The Circus, Bath
A view of The Circus
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| Former name(s) | King's Circus |
|---|---|
| Length | 700 ft (200 m) |
| Postal code | BA1 2 |
| Coordinates | Lua error in package.lua at line 80: module 'strict' not found. |
| Construction | |
| Construction start | 1754 |
| Completion | 1768 |
The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle. It has been designated as a Grade I listed building.[1]
Divided into three segments of equal length, the Circus is a circular space surrounded by large townhouses. Each of the curved segments faces one of the three entrances, ensuring that whichever way a visitor enters there is a classical facade straight ahead.
History
The Circus, originally called King's Circus, was designed by the architect John Wood, the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. Wood, convinced that Bath had been the principal centre of Druid activity in Britain, surveyed Stonehenge and used the same dimensions (318 feet) for The Circus' diameter.[2]
It was left to his son, John Wood, the Younger to complete the scheme to his father's design. The initial leases for the south west segment were granted in 1755-67, those for the south east segment in 1762–66, and those for the north segment in 1764–66.
The Circus was part of John Wood the Elder's grand vision to recreate a classical Palladian architectural landscape for the city. Other projects included nearby Queen Square and the Forum (which was never built). The Circus is the culmination of Wood's career, and is considered his masterpiece.[3]
Three classical Orders (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The frieze of the Doric entablature is decorated with alternating triglyphs and 525 pictorial emblems, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials.
When viewed from the air, the Circus, along with Queens Square and the adjoining Gay Street, form a key shape, which is a masonic symbol similar to those that adorn many of Wood's buildings.[4]
The central area was paved with stone setts, covering a reservoir in the centre that supplied water to the houses. In 1800 the Circus residents enclosed the central part of the open space as a garden. Now, the central area is grassed over and is home to a group of old plane trees.
Between 1758 and 1774 number 17 The Circus was home to Thomas Gainsborough and used as his portrait studio.[5]
During the Bath Blitz of 25/26 April 1942, one of the Baedeker Blitz retaliatory raids on England following the RAF's raid on Lübeck, a bomb fell into the Circus, demolishing several of the houses. These have since been reconstructed in the original style.
Architectural historian Dan Cruickshank selected the Circus as one of his five choices for the 2006 BBC television documentary series Britain's Best Buildings.[6]
References
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- ↑ Gadd, David, Georgian Summer, Countryside Books, updated edition 1987.
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Bibliography
- Michael Forsyth, Bath, Pevsner Architectural Guides, Yale University Press, 2003.
- Jean Manco, The Hub of the Circus: A history of the streetscape of the Circus, Bath (Bath and North East Somerset Council 2004).
External links
Media related to Lua error in package.lua at line 80: module 'strict' not found. at Wikimedia Commons- Bath Past: The Circus — an article by Jean Manco.
