|Birth name||Ronald Dyson|
|Born||June 5, 1950|
|Origin||Washington, D.C., United States|
|Died||November 10, 1990Philadelphia, Pennsylvania(aged 40)|
|Genres||Soul, rhythm and blues|
Born in Washington, D.C., Dyson grew up in Brooklyn, New York where he sang in church choirs. At just 18 years of age, he won lead part in the Broadway production of Hair, debuting in New York in 1968. Dyson became an iconic voice of the 1960s with the lead vocal in the show's anthem of the hippie era, "Aquarius." It is Dyson's voice leading off the song and opening the show with the famous lyric "When the Moon is in the seventh house, and Jupiter aligns with Mars..."
After Hair, Dyson pursued his stage career with a role in Salvation in 1970. His recording of a song from the Salvation score, "(If You Let Me Make Love to You Then) Why Can't I Touch You?", successfully launched his record career, breaking into the Top 10 of the Billboard Hot 100 chart, peaking at #8 in 1970. The follow-up, "I Don't Wanna Cry," was a strong R&B seller, climbing to #9.
In 1971, "When You Get Right Down To It," of which his was a more dramatic cover version of a song that had been a hit the previous year for The Delfonics, made the US charts, and reached #34 in the UK Singles Chart in December that year.
His record company, Columbia Records, sent him to Philadelphia in 1973 to be produced by Thom Bell, one of the premier producers of the day, for several tracks. Bell's highly orchestrated style suited Dyson with hits including "One Man Band (Plays All Alone)," which reached #28 on the Hot 100 and #15 on the R&B chart, and "Just Don't Want to Be Lonely" (#60 pop, #29 R&B). These appeared on an album which was also made up of re-mixes of some earlier recordings, including "When You Get Right Down To It."
Dyson remained with Columbia working with top-line producers for another three albums, The More You Do It (1976), Love in All Flavors (1977) and If The Shoe Fits (1979). The title track of the first of the three resulted in one of the singer's biggest-selling records, reaching #6 R&B. It was produced by Charles "Chuck" Jackson (half brother of Jesse Jackson and no relation to the more famous singer of the same name who, interestingly enough, recorded for the same company in the '60's) and Marvin Yancy, who had been responsible for successfully launching the career of Natalie Cole with a series of hits. (Jackson and Yancy had also produced hits for a Chicago soul group, The Independents, with whom Jackson was also lead singer.)
Dyson then moved to an Atlantic Records subsidiary label, the Cotillion Records label, in 1981 for two albums and several singles which were only moderately successful. His acting and singing career had begun to stall in the late 1970s due to ill health, and it was in 1983 that Dyson appeared on the R&B chart for the last time on Cotillion with All Over Your Face. His final solo recording was See The Clown in 1990.
A posthumous release on Society Hill Records appeared in 1991, when a duet with Vicki Austin, "Are We So Far Apart (We Can't Talk Anymore)," dented the Billboard R&B chart, reaching #79 during a five-week run.
|1970||"(If You Let Me Make Love to You Then) Why Can't I Touch You?"||8||9||-|
|"I Don't Wanna Cry"||50||9||-|
|1971||"When You Get Right Down To It"||94||37||34|
|1973||"One Man Band (Plays All Alone)"||28||15||-|
|"Just Don't Want to Be Lonely"||60||29||-|
|1974||"We Can Make It Last Forever"||-||62||-|
|1976||"The More You Do It (The More I Like It Done To Me)"||62||6||-|
|"(I Like Being) Close To You"||-||75||-|
|1977||"Don't Be Afraid"||-||30||-|
|1978||"Ain't Nothing Wrong"||-||77||-|
|1982||"Heart To Heart" /
"Bring It On Home"
|-||57 / 66||-|
|1983||"All Over Your Face"||-||23||-|
|1991||"Are We So Far Apart (We Can't Talk Anymore)"||-||79||-|
|Year||Album||Chart positions||Record label|
|1970||(If You Let Me Make Love To You Then) Why Can't I Touch You?||55||12||Columbia Records|
|1973||One Man Band||132||34|
|1976||The More You Do It||—||30|
|1977||Love In All Flavors||—||45|
|1979||If The Shoe Fits||—||—|
|1982||Phase 2||—||—||Cotillion Records|
|1983||Brand New Day||—||53|
|"—" denotes the album failed to chart|
- Dead Rock Stars Club details
- Allmusic biography
- Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 174. ISBN 1-904994-10-5.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Allmusic discography
- Joel Whitburn presents top R & B/hip-hop singles, 1942-2004 - Joel Whitburn - Publishers Billboard ISBN 9780898201604
- Whitburn, Joel (2003). Top Pop Singles 1955-2002 (1st ed.). Menomonee Falls, Wisconsin: Record Research Inc. p. 214. ISBN 0-89820-155-1.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Whitburn, Joel (1996). Top R&B/Hip-Hop Singles: 1942-1995. Record Research. p. 127.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Betts, Graham (2004). Complete UK Hit Singles 1952-2004 (1st ed.). London: Collins. p. 243. ISBN 0-00-717931-6.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- "Ronnie Dyson US albums chart history". allmusic.com. Retrieved 2011-01-11.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Ronnie Dyson at the Internet Movie Database
- Ronnie Dyson at the Internet Broadway Database
- Ronnie Dyson at AllMusic
- Ronnie Dyson at Find a Grave