Stephen Stills

From Infogalactic: the planetary knowledge core
Jump to: navigation, search

<templatestyles src="Module:Hatnote/styles.css"></templatestyles>

Stephen Stills
Stephen Stills 2011.jpg
Stills in Los Angeles on October 4, 2011
Background information
Birth name Stephen Arthur Stills
Born (1945-01-03) January 3, 1945 (age 79)
Dallas, Texas, United States
Genres Rock, folk rock, blues rock, Latin
Occupation(s) Musician, songwriter, producer, political activist
Instruments Vocals, guitar, bass guitar, keyboards
Years active 1962–present
Labels Columbia, Atlantic, Reprise, Vision, Raven, Titan/Pyramid, Talking Elephant
Associated acts Buffalo Springfield, Crosby, Stills, Nash & Young, The Stills-Young Band, Au Go Go Singers, The Continentals, Manassas, The Rides
Website Official website
Notable instruments
1958 Gretsch Stephen Stills White Falcon
Martin D45 Stephen Stills Signature

Stephen Arthur Stills (born January 3, 1945) is an American musician and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young.

Beginning his professional career with Buffalo Springfield, he composed their only hit "For What It's Worth," which became one of the most recognizable songs of the decade. Other notable songs he contributed to the band were "Sit Down, I Think I Love You," "Bluebird" and "Rock & Roll Woman." According to Richie Furay, he was "the heart and soul of Buffalo Springfield."[1]

After Buffalo Springfield broke up, Stills began working with David Crosby and Graham Nash on their debut album. Stills, in addition to writing much of the album, played bass, guitar, and keyboards on most of the album. The album sold over four million copies and at that point, had outsold anything from the three members' prior bands: The Byrds, Buffalo Springfield, and The Hollies. The album won the trio a Grammy Award for Best New Artist. Glenn Frey stated, "CSN hung the moon. They were like the Beatles for about two years."[2]

Neil Young, formerly of Buffalo Springfield, joined CSN months later for their second concert at Woodstock and subsequent album Déjà Vu. The album found Stills again as a leader of the group. Living up to his nickname "Captain Many Hands" he played bass, guitar and keyboard on the title track, and electric guitar and piano on Helpless. Young appeared on half of the album, which became a huge success and sold over eight million copies. In its wake all four members of CSNY released solo albums that reached the top 20, while Young in particular found major success as a solo artist from this point forward.

Stills' first solo album Stephen Stills went gold and is the only album to feature both Jimi Hendrix and Eric Clapton. Its hit single, "Love The One You're With" became his biggest solo hit peaking at No. 14 in the Billboard Hot 100.[3] A string of solo albums, and a band with Chris Hillman called Manassas followed in 1972. In the summer of 1974 Young reunited with CSN after a four-year hiatus for a concert tour which was recorded and released in 2014 as CSNY 1974. It was one of the first ever stadium tours, and the largest tour the band has done to date.[4] CSN reunited in 1977 for their album CSN which became the trio's best selling record. CSN(Y) continued to have platinum albums through the 1980s. Stills' solo career and bands have combined sales of over 35 million albums to date.

Stills was ranked #28 in Rolling Stone Magazine's 2003 list of "The 100 Greatest Guitarists of All Time"[5] and #47 in the 2011 list.[6] Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame for his work with CSN and Buffalo Springfield. According to Neil Young, "Stephen is a genius."[7]

Early years

Stills was raised in a military family. Moving around as a child, he developed an interest in blues and folk music. He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, Covington, Louisiana, Costa Rica, Panama Canal Zone and El Salvador, where he graduated from high school, and is an avid sailor. He also attended Admiral Farragut Academy in St. Petersburg, Florida and Saint Leo College Preparatory School in Saint Leo, Florida.[8]

Stills dropped out of University of Florida to pursue a music career in the early 1960s. He played in a series of bands including The Continentals, which featured future Eagles guitarist Don Felder. Stills could also be heard singing solo at Gerde's Folk City, a well-known coffee house in Greenwich Village. Stills eventually ended up in a nine-member vocal harmony group, the house act at the famous Cafe Au Go Go in NYC, called the Au Go Go Singers, which included future Buffalo Springfield bandmate Richie Furay. This group did some touring in the Catskills and in the South, released one album in 1964, then broke up in 1965. Afterwards, Stills, along with four other former members of the Au Go Go Singers formed The Company, a folk-rock group. The Company embarked on a six-week tour of Canada where Stills met a young guitarist named Neil Young. On the VH1 CSNY Legends special, Stills said that Young was doing what he always wanted to do, "play folk music in a rock band." The Company broke up in New York within four months; Stills did session work and went to various auditions. In 1966 he convinced a reluctant Richie Furay, then living in Massachusetts, to move with him to California.

Stills made an unsuccessful attempt to become one of The Monkees. He was turned down, not due to any lack of ability, but because of a conflict with his existing music publishing contract. So instead, he recommended his friend, multi-instrumentalist Peter Tork.[9]

In a later interview, Stills clarified by saying, "I never tried out for them! I have said this a million times! I went in there to sell my songs. Do you think in my wildest dreams I wanted to be a damn fake Beatle on television (laughs)? I was already writing songs, and I figured — I was young and dumb — that the only way I could get to them was a (casting) cattle call. I got in there and said, 'I’ve got all these songs.' And they said, 'That’s already been fixed.' I said, 'What, you’ve got some Tin Pan Alley (character) writing all the songs?' and they said, 'Yeah.' I said, 'I don’t want this job, but I know a guy you might like,' and that turned out to be Peter Tork."[10]

Buffalo Springfield and Crosby, Stills, Nash & Young

<templatestyles src="Module:Hatnote/styles.css"></templatestyles>

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend."[citation needed] The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song off the Springfield debut, "Sit Down, I Think I Love You," was a minor hit for The Mojo Men in 1967.

During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper, and joined up with David Crosby, who had recently been ejected from The Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by mutual friend Cass Elliott, (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills' songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." [11]

The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. CSN with and without Young still record and tour to this day.

Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s.

Solo years

Stills performing on the Dutch television program, TopPop, in 1972

In the wake of CSNY's success, all four members recorded high-profile solo albums. In 1970, Stills released his eponymous solo debut album which featured guests Eric Clapton, Jimi Hendrix, Cass Elliot, Booker T Jones and Ringo Starr (credited only as "Richie") as well as David Crosby, Graham Nash, Rita Coolidge and CSNY drummers Dallas Taylor and Johnny Barbata. It provided Stills with the hit single "Love The One You're With." Stills followed this with Stephen Stills 2, which featured "Change Partners." Even though the song was written before CSN formed, Nash saw it as a metaphor for the many relationships in CSNY.[citation needed] In 1971, Stills played guitar for the Bill Withers album, Just as I Am, including the Grammy-winning song, "Ain't No Sunshine".[12]

In late 1971, Stills teamed up with ex-Byrd Chris Hillman to form the band Manassas. Their self-titled double album was a mixture of rock, country, blues, bluegrass and Latin music divided into different sections. All of Stills' albums after the Springfield had gone either gold or platinum; the Manassas follow-up album the next year Down the Road was his first LP that did not. After the CSNY reunion tour in 1974, he signed to Columbia Records for three albums: Stills in 1975; Illegal Stills in 1976; and Thoroughfare Gap in 1978.

In 1976, Stills attempted a reunion with Neil Young. At one point, Long May You Run was slated to be a CSNY record, but when Crosby and Nash left to fulfill recording and touring obligations,[13] they returned to find the other pair had wiped their vocals from the recordings, as Stills and Young decided to go on without their erstwhile partners as The Stills-Young Band. However, Young would leave midway through the resulting tour due to an apparent throat infection.[13] Stills was contractually bound to finish the tour, which he did, but upon returning home, his wife - French singer-songwriter Véronique Sanson - announced she wanted a divorce and wished to move back to France. Stills reunited with Crosby and Nash shortly afterwards, thanks to the efforts of Nash's future wife Susan, who got Nash to forgive Stills for wiping the Crosby and Nash vocals from Long May You Run.[citation needed] This led to the permanent reunion of Crosby, Stills, and Nash in 1977, which has persisted to the present. Since, Neil Young has joined the trio for two albums, in 1988 and 1999, and tours in 2000, 2002, and 2006, along with various benefit performances. Also in 1976, Stills played percussion on the Bee Gees' song "You Should Be Dancing".

In 1979 he traveled to Havana, Cuba, to participate in the Havana Jam festival that took place between March 2–4, alongside Weather Report, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel, plus an array of Cuban artists such as Irakere, with whom he toured the US after the Havana concerts. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79.

Stills performance in Essen, Germany, on June 17, 1983

In 1984, Right by You would be the final Stills album to make the Billboard 200 album chart, with Stills Alone issued in 1991. In 1997, Stills became the first person to be inducted into the Rock and Roll Hall of Fame twice in the same night for his work with CSN and the Buffalo Springfield. Fender Guitars crafted a custom guitar and presented it to Stills to commemorate the occasion, a Telecaster-style guitar bearing an inscription on the neck plate.

2005 saw Stills release Man Alive!, his first solo offering in 14 years. Man Alive! was released on the small English independent folk rock label Talking Elephant, and was not widely reviewed. The record did not chart on either side of the Atlantic, and was received lukewarmly by the few critics who did review it.[14][15]

Throughout 2006 and 2007, Stills toured regularly as a solo artist with "The Quartet", which consisted of drummer Joe Vitale, either Mike Finnigan or session player Todd Caldwell on keyboards, and either Kevin McCormick or Kenny Pasarelli on bass. On May 28, 2007, Stills sang the National Anthem for Game 1 of the 2007 Stanley Cup Finals between the Anaheim Ducks and Ottawa Senators in Anaheim, California.

On December 17, 2007, Graham Nash revealed on Larry King Live that Stills had been diagnosed with early stage prostate cancer and that his operation would take place on January 3, 2008, which is Stills' birthday.[16] Stills said later in January 2008 that he had come through the operation with "flying colors."[17]

Stills toured Europe as a solo artist for the first time during October 2008. In 2011, Stills contributed a song, "Low Barefoot Tolerance," to the soundtrack of a documentary produced by J. Ralph, Wretches & Jabberers.

On August 27, 2013, Stephen Stills released the album, Can't Get Enough with Kenny Wayne Shepherd and Barry Goldberg as the blues band The Rides. The band toured to support this release in 2013.

On August 12, 2014, Watsky released the album "All You Can Do", featuring a song with Stills, "Cannonball".

Personal life

During a Manassas tour in France, Stills met and married his first wife singer-songwriter Véronique Sanson. Stills has since divorced and remarried twice. He was briefly married in the late eighties to Thai model Pamela Anne Jordan. His third wife is Kristen Hathaway (Kristen Stills) whom he married in 1996.

Stills' son, Justin Stills, was critically injured at age 26 snowboarding on Mt Charleston just outside Las Vegas in 1997. An episode of Discovery Health's documentary series Trauma: Life in the ER featured his treatment and recovery. Another son, Henry, has been diagnosed with Asperger syndrome,[18] and is profiled in the 2007 documentary Autism: The Musical. His daughter Eleanor is a photographer and graduate of Art Center College of Design in Pasadena. Since Eleanor's graduation, she has been responsible for all recent Crosby, Stills & Nash photography. Stills has a twenty-year-old daughter, Alex, who attends Emerson College in Boston, Massachusetts. Son Chris and daughter Jennifer are both recording artists. His youngest son, Oliver Ragland, was born in 2004 and named in honor of Neil Young, whose maternal family name is Ragland.[19]

Like all four members of CSNY, Stills has long been involved in liberal causes and politics. In 2000, he served as a member of the Democratic credentials committee from Florida during the Democratic National Convention, and was a delegate in previous years.[20]

Stills at the Beacon Theatre in October 2012

The comic book series Scott Pilgrim features a character by the name of Stephen Stills, referred to as "The Talent" by the band he shares with the title character. The character also plays an acoustic guitar and sings, and is often portrayed wearing the kind of western shirts that Stills has as standard wardrobe. The series also has a reference to Stills' collaborator Neil Young in the character of Young Neil.

Style, musicianship, and sound

Stills is a guitarist whose music draws from a myriad of genres which include rock and roll, blues, gospel, country and folk music. In addition, Latin music has played a key role in both his approach to percussion and guitar.

Stills experimented with the guitar itself, including soaking strings in barbecue sauce[21] or flipping pickups to mimic Hendrix playing a right-handed guitar left-handed. He is also known for using alternate guitar tunings, particularly when performing acoustically. Often a long acoustic solo section of the show would showcase agile fingerstyle playing in standard and altered tunings. His primary alternate tuning is usually EEEEBE, or "Palmer modal tuning", which can be heard in "Suite: Judy Blue Eyes," "Carry On," and "4 + 20." [22]

For the CSN debut album in 1969, Graham Nash commented that "Stephen had a vision, and David and I let him run with it."[citation needed] Stills played every instrumental part on Crosby, Stills and Nash with exception of some guitar by Crosby and Nash, and drums by Dallas Taylor.

Discography

See also discographies for Crosby Stills Nash & Young, Buffalo Springfield and Manassas.

Solo

Studio albums

Date of release
Title
Peak Billboard chart position
RIAA Certifications
[23]
Label
November 16, 1970
Stephen Stills
#3
Gold
Atlantic Records
June 30, 1971
Stephen Stills 2
#8
Gold
Atlantic
June 23, 1975
Stills
#22
Columbia
March 1976
Illegal Stills
#30
Columbia
October 31, 1978
Thoroughfare Gap
#83
Columbia
July 30, 1984
Right By You
#75
Atlantic
September 11, 1991
Stills Alone
Vision/Gold Hill
August 9, 2005
Man Alive!
Titan/Pyramid
July 10, 2007
Just Roll Tape
Eyewall/Rhino

Live albums

Date of release
Title
Peak Billboard chart position
RIAA Certifications
[23]
Label
December 4, 1975
Stephen Stills Live
#42
Atlantic
September 4, 1978
Bread & Roses Festival
Klondike
October 27, 2009
Live at Shepherd's Bush
Rhino

Compilations

Date of release
Title
Peak Billboard chart position
RIAA Certifications
[23]
Label
December 2, 1976
Still Stills: The Best of Stephen Stills
#127
Atlantic
November 10, 2003
Turnin' Back The Pages
Raven
March 26, 2013
Carry On
Rhino

Singles

Date of release
Title
Peak Billboard chart position
Album
Label
1970
"Love the One You're With"
#14
Stephen Stills
Atlantic Records
1971
"Sit Yourself Down"
#37
Stephen Stills
Atlantic Records
1971
"Change Partners"
#43
Stephen Stills 2
Atlantic Records
1971
"Marianne"
#42
Stephen Stills 2
Atlantic Records
1972
"It Doesn't Matter"
#61
Manassas
Atlantic Records
1975
"Turn Back the Pages"
#84
Stills
Columbia Records
1978
"Can't Get No Booty"
Thoroughfare Gap
Columbia Records
1984
"Can't Let Go"
#67
Right by You
Atlantic Records
1984
"Stranger"
#61
Right by You
Atlantic Records

With Bloomfield/Kooper

Date of release
Title
Peak Billboard chart position
RIAA Certification
[23]
Label
Information
July 22, 1968
Super Session
#12
Gold
Columbia Records
Studio

With Manassas

Date of release
Title
Peak Billboard chart position
RIAA Certifications
[23]
Label
Information
April 12, 1972
Manassas
#4
Gold
Atlantic
Studio
April 23, 1973
Down the Road
#26
Atlantic
Studio
September 22, 2009
Pieces
Rhino/Atlantic
Compilation

With the Stills-Young Band

Date of release
Title
Peak Billboard chart position
RIAA Certification
[23]
Label
Information
September 10, 1976
Long May You Run
#26
Gold
Reprise Records
Studio

With The Rides

Date of release
Title
Peak Billboard chart position
RIAA Certification
Label
Information
August 27, 2013
Can't Get Enough
#42
429 Records
Studio

References

  1. Lua error in package.lua at line 80: module 'strict' not found.
  2. Lua error in package.lua at line 80: module 'strict' not found.
  3. Lua error in package.lua at line 80: module 'strict' not found.
  4. McDonough 2002, p. 452.
  5. Rolling Stone Magazine The 100 Greatest Guitarists of All Time 2003-08-27.
  6. Rolling Stone Magazine 100 Greatest Guitarists 2011-11-23.
  7. Lua error in package.lua at line 80: module 'strict' not found.
  8. Zimmer, Dave. Crosby, Stills & Nash: The Biography, Philadelphia: Da Capo Press, 2008, p. 8.
  9. Zimmer, Dave. "Crosby, Stills & Nash: The Biography", Phildaelphia: Da Capo Press, 2008, p. 31.
  10. Davis, John T., [1] Austin American Statesman, 2015.
  11. Collns,Judy. "Sweet Judy Blue Eyes: My Life in Music", New York: Random House, 2011, p. 328.
  12. Lua error in package.lua at line 80: module 'strict' not found.
  13. 13.0 13.1 Cameron Crowe "Quick End to a Long Run." Rolling Stone Sep 9, 1976 reprinted in 4 Way Street: The Crosby, Stills, Nash & Young Reader 2004 Da Capo Press.
  14. Lua error in package.lua at line 80: module 'strict' not found.
  15. [2] Archived October 28, 2008 at the Wayback Machine
  16. Lua error in package.lua at line 80: module 'strict' not found.
  17. Lua error in package.lua at line 80: module 'strict' not found.
  18. The Musician's Family Discusses Their Role in the Recent Miracle Project Movie, Theatre Therapy, and Their Son's Progress, Spectrum Publications, October/November 2008, Retrieved March 10, 2010.
  19. Lua error in package.lua at line 80: module 'strict' not found.
  20. [3] Archived September 26, 2007 at the Wayback Machine
  21. [4] Archived October 26, 2009 at the Wayback Machine
  22. {{"Classic Crosby, Stills, Nash & Young: Selections from Déjà Vu and Crosby Stills & Nash [Authentic Guitar-Tab Edition] © 1993 Warner Bros. Music}}
  23. 23.0 23.1 23.2 23.3 23.4 23.5 Lua error in package.lua at line 80: module 'strict' not found.

External links