Splatterhouse (2010 video game)

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Splatterhouse
File:Splatterhouse (2010 video game).jpg
Developer(s) BottleRocket (until 2009), Namco Bandai Games
Publisher(s) Namco Bandai Games
Composer(s) Howard Drossin
Series Splatterhouse
Engine Gamebryo
Platforms PlayStation 3, Xbox 360
Release date(s)
        Genre(s) Beat 'em up
        Hack and slash
        Mode(s) Single-player

        Splatterhouse is a horror themed beat 'em up hack and slash video game developed by Namco Bandai Games for PlayStation 3 and Xbox 360. It was released in North America on November 23, 2010 and in Europe on November 26, 2010. It is a reimagining and a reboot of the original Splatterhouse which was released in 1988.

        Gameplay

        Splatterhouse is combat-oriented with main character Rick fighting various monsters in either hand-to-hand combat or with makeshift weapons, such as wooden planks and meat cleavers. Rick is able to attack his enemies with super strength and rip them apart. He can also chain attacks together into combos.

        Rick can lose limbs,[1] but is able to grow them back over time.[2] Arms can be used as clubs to fight enemies.

        Throughout the game, Rick collects blood from defeated enemies. Collecting a certain amount will allow the player to unlock new moves and perform special attacks. Players can find journals documenting Dr. West's history while photos of Rick's girlfriend serve as a breadcrumb trail to follow. He can perform "Splatter Kills", extremely gory finishing moves. There is also a platforming element with jump nodes to keep instant death falls to a minimum.

        The game also comes with the original Splatterhouse arcade game, Splatterhouse 2 and Splatterhouse 3 as unlockables.

        Plot

        Jennifer Willis (Shanelle Workman) is to have an interview with Dr. Henry West M.D. (Richard Doyle), professor of necrobiology, at his house. Her boyfriend, Rick Taylor (Josh Keaton), comes along so nothing bad happens. Just as Rick is about to propose to Jennifer, the two are attacked by Dr. West's experiments, kidnapping Jennifer and leaving Rick mortally wounded. Rick knocks over a sarcophagus revealing a mask. Close to death, the Terror Mask (Jim Cummings) calls out to Rick, saying it will save him and help save Jenny if he puts it on. Having no choice, Rick puts the mask on and is transformed into a hulking beast powered by the blood of others.

        Rick follows Dr. West and Jennifer through other dimensions and time periods and learns of Dr. West's plan to bring dark deities, known as "The Corrupted", into this world by sacrificing Jennifer. Dr. West believes The Corrupted will resurrect his dead love Leonora, who bears an uncanny resemblance to Jennifer and originally died of cholera. The Corrupted intended to lay waste to Earth instead. It is revealed that Dr. West and the Corrupted had previously resurrected Leonora, but she was brought back as a demonic savage. West tried to contain her and bring her back completely, but one instance she escaped; Dr. West later found her holding a porcelain doll, horrified at the fate of the child she took it from. West was later summoned away from the town of Arkham and his home on a pointless errand, only to discover that the town's populace found out about Leonora, and imprisoned her to be burned as a witch. Rick encounters Leonora while traveling through time, emerging near the alit wickerman cage as the townsfolk are turned into monsters by the Corrupted. In an attempt to save Leonora thinking she was Jennifer, Rick was attacked by her demonic form, forcing him to kill her. A young Dr. West witnesses Rick stomping on her and loses his morality, vowing to tear down the gates of heaven and ascending on a pile of corpses, built from the townsfolk of Arkham and topped with Rick's dead body.

        In the end, Rick succeeds in rescuing Jennifer and thwarting West's plans; however, one of the Corrupted emerges, summoned from the numerous killings Rick committed through the game and constructed from the bodies of the monsters. The Mask informs Rick that he knew that Rick's killing would release it, stating that he wanted the Corrupted to know that it was the Mask that stopped them, and for that to happen, he needed to let them out. Rick and the Mask manage to kill it and sate the Mask's thirst for vengeance, but in the process, a stray spirit possesses Jennifer. Believing his deal with the Mask to be done, he tries to pry it off; however, aware of Jennifer's possession, it refuses. It is implied from West's reaction that the stray spirit is of Leonora's.

        Development and promotion

        In early 2009, BottleRocket revealed that Namco Bandai Games had made the decision to cut the developer from the project, and had already taken back their console development kits. With no other projects or funding on their plate, BottleRocket was effectively shuttered as a result. Namco Bandai Games explained that the move was due to a "performance issue." The project was handed over to the internal development team at Namco Bandai Games who had recently completed Afro Samurai. Weeks later, it became known that Namco Bandai Games hired members of the original development staff from BottleRocket to help finish the game.[3]

        The game's story and dialogue was penned by comic book writer Gordon Rennie. Howard Drossin composed original scores and the protagonist Rick Taylor (in his non-possessed look) was modelled after him.

        Splatterhouse was featured on the cover of Fangoria issue #295 in June 2010. This was the first video game ever featured as a central cover on the horror magazine. The cover featured custom artwork by Dave Wilkins (the game's Art Director), and the article featured an interview with the design team by Fangoria's lead video game coverage writer Doug Norris.[4]

        Soundtrack

        Splatterhouse: Music From the Video Game
        Soundtrack album by Various Artists
        Released November 23, 2010
        Genre Thrash metal, heavy metal, groove metal, death metal
        Producer Howard Drossin
        1. "Pounding Nails" – The Accüsed (03:08)
        2. "Dream Song" – ASG (03:49)
        3. "Must Kill" – Cavalera Conspiracy (04:50)
        4. "Dying Breed" – Five Finger Death Punch (02:55)
        5. "Apocalyptic Havoc" – Goatwhore (03:16)
        6. "Hollow Ground" – The Haunted (04:10)
        7. "Fire, Flood & Plague" – High on Fire (06:08)
        8. "Dead Eyes" – Invisible Enemies (1:28)
        9. "Walk with Me in Hell" – Lamb of God (05:11)
        10. "Blood and Thunder" – Mastodon (03:49)
        11. "Rigorous Vengeance" – Municipal Waste (02:13)
        12. "Morbid Dismemberment" – Mutant Supremacy (03:14)
        13. "Dead Shall Rise" – Terrorizer (03:32)
        14. "Headlong Into Monsters" – WolfShirt (03:18)

        Note: Splatterhouse co-producer Dan Tovar is a member of the bands Invisible Enemies and WolfShirt. Also, Cannibal Corpse, In Flames and Gwar were mentioned by Tovar in the 10/2009 issue of Play Magazine as being on the soundtrack;[5] however, this ultimately proved to be false.

        Reception

        Lua error in package.lua at line 80: module 'strict' not found. Response to the game was mixed. Eurogamer gave Splatterhouse 6/10, stating "Splatterhouse is only reasonably good at being the classless procession of shock and bad taste that it wants to be."[6] Dread Central gave Splatterhouse 4.5/5, stating it "is most likely going to be considered the premiere horror game of 2010."[7] Cheat Code Central gave it a 3.9 out of 5 criticizing its platforming levels, voice over work and texture quality, but saying fans of the old franchise will enjoy it.[8] Gamespot's Kevin VanOrd scored it a 4.5 out of 10, claiming: "All the gore in the world can't disguise Splatterhouse's laundry list of clumsy mechanics." He criticized the camera, load times, glitches and cheap deaths, but praised the story and the inspired artistic touches. IGN's Arthur Gies scored it 4.0 out of 10. He said that: "Some occasionally slick visuals and funky design is undermined by camera and framerate problems and enemy variety that dries up halfway through." Fangoria gave the game a 3.5/4, praising the overall fun gameplay and stating the game "defines its own genre of horror gaming," separating it from survival horror.[9]

        References

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        External links