Royal Collection

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MichelangeloThe Resurrection, 1532)
Raphael Cartoons, The Miraculous Draught of Fishes, c. 1515, on loan to the Victoria and Albert Museum since the 19th century
TitianPortrait of Jacopo Sannazaro (1514–18)

The Royal Collection is the art collection of the British Royal Family and one of the world's largest and most important collections.

Spread among 13 royal residences and historic royal palaces in the United Kingdom, the collection is held in trust by the monarch for her successors and the nation. It is made up of over one million objects,[1] including 7,000 paintings, 30,000 watercolours and drawings, and about 500,000 prints,[1][2] as well as photographs, tapestries, furniture, ceramics, books, sculptures, and the Crown Jewels.

Some of the buildings which house the collection, like Hampton Court Palace, are open to the public and not lived in by the Royal Family, whilst others, like Windsor Castle, are both residences and open to the public. The Queen's Gallery at Buckingham Palace in London was built specially to exhibit pieces from the collection on a rotating basis. There is a similar art gallery next to the Palace of Holyroodhouse in Edinburgh, and a Drawings Gallery at Windsor Castle. The Crown Jewels are on public display in the Jewel House at the Tower of London. About 3,000 objects are on long-term loan to museums throughout the world, and many others loaned on a temporary basis for exhibitions.[1]


Rubens: Pythagoras Advocating Vegetarianism, c. 1618–30 in the Queen's Gallery, Buckingham Palace

Few items from before King Henry VIII survive. The most important additions to the collection were made by Charles I, a passionate collector of Italian paintings, and a major patron of Van Dyck and other artists. His collection was sold after his execution in 1649, but large numbers of works were recovered for the collection after the Restoration of 1660, when the Dutch Republic also presented Charles II with the Dutch Gift, and Charles later bought many paintings and other works.

George III, with the assistance of Frederick Augusta Barnard, added very large numbers, including tens of thousands of books and manuscripts,[3] and Queen Victoria and her husband Albert were keen collectors of contemporary and old master paintings. Many works have been given from the collection to museums, especially by George III and Victoria and Albert. In particular, most of the then royal library was given by George III to the British Museum, now the British Library, where many books are still catalogued as "Royal". The core of this collection was the purchase by James I of the related collections of Humphrey Llwyd, Lord Lumley, and the Earl of Arundel.[4]

Throughout the reign of Elizabeth II (1952–present), there have been significant additions to the collection through judicious purchases, bequests and through gifts from nation states and other official bodies.[5] The Commonwealth is strongly represented in this manner: an example is the 75 contemporary Canadian watercolours that entered the collection between 1985 and 2001, a gift from the Canadian Society of Painters in Water Colour.


A full inventory of the Royal Collection has never been made available to the public, though there are published catalogues of parts of the collection, especially paintings, and the database on the Royal Collection website is increasingly comprehensive. Some highlights are given below.

Paintings, prints and drawings

The collection's holdings of Western fine art are amongst the largest, and most important assemblages in existence, with works of the highest quality, and in many cases artists whose works can not be fully understood without a study of the holdings contained within the Royal Collection. Numbering over 7,000 works, spread across the Royal Residences, the collection is also arguably amongst the world's oldest in terms of provenance. The collection does not claim to provide a comprehensive, chronological survey of Western fine art but has been shaped by the individual tastes of kings, queens and their families over the last 500 years.


Numbering over 300 items, the Royal Collection holds one of the greatest and most important collections of French furniture ever assembled. The collection is noted for its encyclopedic range as well as counting the greatest cabinet-makers of the Ancien Régime.

Ornaments and décor


The Royal Collection Trust, employing around 500 staff, is one of the five departments of the Royal Household, and is responsible for the cataloguing, conservation, cleaning, restoration and display of the collection.[8] Buildings do not come under its remit. The team of curatorial staff numbers 29, and there are 32 conservationists.[9]

Royal Collection Enterprises, set up in 1993 after the Windsor Castle fire, had a turnover of £40.7 million and profit of £7 million for the year to 31 March 2015. Income is raised by charging entrance fees to see the collection and selling books and merchandise to the public. Retail sales were down by 19% compared with the previous year, and visitor numbers to the official residences in which items from the collection are displayed fell by 3.2% to 2.47 million.[10]

The conservation studio at Marlborough House is responsible for the in-house conservation of furniture and decorative objects located at Buckingham Palace, Windsor Castle, Frogmore House, Palace of Holyroodhouse, St James's Palace, Sandringham House, Hampton Court Palace, Kensington Palace, Kew Palace and Osborne House.[11]


See also


  1. 1.0 1.1 1.2 "FAQs about the Royal Collection". Royal Collection Trust.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  2. "Secrets of the Queen's paintings". The Telegraph. 15 February 2015. Retrieved 21 March 2016.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  3. "Canalettos go on show at Palace". The Independent. 4 March 1993. Retrieved 21 March 2016.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  4. R. Brinley Jones, ‘Llwyd, Humphrey (1527–1568)’, Oxford Dictionary of National Biography, Oxford University Press, Sept 2004
  5. Royal Treasures, A Golden Jubilee Celebration. Edited by Jane Roberts. Publisher: Royal Collection Enterprises, St. James' Palace, London, 2002. Page 25 (by Sir Hugh Roberts) and Page 391 (chapter 14). ISBN 1-902163-49-4 (h-b uk) and ISBN 1-902163-52-4 (pb uk)
  6. The Social Affairs Unit – at least Web Review: Dutch Paintings at the Royal Collection
  7. Jones, Jonathan (30 August 2006). "The real Da Vinci code". The Guardian. London. Retrieved 22 May 2010.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  8. "Working for us". Royal Collection Trust. Retrieved 21 March 2016.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  9. "The Royal Collection: Not only for Queen, but also for country". The Telegraph. 28 May 2012. Retrieved 21 March 2016.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  10. "Full accounts made up to 31 March 2015". Companies House. Retrieved 21 March 2016.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  11. "Annual report 2006/7" (PDF). Royal Collection Trust. Retrieved 21 March 2016.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>

External links