Serpopard
"Serpopard" is a modern term for a mythical animal known from Ancient Egyptian and Mesopotamian art. The word "serpopard" is a portmanteau of "serpent" and "leopard", derived from the interpretation that the creature represents a combination of the two animals, featuring the body of the latter, and a long neck and head representing the former. However, they have also been interpreted as "serpent-necked lions". There is no known name for the creature in any ancient texts.
Images
The image is featured specifically on decorated cosmetic palettes from the Pre-Dynastic Period of Egypt, and more extensively, as design motifs on cylinder seals in the Protoliterate Period of Mesopotamia (circa 3500-3000 BC). Examples include the Narmer Palette and the Small Palette of Nekhen (Hierakonopolis). The cylinder seal displayed to the right displays the motif very clearly. Typically two creatures are depicted, with their necks intertwined.
Interpretations
The image generally is classified as a feline, and with close inspection resembles an unusually long-necked lioness. It bears the characteristic tuft of the species at the end of the tail, there are no spots, the round-eared head most closely resembles the lioness rather than a serpent, because serpents do not have ears, and there are no typical serpent features such as scales, tongue, or head shape.[1]
It has been suggested that in Ancient Egyptian art the serpopard represents "a symbol of the chaos that reigned beyond Egypt's borders", which the king must tame. They are normally shown conquered or restrained, as in the Narmer Palette, or attacking other animals. But in Mesopotamian art they are shown in pairs, with intertwined necks.[2]
In Mesopotamia, the use of these "serpent-necked lions" and other animals and animal hybrids are thought to be "manifestations of the chthonic aspect of the god of natural vitality, who is manifest in all life breaking forth from the earth".[3]
Similarly to other ancient peoples, the Egyptians are known for their very accurate depictions of the creatures they observed. Their composite creatures have very recognizable features of the animals originally representing those deities merged.
Lionesses played an important role in the religious concepts of both Upper and Lower Egypt, and are likely to have been designated as animals associated with protection and royalty. The long necks may be a simple exaggeration, used as a framing feature in an artistic motif, either forming the cosmetic mixing area as in the Narmer Palette, or surrounding it as in the Small Palette.
Depictions of fantastic animals also are known from Elam and Mesopotamia,[4] as well as many other cultures.
References
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- O’Connor, David 2002. Context, function and program: understanding ceremonial slate palettes. Journal of the American Research Center in Egypt 39: 5–25.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Ross, Micah (ed), From the Banks of the Euphrates: Studies in Honor of Alice Louise Slotsky, p. 177, 2008, Eisenbrauns, ISBN 1575061449, 9781575061443, Google books
- ↑ Henri Frankfort, The Art And Architecture Of The Ancient Orient, Yale University Press 1996, p.37
- ↑ Michael Rice, Egypt's Making: The Origins of Ancient Egypt, 5000-2000 BC, Routledge 2003, p.68
External links
- good images of Narmer Palette by Francesco Rafaele
