Violence & Destruction
| Violence & Destruction | ||||
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| File:Violence&Destruction.jpg | ||||
| Studio album by Islander | ||||
| Released | July 8, 2014 | |||
| Recorded | Early 2014
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| Genre | Nu metal, rap metal, alternative metal, post-hardcore | |||
| Length | 37:44 | |||
| Label | Victory | |||
| Producer | Cameron Webb | |||
| Islander chronology | ||||
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| Singles from Violence & Destruction | ||||
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Violence & Destruction is the debut studio album by the American nu metal group, Islander. The album was produced by Cameron Webb and released on July 8, 2014, by Victory Records. It is the only album from the band to feature Andrew Murphey, Chris Doot and Erik Fraizer on guitar, bass and drums, respectively.
Contents
Recording, production, release
Islander are a four-piece group from Greenville, South Carolina, whose first release was the EP Pains. (2013).[1][2]
Violence & Destruction was recorded in early 2014 in studios in Southern California: Maple, in Orange County, and NRG Recording in North Hollywood, Los Angeles.[3] Producer Cameron Webb had worked with such acts as Kelly Clarkson, Motörhead, Pennywise, Silverstein, Weezer and Alkaline Trio.[2][3]
The album was released on July 8, 2014, through label imprint Victory Records. To promote the album the band toured on the Mayhem Festival 2014, playing on the Victory Records Stage with label mates Emmure, Ill Niño and Wretched.[1][2]
Musical style, writing, composition
Critics compared the album to P.O.D. (The Fundamental Elements of Southtown) and the Deftones (Around the Fur) for its "different" sound.[4] Singer Carvajal has been compared to Chino Moreno and Sonny Sandoval; while critic Rob Houston appreciated the vocals,[4] some felt putt off because of his "shameless, and almost smarmy sounding" performance, especially the "'woos'".[5] Big Cheese notes "this four-piece blends the atmospheric musicality of Deftones with the rap rock attitude of Fred Durst, with powerful results."[6] Rock Sound says "Despite sounding like the odds are stacked against them, Islander stand a good chance of survival with their 100 per cent accurate nu metal recreations."[7] They went onto write Islander "exhumed P.O.D.'s corpse (or did it rise from the dead itself?) with forensic precision and mated it with Chino Moreno's haunting croon."[7]
Critical reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| About.com |   [1] |
| Alternative Press | [5] |
| Big Cheese | 8/10[6] |
| HM Magazine | [4] |
| Jesus Freak Hideout | [8] |
| Music Connection | 7/10[9] |
| New Noise Magazine |  [10] |
| Outburn | 8/10[11] |
| Rock Sound | 6/10[7] |
| Substream Magazine | [12] |
Violence & Destruction was welcomed with predominantly positive reviews. John Hill from Noisey exlaimed,[13]
Their new track "Coconut Dracula" shows a lot of restraint with their influences, allowing them to just fucking play. Islander's able to really illustrate the potential of this genre. They sonically demonstrate that fragile dichotomy between softness and weight in a riff, and juggle it around over catchy hooks. I don't know what the fuck a Coconut Dracula is (I hope it's some kind of drink) but this track still WRECKS.
In a five-star review in HM Magazine, Rob Houston stated that Violence & Destruction will be able to hold its own for years."[4] Amy Sciarretto, writing for Outburn, praised the album for its "funked out riffs, throatily wrapped vocals, and rage drenched sentiments", giving it an eight out of ten.[11] In an eight out of ten review from Big Cheese, Paula Frost described it as
Hollering through 12 tracks in a passionate mix of soft singing besides raw intensity, frontman Mickey comes across as an urban realist. Next to the influence of Rage Against The Machine and non-stop thrashing, 'Violence And Destruction' is at times an intimate set of songs. Mixing rock, metal and hip-hop, 'Violence And Destruction' simply doesn't let up.[6]
In New Noise Magazine, Nathaniel Lay gave it four and a half stars: "From start to finish, Violence & Destruction has a lot of greatness to share with its listeners".[10] In a four-star review for Jesus Freak Hideout, Michael Weaver said the album was interesting because the band "put together a really solid collection of songs 13 years or so after the genre [nu-metal] died."[8] Chad Bowar, for About.com, thought the album "wide-ranging" for its content, and gave it three stars.[1] In a three-star review in Alternative Press, Jason Schreurs wrote that the band "tries too hard to create a sound that can easily be compartmentalized by its influences".[5] Tim Dodderidge, in Substream Magazine, said that "the biggest problem is that these guys still need to fully develop their style into their own", giving the album three and a half stars.[12] Awarding the album a six out of ten,[7] Sarah O'Connor at Rock Sound felt
The Downside? Their relative lack of fresh ideas means the songs need to be on point, and they aren't quite there. Their Deftones influence is a little too overbearing and there's a feeling that it needs to be stripped back before Islander can make any progress of their own.
Track listing
All songs written and composed by Islander.
| Tracklist | ||
|---|---|---|
| No. | Title | Length |
| 1. | "Counteract" | 2:48 |
| 2. | "The Sadness of Graves" | 3:04 |
| 3. | "Coconut Dracula" | 4:07 |
| 4. | "Cold Speak" | 3:09 |
| 5. | "Pains" | 3:56 |
| 6. | "Kingdom" | 4:03 |
| 7. | "Side Effects of Youth" | 2:29 |
| 8. | "New Wave" | 3:44 |
| 9. | "Criminals" (featuring Sonny Sandoval of P.O.D.) | 3:00 |
| 10. | "Mira" | 1:16 |
| 11. | "Hearts Grow Cold" | 2:50 |
| 12. | "Violence & Destruction" | 3:18 |
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Total length:
|
37:44 | |
Personnel
Islander
Producer
- Cameron Webb
Additional musicians
References
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- ↑ 7.0 7.1 7.2 7.3 Lua error in package.lua at line 80: module 'strict' not found.
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- ↑ 12.0 12.1 Lua error in package.lua at line 80: module 'strict' not found.
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