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The Chinese Restaurant

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"The Chinese Restaurant"
Seinfeld episode
Episode no. Season 2
Episode 11
Directed by Tom Cherones
Written by Larry David & Jerry Seinfeld
Production code 206
Original air date May 23, 1991
Guest actors
  • James Hong as the maître d'
  • David Tress as Mr. Cohen
  • Judy Kain as Lorraine Catalano
  • Michael Mitz as man on phone
Season 2 episodes
Seinfeld (season 2)
List of Seinfeld episodes

"The Chinese Restaurant" is the 11th episode of the sitcom Seinfeld's second season on NBC, and is the show's 16th episode overall. The episode revolves around protagonist Jerry (Jerry Seinfeld) and his friends Elaine Benes (Julia Louis-Dreyfus) and George Costanza (Jason Alexander) waiting for a table at a Chinese restaurant, on their way to see Plan 9 from Outer Space. Unable to get a table, they decide to wait and talk amongst each other, while George tries to use the phone that is constantly occupied and Jerry recognizes a woman, but he is unsure where he has seen her before.

Co-written by the series' creators Seinfeld and head writer Larry David, the episode is set in real time, without any scene-breaks. It was the first episode in which Jerry's neighbor Kramer (Michael Richards) did not appear, much to Richards' disappointment, as it turned out to become a highlight among the show's episodes. Considered a "bottle episode", NBC executives objected to its production and broadcast due to its lack of an involved storyline, thinking that audiences would be uninterested. It was not until David threatened to quit if the network forced any major changes upon the script that NBC allowed the episode to be produced, though the network postponed broadcast to the near end of season two.

First broadcast in the United States on May 23, 1991, the episode gained a Nielsen rating of 11.7/21. Television critics reacted positively to "The Chinese Restaurant", which is widely considered as one of the show's "classic episodes". In 1998, a South Florida Sun-Sentinel critic wrote that the episode, along with season four's "The Contest", "broke new sitcom ground".[1]

Plot

Jerry, George, and Elaine decide to eat dinner without a reservation at a Chinese restaurant before seeing a one-night showing of Plan 9 from Outer Space, which Jerry exultantly calls "the worst movie ever made!"[2] The maître d' (James Hong) repeatedly tells the party they will receive a table in "5, 10 minutes", but with no result. Besides having only a short time until the movie begins, the characters have other worries:

  • Jerry previously lied to his uncle, saying he could not join him for dinner; he prefers to see the film, yet feels guilty.
  • George is anxious because, the night before, he left his girlfriend Tatiana during foreplay because he needed to use a bathroom and thought hers was too close to her bedroom to provide enough privacy. He wants to call Tatiana to invite her to join them, but is repeatedly prevented from using the restaurant's payphone, as it is first occupied by a man (Michael Mitz) who ignores George, and then by a woman who is rude to him.
  • Jerry notices a woman (Judy Kain) he has seen before, but cannot remember her name.
  • Elaine is frustrated by being extremely hungry.

Jerry dares Elaine to take an egg roll from someone's plate and eat it, offering her "fifty bucks" to do so. Elaine approaches a table with an elderly couple and tells them that her friend will give her $50 to eat one of their egg rolls, and she is willing to give them $25 of it. As she softly speaks the offer without moving her lips, they fail to comprehend her. She awkwardly walks away, then laughs off her attempt. George is finally able to call Tatiana, the answering machine answers his call, and George leaves a message. Tatiana calls the restaurant to reach George, but the maître d' calls "Cartwright" instead of "Costanza", and she "said curse words" when he told her that George is not there. When the mysterious woman encounters Jerry, he remembers belatedly that she is his uncle's receptionist.

Plan after plan is thwarted: Elaine tries bribing the maître d', but is unsuccessful. They could get food to go, but they can't eat Chinese food in a taxicab. Elaine is ravenous, but refuses to eat concession stand food at the movie theater.

George decides he's no longer in the mood for the film; Elaine wants to leave and get a hamburger; Jerry decides that he might as well have dinner with his uncle. As soon as they leave, the maître d' calls their party.

Production

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"['The Chinese Restaurant'] was the point where the network said, 'You know, we really don't understand what you're trying to do with this show, and we think it's wrong. But we're going to air it anyway.' I was thrilled that NBC took that attitude. We had done enough good things at that point that they were willing to trust us."

Seinfeld on NBC's reaction[3]

"The Chinese Restaurant" was written by series co-creators Larry David and Jerry Seinfeld and directed by Tom Cherones, who directed all of season two's episodes.[4] David came up with the idea of the real-time episode while he and Seinfeld were waiting for a table at a Chinese restaurant in Los Angeles.[5][6] When David presented the episode to NBC executives, he received a negative reaction.[7] The network felt that there was no real story and viewers would not be interested.[8] Executive Warren Littlefield commented that he thought there were pages missing from the script he had received.[5] David argued that each character had a storyline: Jerry's story was he recognized a woman but did not know from where; Elaine's story was that she was very hungry; and George's story was that he was unable to use the phone.[9] NBC disagreed and objected to the broadcast of the episode.[9] To satisfy the executives, staff writer Larry Charles suggested the group's storyline to be on their way to a one-night screening of Plan 9 from Outer Space, and thus introducing a "ticking clock" scenario to the story.[5] When the NBC executives still objected, David threatened to quit the show if the network would force any major changes upon the script.[9] Seinfeld supported David and NBC eventually allowed them to produce "The Chinese Restaurant" without any significant alterations, although they strongly advised them not go through with it, and postponed the broadcast until near the end of the season.[5][9][7][10] In 2015, Seinfeld writer Spike Feresten revealed that the host's calling "Cartwright" instead of "Costanza" was a subtle allusion to the classic western show Bonanza. "Bonanza" rhymes with "Costanza" and the show's main characters are the "Cartwright" family.[11]

"The Chinese Restaurant" was first read by its cast on December 5, 1990, and it was filmed on December 11.[9] Filming took place at CBS Studio Center in Studio City, Los Angeles, California, where all filming for the second season took place.[12] As only one location was used, it took roughly half of the time it usually took for an episode to be filmed. Cast members have remarked that the filming was shorter than on any other episode.[9] A few changes were made; in the first draft of the script, George, Jerry, and Elaine entered the restaurant talking about their least favorite holiday. In the version that aired, they talk about combining the jobs of policemen and garbagemen into a single job.[9] In the original draft, the three friends also discussed how to spend the long waiting period in the future, with George suggesting they bring a deck of cards and that Jerry bring a jigsaw puzzle with nothing but penguins.[9] One scene was cut before broadcast, featuring George explaining to Jerry that he pulled his hamstring while trying to untuck the covers of a hotel bed during his recent stay in Boston.[13] George can be seen grabbing his hamstring as he walks to the phone. The scene was later included on the Seinfeld seasons one and two DVD boxset.[9][14]

At one point in the episode, Jerry mentions having a sister. She is never again mentioned in the series.

Cast

"The Chinese Restaurant" was the first episode that did not feature regular character Kramer (Michael Richards), Jerry's neighbor.[5] David explained that the reason for Kramer's absence was because—during Seinfeld's early seasons—the character never left his apartment and did not go out with the other three.[5] Richards was still displeased with the absence of his character, as he felt the episode was a breakthrough and—as such—essential for the series' development.[9] In an interview for the Seinfeld first and second season DVD box set, he commented, "The Chinese restaurant episode was so unique, and I just wanted to be a part of that because it was cutting edge. I knew that was a very important episode; it was so odd."[5]

Michael Mitz—who portrayed one of the payphone occupants—would return in season five as a photographer in "The Puffy Shirt".[9] The maître d' was portrayed by actor James Hong;[15] it is one of the actor's most famous roles in the United States.[16] (In fact, he had a small part in a season one episode of The Bob Newhart Show in 1972, portraying a man who is mistaken for a maître d'.) Judy Kain—known for a recurring role on Married... with Children—guest-starred as Lorraine Catalano, the receptionist of Jerry's uncle.[9] David Tress guest-starred as Mr. Cohen, a guest who enters the restaurant and receives a table without reservation, as he is good friends with the maître d'.[9] Larry David's voice can be heard among the group of elderly people Elaine offers money for one of their egg-rolls.[9] Norman Brenner—who worked as Richards' stand-in on the show for all its nine seasons[17]—appears as an extra; he is sitting by the door of the restaurant when George, Jerry, and Elaine enter, and is still at the same spot when they leave.[9]

Themes

The episode is widely considered to encapsulate Seinfeld's "show about nothing" concept, with The Tampa Tribune critic Walt Belcher calling it "the ultimate episode about nothing",[18] and Lavery and Dunne describing it as "existential".[19] Critics had a similar reaction to season three's "The Parking Garage", in which the four central characters spent the whole episode looking for their car.[20] The structure of "The Chinese Restaurant"—described as "elongation"—drags a small event out over the course of an entire episode. Lavery and Dunne suggest that this structure critiques sitcoms with implied moral lessons (such as those found in so-called "very special episodes").[21] Vincent Brook—as part of his analysis regarding the influence of Jewish culture on Seinfeld—has said that the episode also conveys the theme of entrapment and confinement in a small space, a recurring theme on the show.[22] The relationship between the characters and food is another recurring theme of the series. In Seinfeld, specific food items are associated with individual characters and food itself is a "signifier of social contracts".[23]

Linda S. Ghent, Professor in the Department of Economics at Eastern Illinois University, discusses some economic issues in this episode. Just before Jerry's dare about the egg roll, Elaine says, "You know, it's not fair people are seated first come first served. It should be based on who's hungriest. I feel like just going over there and taking some food off somebody's plate."[24] Ghent discusses the history and reasoning behind rationing mechanisms and economic efficiency, which are the bases behind how tables are seated at restaurants, rationales which are perhaps invisible to hungry or impatient customers.[25] Elaine's attempt at bribery is an example of opportunity cost: the trio are willing to pay more than usual to get a table, if at least they can get a table.[26] Ghent also gives Jerry's willingness to lie to his uncle as another example of opportunity cost: "Did I do a bad thing by lying to my uncle and saying I couldn't go to dinner? Plan Nine from Outer Space – one night only, the big screen! My hands are tied!"[27]

Reception

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"The anti-sitcom: no contrived plots, in fact no plots at all: these people can be funny just waiting to be seated."

Jamie Malanowski, Time[28]

When the episode initially aired in the United States on NBC on May 23, 1991,[29] it received a Nielsen rating of 11.7 and an audience share of 21—this meant that 11.7% of American households watched the episode, and that 21% of televisions in use at the time were tuned to it.[9] Seinfeld was the eighteenth most-watched show of the week, and the sixth most-watched show on NBC.[30] NBC executives held a meeting after the broadcast to determine the fate of the show, and decided it would receive a third season order if the writers would put more effort into episode storylines.[9]

"The Chinese Restaurant" received very positive responses from critics and is considered one of Seinfeld's first "classic episodes".[9][31] Kit Boss, a critic for the Ocala Star-Banner, wrote that the episode was "like real life, but with better dialogue".[32] Various critics and news sources have praised how the episode defines the show's "show about nothing" concept.[33][34] Critics have also noted that aside from being a turning point for the show, the episode also became a turning point for television sitcoms;[35] one South Florida Sun-Sentinel critic commented that the episode, along with the season four episode "The Contest", "[...] broke new sitcom ground and expanded the lexicon of the '90s."[1] Vance Durgin of The Orange County Register praised how the show "wrung" so much comedy "out of a simple premise".[36] The episode was also included in a list compiled by The Star-Ledger called "50 events that shaped TV – and our lives" between 1900 and 1999.[37] The Charlotte Observer has called "The Chinese Restaurant" the best Seinfeld episode, referring to it "the very epitome of the classic Seinfeld format".[38]

Critics also praised Louis-Dreyfus' and Alexander's performances; The Age critic Kenneth Nguyen stated that they "characteristically, rock[ed] their line readings".[39] Michael Flaherty and Mary Kaye Schilling of Entertainment Weekly, who graded the episode with an A−, commented, "George is at his pressure-cooker best, but it's Elaine—famished and in high dudgeon—who is the centerpiece."[40] David Sims of The A.V. Club gave the episode an A+, saying "it's a deftly-plotted, extremely funny example of the 'show about nothing' label that Seinfeld assigned itself".[41]

References

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  19. Lavery & Dunne, p. 32
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  21. Lavery & Dunne, p. 82
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  23. Lavery & Dunne, pp. 148–149
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External links