Works of Jayadeva
Jayadeva was a well-known Sanskrit poet and lyricist who was born in Kenduli, Odisha in the 11th century AD. The works of Jayadeva have had a profound influence on Indian culture. They form the basis of the east Indian classical dance form, Odissi, and have strongly influenced the Bharatanatyam classical dance as well as Carnatic music. Jayadeva's composition has also been incorporated in the Guru Granth Sahib.
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Religion
Lua error in package.lua at line 80: module 'strict' not found. Jayadeva has had a profound influence on the religious practices of Hinduism. The classic Tribhangi (threefold) posture of Krishna playing the flute gained popularity due to him.
Dashavatara
Jayadeva was instrumental in popularizing the Dasavatara, the ten incarnations of Krishna in his composition Dasakritikrite. Additionally, the Gita Govinda begins with a Dasavatara stotra. In Jayadeva's version of Dasavatara, Buddha is an incarnation of Vishnu, while Krishna is not incorporated because Krishna is the source of all incarnations. as the lyrics say: keshava dhrta buddha sarira= krishna who appears in the form of Lord Buddha. Since Keshava is another name of Krishna, that means Krishna is the source of/incarnate as Buddha.
In July 2009, the government of India's Department of Posts decided to release 11 stamps in Bhubaneswar to commemorate the birth of Jayadeva. One stamp depicts the poet himself, while the other ten depict the Dasavatara.[1] Chief Minister Naveen Patnaik unveiled the stamps at a special function in Jayadev Bhawan. They are in the denomination of Rs 5. A total of 800,000 stamps were released for sale in Orissa.[2][3]
Hymns in the Guru Granth Sahib
Two hymns composed by Jayadeva have been incorporated in the Guru Granth Sahib, the holy book of the Sikh religion. Although it is not clear how these medieval Orissan hymns found their way to the Sikh religion, there are records narrating how Jayadeva's work had a profound influence on Guru Nanak during his visit to Puri.[4]
Music and dance
Odissi
In the opinion of researcher scholars, Jayadeva is among the centralmost figures in Odia culture.[5][6] Jayadeva's ashtapadis are sung in dance performances of Odissi, the classical dance of Orissa.[7]
Classical music of Orissa
Oriya bhajans (devotional songs) are based on ragas and talas specified by Jayadeva's hymns.[8] Jayadeva was a devotee of Krishna, and Krishna in the form of Jagannath is the central deity of Orissa.[9][10]
Fine arts
Jayadeva and his Gita Govinda had gained considerable popularity and had emerged as a painter’s theme by the late 15th century, though no such early paintings are available now. The earliest reported Gita Govinda paintings are from Mewar between 1590 and 1600 A.D.
Patachitra paintings
The Gita Govinda composed by Jayadeva is one of the popular themes in the traditional patachitra paintings of Orissa.[11][12][13]
Pahari paintings
Jayadeva had a profound influence on the Pahari school during the 17th-19th centuries, which was prevalent throughout northern India bordering the Hiimalayas (from Jammu through Himachal Pradesh). In particular, Jayadeva's Radha and Krishna served as popular themes for Basohli painting in Jammu and Kashmir.[14]
The Gita Govinda
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The Gita Govinda is the best-known composition of Jayadeva. It is a lyrical poetry that is organized into 12 chapters. Each chapter is further sub-divided into 24 divisions called prabandhas. The prabandhas contain couplets grouped into eights, called Ashtapadis.
The first English translation of the Gita Govinda was published by Sir William Jones in 1792, where Kalinga (ancient Orissa) is referred to as the origin of the text. Since then, the Gita Govinda has been translated to many languages throughout the world and is considered to be among the finest examples of Sanskrit poetry. Noteworthy among them is Love Song of the Dark Lord, by Barbara Stoler Miller.
Other literary contributions
Jayadeva wrote Piyusha Lahari, a Sanskrit Goshti Rupaka.[15] It was based on the romantic love between Radha and Krishna similar in line to Gita Govindam. It was translated into Telugu by Vavilala Somayajulu and published in 1993 by Telugu University in 1990.[16]
References
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- ↑ Visit of Guru Nanak
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- ↑ Pahari centres Arts of India: Architecture, Sculpture, Painting, Music, Dance and Handicraft, by Krishna Chaitanya. Published by Abhinav Publications, 1987. ISBN 81-7017-209-8. Page 62.
- ↑ Piyusha Lahari published in Nagari Script in the Journal of The Kalinga Historical Research Society, vol 1, part 4
- ↑ Piyusha Lahari, Telugu translation by Vavilala Somayajulu with original Sanskrit script, edited by Dr. V.V.L. Narasimha Rao, Telugu University publication series No. 104, Hyderabad, 1990.
