Vincent O'Sullivan (New Zealand poet)

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Vincent Gerard O’Sullivan, DCNZM (born 28 September 1937, in Auckland, New Zealand) is a New Zealand poet, short story writer, novelist, playwright, critic and editor. He was the New Zealand Poet Laureate for the term 2013–2015.[1][2] The son of Timothy O'Sullivan (b. Tralee, Ireland) and Myra O'Sullivan (née McKean) O'Sullivan was the youngest of five children. His first marriage was to Tui Rererangi Walsh and produced two children. Dominic O'Sullivan (1970) and Deirdre O'Sullivan (1973).

He attended St Joseph's primary Grey Lynn and Sacred Heart College. He graduated from the University of Auckland and Oxford University; he lectured at Victoria University of Wellington (1963–66) and the University of Waikato (1968–78).

He served as literary editor of the NZ Listener (1979–80).[3]

Awards

Works

Poetry

  • Our Burning Time (1965),
  • Revenants (1969)
  • Waikato-Taniwha-Rau (1971)
  • Bearings (1973)
  • From the Indian Funeral (1976)
  • Butcher & Co. (1977)
  • Brother Jonathan, Brother Kafka (1979)
  • The Rose Ballroom and Other Poems (1982)
  • The Butcher Papers (1982)
  • The Pilate Tapes (1986)
  • Selected Poems (1992)
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Short Stories

  • The Boy, The Bridge, The River (1978)
  • Dandy Edison for Lunch and Other Stories (1981)
  • Survivals (1985)
  • The Snow in Spain: Short Stories (1990)
  • Palms and Minarets: Selected Stories (1992).

Novels

  • Miracle (1976)
  • Let the River Stand (1993)

Plays

  • Shuriken, was performed at Downstage, Wellington, in July 1983.
  • Billy, presented at Bats Theatre, Wellington

Anthologies

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Editor

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  • Mansfield’s ‘The Aloe’ with ‘Prelude’ (1982)
  • Poems of Katherine Mansfield (1988)
  • Selected Letters (1989)
  • An Anthology of Twentieth-Century New Zealand Poetry (1970, revised 1976 and 1987)
  • New Zealand Short Stories: Third Series (1975)
  • New Zealand Writing Since 1945 (1983, with MacDonald P. Jackson)
  • Collected Poems: Ursula Bethell (1985),
  • The Oxford Book of New Zealand Short Stories (1992),

Reviews

In print and in performance, Vincent O’Sullivan as poet reminds one of nothing so much as an antipodean Marist or Jesuit; with his trenchant mix of philosophical erudition and vernacular ease, he comes across as the defrocked priest of New Zealand literature. His poems display an irreverence that shades into reverence: God is spoken of with fondness and slight regret, as if O’Sullivan is remembering a character who belongs to a previous book (which, he might say, is what God is).[5]

This poem is in many ways typical of O'Sullivan's strengths: it has a lyric eloquence that never shies away from, often embraces, difficult sometimes philosophical subject matter and is a good introduction – as is the volume as a whole – to his work in general.[6]

References

External links

Cultural offices
Preceded by New Zealand Poet Laureate
2013–2015
Succeeded by
C. K. Stead