desserts. Quality extra virgin olive oil is traditionally produced in Rimini area since ancient times. The most famous wines include Sangiovese, Trebbiano, Pagadebit, Rebola, Cabernet Sauvignon and Albana, a dessert wine of Roman origins.
Rimini has a rich historical and artistic heritage, which includes churches and monasteries, villas and palaces, fortifications, archaeological sites, streets and squares. This richness is the result of the succession of various civilizations, dominations and historical events through 22 centuries of history: the Romans, the Byzantines, the role of medieval comune and capital of the Malatesta seignory, the Venetian Republic and the Papal States dominations.
The city has always been a key gate to the Orient and the southern areas of the Mediterranean, thanks to its geographical position and the importance of its harbour, and a meeting point between cultures of Northern and Central Italy.
Rimini has monuments of all epochs, with important examples of architecture from the Roman age, such as the Arch of Augustus, the Tiberius Bridge, the Amphiteatre and the Domus del Chirurgo; from the Middle Ages, such as the Palazzo dell’Arengo, the church of Sant’Agostino and Castel Sismondo; from the Renaissance, with the Tempio Malatestiano, masterpiece of Leon Battista Alberti.
Rimini’s archaeological heritage includes various domus of Republican and Imperial age, characterized by polychrome or black and white mosaics, necropolis and sections of the pavement of the ancient Roman streets. The city, along with its boroughs and the seaside district of Marina Centro, also preserves a wide architectural heritage from the Baroque, the Neoclassical and Art Nouveau periods, with churches, palaces, hotels and mansions, which reveal its role of cultural, political, trading centre and famous seaside resort.
The city has a Roman structure, partly modified by following medieval transformations. A continuous evolution, through the urban renovation of the Malatesta, earthquakes, the suppressions of monasteries, has led to a peculiar stratification of historic sites and buildings. The bombings of World War II destroyed the city almost completely, compromising the monumental heritage and the integrity of the city centre, which has been reconstructed and restored in order to valorize its historic places and its numerous fine buildings.
- Tempio Malatestiano: The original 13th-century cathedral of San Francesco was built in Gothic style, but it was transformed into a Renaissance masterwork by the Florentine architect Leon Battista Alberti, working under the commission of Sigismondo Pandolfo Malatesta, hence the name. In the cathedral are the tombs of Sigismondo and his wife Isotta.
- Bell tower of the former Cathedral of Santa Colomba.
- Church of Sant'Agostino.
- Church of San Fortunato (1418): This church houses the Adoration of the Magi (1547) by Giorgio Vasari.
- Church of San Giovanni Battista: This church was erected in the 12th century. It has a single nave with rich stucco decoration from the 18th century.
- Church of San Giuliano Martire (1553–1575): The church houses the great picture of Paul Veronese (1588) representing the martyrdom of that saint. The church also shelters the polyptych (1409) by Bittino da Faenza (1357–1427) depicting episodes of this saint's life.
- Church of Santa Maria dei Servi: Built in 1317 by the religious order of the Servants of Mary and entirely transformed in 1779 by architect Gaetano Stegani, which was buried here. The façade was ultimated in 1894 by Giuseppe Urbani. The interior has a single nave, adorned with coupled columns on each side and rich Baroque plasters.
- Church of Suffragio: Situated in Piazza Ferrari, was constructed by the Jesuites in 1721, designed by Giovan Francesco Buonamici. It features an unfinished brick façade. The interior, shaped in the form of the Latin Cross, has a single nave flanked by chapels and adorned by plain Baroque decorations and paintings by Guido Cagnacci.
- Tempietto of Sant’Antonio
Palaces, castles and villas
- Castel Sismondo or Rocca Malatestiana: This castle built by Sigismondo Pandolfo was later used as a prison.
- Grand Hotel: The Grand Hotel was built in Art Nouveau style by Swiss architect Paolito Somazzi between 1906 and 1908. and protected as “National monument” in 1994. The building is preceded by a wide elevated terrace and it has two central towers which were originally topped by moorish domes, with rich floreal decorations. The hotel has 117 bedrooms, a large atrium, a restaurant and several living rooms, ornated by ancient furnitures and 18th century Venetian chandeliers. The hotel hosted many illustrious peoples, sovereigns, nobles and exponents of the European bourgeoisie.
- Palazzo dell'Arengo e del Podestà (1204): This building was the seat of the judiciary and civil administrations. On the short side in the 14th century the podestà residence was added. It was modified at the end of the 16th century.
- Palazzo Garampi.
- Teatro Galli: This theater was originally dedicated to king Victor Emmanuel II and then to the musician Amintore Galli, it was designed by architect Luigi Poletti. It was inaugurated in 1857 with an opera by Giuseppe Verdi (Aroldo). The theatre was bombed during World War II. Since then it is still a ruin in the city centre. Many projects and plans have been made to restore it during the years, the latest having been announced in 2010.
- Villa Des Vergers: It is the largest and most famous riminese villa, situated on the hills of San Lorenzo in Correggiano, about 6 km from the city centre. The villa was built in the 17th century for want of the Diotallevi family; in 1843 it was purchased by French historian and archaeologist Adolphe Noel des Vergers and entirely renovated between 1880 and 1890 by architect Arthur-Stanislas Diet. The palace is a typical example of Napoleone III Eclectic architecture, with a main building preceded by a pronaos and flanked by two lateral wings, and internal halls characterized by Neoclassical furnitures and decorations. The villa is surrounded by a 6 hectares park, which includes a water parterre, a formal giardino all'italiana and a landscape garden, with groups of evergreen oaks, pines and cypresses which frame the palace in scenographic perspectives.
- Arch of Augustus: This arch built in 27 BC has a single gate 9.92 metres (33 ft) high and 8.45 metres (28 ft) wide. Merlons were added in the Middle Ages. It was restored in the 18th century by Tommaso Temanza.
- Fontana della Pigna.
- Fontana dei Quattro Cavalli: The fountain is one of the symbols of Rimini as a seaside resort, built in 1928 by riminese sculptor Filogenio Fabbri. Demolished in 1954, was accurately reconstructed in 1983, recomposing the original parts. The fountain features a large circular basin, overlooked by four marine horses which sustain the superior basin.
- Monument to Pope Paul V.
- Tiberius Bridge: This bridge on the river Marecchia was begun under Emperor Augustus in 14 AD, as the inscription on the internal parapets recalls, and completed under Tiberius in 21. The bridge still connects the city centre to Borgo San Giuliano and leads to the consular roads Via Emilia and Via Popilia that lead north. Built in Istria stone, the bridge consists of five arches that rest on massive pillars with breakwater spurs set at an oblique angle with respect to the bridge’s axis in order to follow the current. The bridge’s structure, on the other hand, rests on a practical system of wooden poles.
- Torre dell’Orologio: The Clock tower was built in 1547 in Piazza Tre Martiri, replacing the ancient “beccherie” (public butcher’s), and reconstructed in 1759 by Giovan Francesco Buonamici. In 1875 the top of the tower ruined due to an earthquake, and it was restored in 1933. The clock, which dates back to 1562, overlook a perpetual calendar assembled in 1750, decorated by terracotta panels depicting zodiacal signs, months and lunar phases. The central, blind arch of the porch houses the memorial of the victims of World War II.
- Roman amphitheater (2nd century): The amphitheater was erected alongside the ancient coast line, and had two orders of porticoes with 60 arcades. It had elliptical shape, with axes of 117.7 by 88 metres (386 by 289 ft). The arena measured 73 by 44 metres (240 by 144 ft), not much smaller than the greatest Roman amphitheatres: the edifice could house up to 15,000 spectators.
Parks and recreation
Rimini has a wide parks system, with 1.3 million square metres of parks and gardens inside the urban area and a total of 2.8 million square metres of green areas inside the city limits, including river parks, sport facilities and natural areas.
The main parks of the city are XXV Aprile Park, Giovanni Paolo II Park, Alcide Cervi Park, Fabbri Park, Ghirlandetta Park, Federico Fellini Park, Pertini Park in Marebello and Briolini Park in San Giuliano Mare.
In Rimini there are about 42.000 public trees, belonging to 190 different species, predominantly linden, planes, maples, poplars, pines and oaks. 23 of these are old trees, protected as “monumental trees” for their age and their naturalistic value, such as the plane of piazza Malatesta, the downy oak of Giovanni Paolo II Park, the cypresses of Sant’Agostino, the elm of Viale Vespucci and the linden trees of San Fortunato.
The city’s cycling network is articulated inside the main parks and boulevards, linking the most important monuments, tourist attractions, beaches, meeting places, offering various opportunities to different use categories, including urban travels, mountain bike and cyclotourism.
The urban cycling network is connected, through XXV Aprile Park, to the cycle route which links Rimini and Saiano, along the river Marecchia.
Rimini is the seat of a Campus of University of Bologna, attended by 5.800 students, which include bachelors and masters belonging to eight Faculties: Economy, Statistical Sciences, Pharmacy, Literature and Philosophy, Industrial Chemistry, Sport Sciences, Medicine and Surgery. The city has public school of all levels, including 13 nurseries, 12 kindergartens, 39 primary schools, 5 secondary schools and 11 high schools (4 Lyceums, 3 Technical Institutes, 3 Professional Institutes and an Institute of Musical Studies). The most ancient city’s Lyceum, the Classical Lyceum “Giulio Cesare”, founded in 1800, was attended by Giovanni Pascoli and Federico Fellini.
Rimini is an important road and railway junction, thanks to its position at the intersection between the Adriatic coastal routes and the Po Valley ones and its proximity to the Republic of San Marino.
The Adriatic motorway (A14) connects Rimini to Bologna towards North and Taranto towards South, through the tolls of Rimini Nord and Rimini Sud. Rimini is a junction of three highways of Roman origins: the Via Emilia (SS 9) to Milan, the Via Flaminia (SS 16) to Rome and the Via Popilia (SS 16) to Padova.
The Rimini-San Marino Highway (SS 72) connects the Adriatic Riviera to the capital of the Republic of San Marino, entering the Sammarinese territory after the State limit at Dogana.
Via Marecchiese (SP 258), leading to Sansepolcro, pass through the Apennines at Viamaggio Pass and links Rimini to its hinterland, Tuscany and the Tiber Valley. Roads of local importance are the provincial roads to Coriano (SP 31), Montescudo (SP 41) and Santa Cristina (SP 69).
Rimini is a major junction of the regional railway network and it is one of the main stations of the Adriatic railway. Rimini Station is a junction of the railroad lines Bologna-Ancona and Ferrara-Ravenna-Rimini, and trains of all categories stop there, including Frecciarossa and Frecciabianca. It is also the ending point of long-distance railway services to Rome and of regional services to Bologna, Castelbolognese, Ancona and Ravenna.
Rimini also has four minor railway stations: Miramare, Viserba, Torre Pedrera, served by regional services, and Rimini Fiera, periodically served by regional and intercity services in conjunction of the main trade fairs.
The city is served by the Federico Fellini International Airport, at Miramare, the second airport in Emilia-Romagna by passenger traffic. It has regular links to national and international hubs, low cost, charter and seasonal flights.
The network of urban transports, provided by START Romagna, includes 13 urban bus lines, 9 suburban bus lines and a trolleybus line which connects Rimini city centre to the nearby seaside resort of Riccione.
The main football team of the city is Rimini Calcio. It played for 9 years (between 1976 and 2009) in Serie B, the second-highest division in the Italian football league system. Its better positioning was the 5th place of the 2006-07 season (when Rimini was also undefeated in both games against Juventus).
Rimini has also a notable basketball team, the Basket Rimini Crabs, which played for several years in Serie A and two times in the European Korać Cup. About baseball, Rimini Baseball Club won 11 national championships and it was also European champion for three times.
Notable natives of Rimini and environs
- Giuliano da Rimini (c. 1307 – c. 1324), painter
- Roberto Valturio (1405–1475), engineer and writer
- Alberto Marvelli (1918–1946), engineer, president of Azione Cattolica
- Federico Fellini (1920–1993), film director
- Hugo Pratt (1927–1995), comic book creator
- Elio Pagliarani (1927–2012), poet and literary critic
- Renato Zangheri, mayor of the city of Bologna from 1970 to 1983, historical and Italian scholar
- Renzo Pasolini (1938–1973), Grand Prix motorcycle road racer
- Claudio Maria Celli (born 1941), titular archbishop
- Massimo Tamburini (1943–2014), motorcycle designer
- Pier Paolo Bianchi (born 1952), Grand Prix motorcycle road racer
- Loris Stecca (born 1960), former world champion boxer
- Delio Rossi (born 1960), football manager
- Roberto Paci Dalò (born 1962), composer, director, visual artist
- Samuele Bersani (born 1970), singer-songwriter
- Carlton Myers (born 1971), basketball player
- Patrizia Deitos (born 1975), supermodel and singer
- Matteo Brighi (born 1981), football player
- Ancient Bards (founded 2006), symphonic metal band
Twin towns — Sister cities
Rimini is twinned with:
- Seraing, Belgium
- Saint-Maur-des-Fossés, France
- Sochi, Russia
- Ziguinchor, Senegal
- Fort Lauderdale, United States
- Yangzhou, People's Republic of China
- Djibouti City, Djibouti
- Linköping, Sweden
- Lattakia, Syria
- Playa del Carmen, Mexico
- Roman Catholic Diocese of Rimini
- Battle of Rimini (1944)
- The Grand Hotel Rimini
- Rimini Calcio Football Club
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- Quadro Conoscitivo PSC, Sistema economico e sociale, p. 107
- Riviera di Rimini: le tue vacanze, p. 15.
- Quadro Conoscitivo PSC, Sistema economico e sociale, p. 101
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- Anna Graziosi Ripa, Per la storia del Museo Archeologico riminese, in: Analisi di Rimini Antica, Rimini, Comune di Rimini, 1980, p. 317.
- Anna Graziosi Ripa, Per la storia del Museo Archeologico riminese, in: Analisi di Rimini Antica, Rimini, Comune di Rimini, 1980, p. 158.
- Pier Giorgio Pasini, Musei nella Provincia di Rimini, Rimini, Provincia di Rimini, 2006, p. 61.
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