Stand Up (Jethro Tull album)
Stand Up | ||||
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Studio album by Jethro Tull | ||||
Released | September 1969 | |||
Recorded | April–May, August 1969 at Morgan Studios, London, also Olympic Studios on 24 April 1969 | |||
Genre | Blues rock, folk rock, hard rock | |||
Length | 37:48 51:07 (remaster) 155:49 (3 Disc Collectors Edition) |
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Label | Island, Reprise | |||
Producer | Ian Anderson and Terry Ellis | |||
Jethro Tull chronology | ||||
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Singles from Stand Up |
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Stand Up is the second album by Jethro Tull released in 1969; it quickly went to number 1 in the UK charts while a single, "Sweet Dream", rose to number 5.[1] Before Stand Up, the band's original guitarist Mick Abrahams resigned because of musical differences with Ian Anderson; Abrahams wanted to stay with the blues-rock sound of This Was, while Anderson wished to add other musical influences such as folk rock. The result was an eclectic album with various styles appearing in its songs, yet an album which remained broadly in the blues-rock mould, which would be the last such album from Jethro Tull.
Stand Up represents the first album project on which Anderson was in full control of the music and lyrics. It also marks the first appearance of guitarist Martin Barre, who appeared on every Jethro Tull album from this point on.
Contents
Production
The band began recording the album on 17 April 1969, starting with "A New Day Yesterday", "Back to the Family", "Fat Man", "Jeffrey Goes to Leicester Square" (referring to Anderson's schoolmate Jeffrey Hammond), "Nothing Is Easy", and "Bourée". Most of the songs were recorded at Morgan Studios in North London, but "Bourée" was recorded at Olympic Studios in South London because Morgan Studios was already booked for 24 April. The general routine was that the band would arrive at the studio at 9 am to work on one or two songs which would be finished by 4 or 5 pm.[2] Recording engineer Andy Johns tried some new techniques, for instance on "A New Day Yesterday" he achieved a swirling, stereo-shifting guitar effect by swinging an expensive Neumann U67 microphone on its cable in wide circles around the studio.[3] The song "Bourée" proved the most difficult session, with Anderson and the band unsatisfied with any of the takes they recorded. The final version was compiled later from several takes, with more touches added by Anderson.[4][5]
Two more songs were recorded on 1 May 1969: "For A Thousand Mothers" and "We Used to Know".[6] In August, the band returned to the studio to finish the record.[3]
Album cover
The design of the album started with a visit to New Haven, Connecticut, during a concert tour in late February 1969. Under the direction of producer Terry Ellis, the band met a woodcarver named James Grashow who followed them for a week in order to properly represent them in wood.[2] The resulting gatefold album cover, in a woodcut style designed by Grashow, originally opened up like a children's pop-up book, so that a cut-out of the band's personnel stood up—evoking the album's title. Stand Up won New Musical Express's award for best album artwork in 1969.
Musical style
The album still shows a great influence of blues, like in the first track "New Day Yesterday". The song "Fat Man" shows an interest in unusual instrumentation, as Ian Anderson played mandolin, one of the first times the instrument had been used by a rock band. The acoustic pieces, like "Reasons for Waiting" already shows Anderson influence of Roy Harper. The instrumental "Bourée" (one of Jethro Tull's popular concert pieces) is a jazzy re-working of "Bourrée in E minor" by Johann Sebastian Bach.
Ian Anderson has said that the chord progression in "We Used to Know" was picked up subconsciously by the Eagles when they toured together in 1971 or 1972 and used in their song "Hotel California".[7] However, Don Felder, who wrote the music for "Hotel California", did not join the Eagles until 1974.
Themes
Although not a concept album, Stand Up lyrically is filled with references to Anderson's relationship with his parents (a subject continued on Benefit), especially in "Back to the family" and "For a Thousand Mothers". Observational poetry could also be found, as in "Fat Man" and "Jeffrey goes to Leicester Square". The difficult life before the band's success were described in "We used to know" – remembering the hard life Anderson and bassist Glenn Cornick had at the beginning of the group.[8][9]
Critical reception
Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | [10] |
Rolling Stone | [11] |
Disc and Music Echo | (Very favourable)[12] |
Robert Christgau | B−[13] |
Sputnik Music | 4/5[14] |
Stand Up was the first album of Jethro Tull to receive good reviews as a whole, for the production and musicianship.
The Rolling Stone review was quite positive, stating that the album "has a fairly low raunch quotient, true to form, but it is quite marvelous... As I've said, the album is not really funky; rather, it is a meticulously crafted work (no sterility implied) which deserves careful listening. At a time when many of the established stars are faltering, it is a particular pleasure to hear an important new voice."[11]
AllMusic review was positive, saying that the band had "solidified their sound" with the album, bringing an "English folk music" influence to several of the songs, atop an overall blues rock foundation.[15]
Legacy
A variety of renowned rock artists have cited Stand Up as an all-time favorite album over the years, including Pearl Jam's Eddie Vedder,[16] Aerosmith's Tom Hamilton,[17] Joe Bonamassa,[18] and Joe Satriani.[19]
During an interview with BraveWords in 2015, Anderson selected Stand Up as his favorite Tull album - "I suppose if you were to really twist my arm, I would probably go back to 1969, with the Stand Up album, because that was my first album of first really original music. It has a special place in my heart."[20]
Releases
The album was re-issued in 1973 by Chrysalis Records.
In 1989, an MFSL remaster was released, catalogue number UDCD 524. The booklet featured the pop-up woodcut band.
Again the album was re-issued in 2001 as a digital remaster.
The album was reissued on 5 October 2010 as a deluxe edition including six bonus tracks on disc one, and two additional discs: a disc of live material recorded at Carnegie Hall on 4 November 1970, and a disc with a DTS surround mix. The material was mixed by Peter Mew at the Abbey Road studios.[21]
Track listing
- Standard (CD and LP version)
- (1973 cassette version has same track order, but on opposite sides.)[22][23]
All songs written by Ian Anderson unless otherwise indicated. (Original LP album states "All titles written by Ian Anderson").
1969 Original release
- Side one
No. | Title | Length |
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1. | "A New Day Yesterday" | 4:10 |
2. | "Jeffrey Goes to Leicester Square" | 2:12 |
3. | "Bourée" (instrumental, J. S. Bach arr. Anderson) | 3:46 |
4. | "Back to the Family" | 3:48 |
5. | "Look into the Sun" | 4:20 |
- Side two
No. | Title | Length |
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6. | "Nothing is Easy" | 4:25 |
7. | "Fat Man" | 2:52 |
8. | "We Used to Know" | 4:00 |
9. | "Reasons for Waiting" | 4:05 |
10. | "For a Thousand Mothers" | 4:13 |
2001 Digital Remaster | ||
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No. | Title | Length |
11. | "Living in the Past" | 3:23 |
12. | "Driving Song" | 2:44 |
13. | "Sweet Dream" | 4:05 |
14. | "17" | 3:07 |
2010 3 Disc Collectors Edition
CD 1: Original album (Remaster) + Bonus tracks | ||
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No. | Title | Length |
1. | "A New Day Yesterday" (2001 Digital Remaster) | 4:07 |
2. | "Jeffrey Goes to Leicester Square" (2001 Digital Remaster) | 2:09 |
3. | "Bourée" (2001 Digital Remaster) | 3:44 |
4. | "Back to the Family" (2001 Digital Remaster) | 3:48 |
5. | "Look into the Sun" (2001 Digital Remaster) | 4:18 |
6. | "Nothing is Easy" (2001 Digital Remaster) | 4:22 |
7. | "Fat Man" (2001 Digital Remaster) | 2:49 |
8. | "We Used to Know" (2001 Digital Remaster) | 3:58 |
9. | "Reason for Waiting" (2001 Digital Remaster) | 4:03 |
10. | "For a Thousand Mothers" (2001 Digital Remaster) | 4:13 |
11. | "Living in the Past" (2001 Digital Remaster) | 3:19 |
12. | "Driving Song" (2001 Digital Remaster) | 2:38 |
13. | "Sweet Dream" (2001 Digital Remaster) | 4:01 |
14. | "17" (2001 Digital Remaster) | 6:09 |
15. | "Living in the Past" (Original Mono Single Version; 2001 Digital Remaster) | 3:22 |
16. | "Bourée" (John Peel Session, 16 June 1969) | 3:57 |
17. | "A New Day Yesterday" (John Peel Session, 16 June 1969) | 4:13 |
18. | "Nothing is Easy" (John Peel Session, 16 June 1969) | 5:03 |
19. | "Fat Man" (John Peel Session, 16 June 1969) | 2:53 |
20. | "Stand Up (US Radio Spot #1)" (2010 Digital Remaster) | 1:02 |
21. | "Stand Up (US Radio Spot #2)" (2010 Digital Remaster) | 0:51 |
CD 2: Live at Carnegie Hall, NY 1970 | ||
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No. | Title | Length |
1. | "Nothing is Easy" | 5:43 |
2. | "My God" | 12:43 |
3. | "With You There to Help Me" / "By Kind Permission of" (Ian Anderson/John Evan) | 13:34 |
4. | "A Song for Jeffrey" | 5:25 |
5. | "To Cry You a Song" | 6:03 |
6. | "Sossity, You're a Woman" / "Reasons for Waiting" / "Sossity, You're a Woman" | 5:28 |
7. | "Dharma for One" (Ian Anderson / Clive Bunker) | 13:37 |
8. | "We Used to Know" | 3:41 |
9. | "Guitar Solo" (Martin Barre) | 8:24 |
10. | "For a Thousand Mothers" | 4:43 |
DVD: Live at Carnegie Hall [DTS Surround Mix, No Video] | ||
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No. | Title | Length |
1. | "Introduction" | 1:26 |
2. | "Nothing is Easy" | 7:41 |
3. | "My God" | 14:34 |
4. | "With You There to Help Me" / "By Kind Permission of" | 15:26 |
5. | "A Song for Jeffrey" | 7:07 |
6. | "To Cry You a Song" | 6:43 |
7. | "Sossity, You're a Woman" / "Reasons for Waiting" / "Sossity, You're a Woman" | 8:53 |
8. | "Dharma for One" | 23:20 |
9. | "We Used to Know" | 4:03 |
10. | "Guitar Solo" | 8:23 |
11. | "For a Thousand Mothers" | 4:50 |
12. | "Interview with Ian Anderson, London 2010" |
Chart positions
The album reached No. 1 on the British charts, also selling well in the United States, where it reached No. 20. In the Norwegian charts (where the band toured along with Jimi Hendrix), the album was the first to chart there, at No. 5.
Chart | Year | Peak position |
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UK Albums Chart[24] | 1969 | 1 |
Preceded by | UK Albums Chart number-one album 9 August 1969 – 30 August 1969 |
Succeeded by From Elvis in Memphis by Elvis Presley |
Preceded by
From Elvis in Memphis
by Elvis Presley |
UK Albums Chart number-one album 6 September 1969 – 20 September 1969 |
Succeeded by Blind Faith by Blind Faith |
Personnel
- Jethro Tull
- Ian Anderson – vocals, flute, acoustic guitar, Hammond organ, piano, mandolin, balalaika, mouth organ
- Martin Lancelot Barre – electric guitar, flute (2, 9)
- Glenn Cornick – bass guitar (all but 5)
- Clive Bunker – drums, percussion
- Additional personnel
- Andy Johns – bass guitar (5),[25] and engineering for the whole album
- Strings arranged and conducted by David Palmer
- Terry Ellis - Producer, Cover art
- James Grashow - Cover art
References
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- ↑ 2.0 2.1 Rabey 2013, p. 52.
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- ↑ Nollen 2001, p. 48.
- ↑ Rabey 2013, pp. 52–3.
- ↑ Rabey 2013, p. 53.
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- ↑ 2 August 1969
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- ↑ http://www.discogs.com/Jethro-Tull-Stand-Up/release/2620113
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External links
- Stand Up (1969) at AllMusic
- Stand Up at the Jethro Tull Official Website
- EngvarB from May 2014
- Use dmy dates from June 2015
- Music infoboxes with deprecated parameters
- Jethro Tull (band) albums
- 1969 albums
- 1973 albums
- Island Records albums
- Reprise Records albums
- Chrysalis Records albums
- Philips Records albums
- Fontana Records albums
- English-language albums
- Albums conducted by Dee Palmer
- Albums arranged by Dee Palmer
- Albums produced by Ian Anderson
- Albums produced by Terry Ellis (record producer)