Steingraeber & Söhne

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File:Steingraeber-Haus 2014.jpg
The Streingraeber-Haus: Steingraeber & Söhne's headquarters in Bayreuth.

The piano manufacturer Steingraeber & Söhne is a German maker of upright and grand pianos. This family-owned business has its headquarters in Steingraeber Haus, a historic Rococo palace in Bayreuth. Udo Schmidt-Steingraeber is the sixth generation of Steingraebers to lead the family business.


The company's forebears came from a family in Rudolstadt, Thuringia that built harpsichords. The family was subsequently based in Neustadt an der Orla, where it took up instrument building. Eduard Steingraeber was born in 1823; he first apprenticed with his uncle, Gottlieb Steingraeber, in Neustadt an der Orla. During his years of travel, he worked in a number of places, including the workshop of the Viennese piano builder Nannette Streicher, daughter of the well-known Augsburg piano maker, Andreas Stein. While there, he was permitted to accompany Franz Liszt on his concert tours, where he looked after the pianos and grand pianos that Liszt "demolished" at his performances. In 1852, Eduard Steingraeber founded the Pianofortefabrik Steingraeber [Steingraeber Piano Factory] in Bayreuth. Steingraeber purchased the Liebhardt Palace on Friedrichstraße in 1871 and made it the head office of the company. And it has borne the name of Steingraeber Haus ever since. The company rapidly became the largest piano factory in Bavaria. Steingraeber has also supplied pianos to the Wagner family and to the Bayreuther Festspiele since the festival began in 1876. In 1881, Richard Wagner commissioned the instrument known as the Parsifal bell, which is used in the temple scenes of Wagner's opera, Parsifal.[1] During high volume production periods, Steingraeber's more than thirty employees, including twelve piano builders, specialise in the manufacture of high-quality pianos that are still predominantly handcrafted. The cases are constructed of solid wood and no particle board is ever used. Steingraeber & Söhne even treats the surfaces of the piano case with shellac and wax instead of polyester and synthetic resin varnishes. The company has sought technical solutions to simplify piano playing for wheelchair users and, above all, to provide them with a serviceable alternative to working the pedals with their feet. Steingraeber currently produces some forty uprights and seventy grand pianos per year. Since the company was founded, however, Steingraeber & Söhne has built over 40,000 grand and upright pianos.[2]

Developments and Innovations

File:Steingraeber & Söhne Manufaktur (02).jpg
Main workshop in the Dammalle, Bayreuth

At the 2008 Frankfurt Music Fair, Steingraeber & Söhne introduced a new grand piano that measures 232 cm in length, as well as a grand piano with a Carbon carbon fibre soundboard. This type of construction enhances stability when tuning instruments that are subject to extreme climatic fluctuations. If grand pianos are to be housed in the Tropics or played at outdoor concerts, for example, then carbon fibre soundboards make good sense. The left pedal mechanism has been enhanced: When the pianist depresses the left pedal, this causes the mechanism to shift in the usual way. If he/she continues to depress the pedal, the hammers move closer to the strings, which is similar to what happens in uprights. This facilitates playing at extremely soft, pianissimo dynamic levels. Steingraeber has developed an alternative means of guiding the strings over the bridge; it is based upon earlier ideas that were implemented in trials. Normally, the strings go over two bridge pins in a zigzag pattern. In the case of the Steingraeber alternative, bridge agraffes guide the string through a metal roller and press it down onto the bridge from above. In addition, height-adjustable hitch pins allow the string tension to be adjusted. The thinking behind this design feature is twofold: Uniform string tension over the bridge improves energy transmission, and when significant string friction at the bridge pins no longer exists, the ability to tune and to hold a tuning is optimized. At the moment, these are not standard features in the production of grand pianos; clients may order them for an additional fee, however. At Steingraeber, a ball bearing mechanism is available as an alternative to the standard, leather-covered knuckle roller mechanism. Thus, a lower-friction release of the jack makes improved repetition possible. In upright pianos, Steingraeber incorporates a magnet, rather than a spring, into the tip of the jack and the hammer-butt. The magnet brings the jack back into operating position after the it releases. This system is maintenance free and results in faster, more precise repetition.


Steingraeber manufactures uprights in sizes measuring 122 and 130 cm in height. At 138 cm, Steingraeber also currently (as of 2013) delivers the largest upright series piano on the market. Grand pianos come in lengths of 170, 192, 212, 232, and 272 centimetres. Steingraeber also ships unfinished grand pianos with carbon fibre soundboards and bridge agraffes to England, where they are modified and finished by the piano makers at Hurstwood Farm and sold under the Hurstwood brand.


  1. Kurt Herterich: Im historischen Bayreuth. Verlag Ellwanger, Bayreuth 1998, ISBN 3-925361-35-9.
  2. Kurt Herterich: Im historischen Bayreuth. Verlag Ellwanger, Bayreuth 1998, ISBN 3-925361-35-9.