William Alland

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William Alland
Born (1916-03-04)March 4, 1916
Delmar, Delaware, U.S.
Died Script error: The function "death_date_and_age" does not exist.
Long Beach, California, U.S.
Occupation Actor, director, producer, writer
Years active c.1938—1966

William Alland (March 4, 1916 – November 11, 1997) was an American film producer, and writer, mainly of both western films, and some of the best remembered 1950's science fiction/monster films, including This Island Earth, It Came From Outer Space, Tarantula, The Deadly Mantis, The Mole People, The Colossus of New York, The Space Children, and, not least, the classic The Creature from the Black Lagoon and its two sequels. The idea for the Creature in the three Black Lagoon films was his, all three of which he also produced, working with frequent collaborator Jack Arnold as director.

Initially entering theatre and film as an actor, he is best remembered as the reporter Jerry Thompson whose investigations show us the life of the newspaper tycoon in Orson Welles's Citizen Kane (1941). He also directed one film, Look in Any Window.

In his early 20s, he arrived in Manhattan and took courses at the Henry Street Settlement House, where he met Orson Welles. He also lent his voice to Welles's The War of the Worlds. Alland won a Peabody Award as producer of Doorway to Life.[1]

Alland's role as reporter Jerry Thompson in Citizen Kane (1941) is unusual because the camera never closes up on his face; in fact, for the majority of his scenes in the film, he shows his back to the camera, and whenever his face can be seen, it is always in long-shot and almost always clouded in shadow. As noted by film critic Roger Ebert on the DVD commentary of Citizen Kane, Alland once reportedly told an entire audience of people that they would probably recognize him if he were to show his back to them. Additionally, in Citizen Kane he also voiced the Newsreel Announcer in the "News on the March" segment, a spoof of the then-popular March of Time newsreels. In later years, Alland twice provided voiceovers for pastiches of this News on the March segment; once for the 1974 Orson Welles film F for Fake, and again for a 1991 Arena documentary for the BBC, The Complete Citizen Kane. F for Fake had a News on the March pastiche showing what the opening of Citizen Kane would have looked like if it had been modelled on Howard Hughes rather than William Randolph Hearst, while The Complete Citizen Kane has a pastiche of News on the March about Orson Welles making Citizen Kane, rather than about the death of Charles Foster Kane.

Behind the camera, his greatest fame came from producing science fiction movies at Universal and Paramount in the 1950s. His sci-fi producing career is the subject of a 60-page interview in the book "Monsters, Mutants and Heavenly Creatures" (Midnight Marquee Press, 1996) by Tom Weaver.

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