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Act 1A Scene 0090 "Opening Titles" |
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Notes & Images |
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EXT. SUBURBAN HILLSIDE PARK - DAY |
Wide shot of the family lounging below the tree. A delivery drone enters frame. |
In a very old-fashioned computerized androgynous voice.... |
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Continued in next scene... |
1A 0090 "Opening Titles" - opening titles + follow drone up and over to next Act and Scene + transition
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A sample image with descriptive text.
All images will be organized in the Bittersweet Seeds: Galleries.
These images will include branding concepts, character designs, final renders, illustrations, prop designs, reference images, sets and settings, sketches, storyboards, unused images, vehicles, visualizations, etc.
An aspect ratio (image) of 2:1, aka Univisium, aka 18:9, keeps widescreen proportions super simple - plus there's a fascinating history, many more technical economies gained, and growing support adopting this newer Univisium format. Many mobile devices feature 2:1 (18:9) screens and it's a new mandatory standard of content platforms like Netflix and Amazon Video - a creative limitation for those who may want alternatives.[2][3][4]
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- Potential notes forthcoming
- alternates / options
- audio / music
- character arcs & choices
- checklists (missing / needed)
- cinematography
- compelling goals / problems
- concepts / research / themes
- development (history)
- directions
- Screenwriting notes & checklist
- actively chooses, must have agency, not a victim of the universe
- flaw, makes issue(s), character arch, realizing and facing change, growing
- contrast/conflict values/morals
- What's the PROBLEM at the center of the story and is it compelling?[5]
- P unishing
- R elatable
- O riginal
- B elievable
- L ife-Altering
- E ntertaining
- M eaningful
- Purpose of a scene should include:[6]
- Characterization
- World building
- Theme
- Plot
- Pacing
- Aesthetic
- Plot :
- G oal = what
- S takes = why
- U urgency = when
- Character arc :
- Motivations and Choices
- express what the character wants
- proactive difficult choice(s) (not passively letting thing happen, given things, etc)
- discover what the character actually needs ≠[7]
- Ideally every character in every scene, even if tiny, should have an arc, to be at the end of the scene different from the start.
- Devices :
- Show don't tell
- Reversals - (natural, organic) emotional, character and/or comedic.[8]
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- ↑ https://disney.fandom.com/wiki/Vanellope_von_Schweetz
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- ↑ Every Story Is About A PROBLEM - Erik Bork ~ Film Courage, 2018-09-17
- ↑ Tuca And Bertie Can't Make It Alone ~ Folding Ideas, 2019-12-06 - @1m33s
- ↑ How To Make Spider-Man Boring - Far From Home ~ The Closer Look, 2019-11-08
- ↑ Into The Spider-Verse — Greatness Through Reversal | Film Perfection ~ Filmento, 2019-03-08