The Young Black Stallion

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The Young Black Stallion
File:The Young Black Stallion.jpg
Theatrical release poster
Directed by Simon Wincer
Produced by
Screenplay by Jeanne Rosenberg
Based on The Young Black Stallion by
Starring
Music by William Ross
Cinematography Reed Smoot
Edited by
  • Bud Smith
  • Terry Blythe
  • Scott Smith
Production
company
Distributed by Buena Vista Pictures
Release dates
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  • December 25, 2003 (2003-12-25)
Running time
49 minutes
Country United States
Language English
Box office $9,638,389

The Young Black Stallion is a 2003 made-for-IMAX family film from Walt Disney Pictures. Directed by Simon Wincer, the film is based on the 1989 novel of the same name by Black Stallion creator Walter Farley and his son Steven Farley. Noted for its beautiful scenery and wide-angle shots, the 49-minute movie was filmed on-location in the deserts of Namibia and South Africa. The film stars Biana G. Tamimi as Neera, a young girl who befriends a young black stallion, and Patrick Elyas as Aden, although his voice was dubbed by Eric Grucza, who, for his uncredited performance was nominated in 2004 for the Young Artist Award for Best Performance in a Voice-Over Role.

The film is Disney’s first production made specifically for IMAX theaters, and a prequel to the 1979 film The Black Stallion. The original film won an Academy Award for Best Sound Editing and received nominations for Film Editing and Supporting Actor Mickey Rooney, but it doesn’t appear Disney has such lofty expectations for The Young Black Stallion. According to reports, the film was originally scheduled for release in fall 2002, then was postponed until September 2003, and then debuted in select IMAX theaters in the United States on December 25, 2003.

Plot

The film follows the adventures of Shetan, a young black Arabian colt. After a band of robbers separates a young Arabian girl named Neera (Biana Tamini) from her father, she finds herself alone in the desert. Before too long, a mysterious black colt comes to her rescue. The two quickly form a special bond, and the horse returns Neera to her grandfather. Once Neera is back home, the stallion disappears.

Neera greets her grandfather Ben Ishak (Richard Romanus) and her cousin Aden (Patrick Elyas) eagerly, but is disappointed and upset when she find out that her grandfather's horse breeding days are over. Ben Ishak informs Neera that because of the shootings in the desert, his fields are ruined, and he can no longer afford to keep any of his horses. He kept an old plow-horse, Abha, and set his most precious mare Jinah free. We find out later that Jinah was Shetan's mother.

A year passes, but the black stallion does not return. Neera’s grandfather tells her that the horse was probably nothing more than a product of her imagination. But Neera knows better. She thinks the stallion is the lost horse of the desert, a legend born of the sands and sired by the night sky. Then, one night, the colt appears again. In an attempt to help her grandfather start a breeding farm again, Neera joins a grueling cross-country race against the finest horses of Arabia for a purse of the most exceptional Arabian mares. Shetan, the black stallion, is trained, and Neera rides him in the competition to restore her grandfather's money and respect. In the end, Neera wins, and Shetan is reunited with his mother.

Cast

  • Richard Romanus as Ben Ishak
  • Biana G. Tamimi as Neera
  • Patrick Elyas as Aden
  • Gérard Rudolf as Rhamon
  • Ali Al Ameri as Mansoor
  • Andries Rossouw as Kadir

Critical reception

Most of the critics didn't find the story to be as good as the first two movies; some found it to be entertaining but thought the script needed more effort. C.W. Nevius of the San Francisco Chronicle states that the movie is a tired rehash, while Gene Seymour of Newsday says, "The new giant screen contribution to the stallion's legend is a 45-minute story, which, at best, plays as if it could have barely passed muster as an installment of the old 1960s Disney TV series, The Wonderful World of Color." Megan Lehmann of the New York Post stated, "A visual treat diminished by lifeless dialogue and self-conscious acting."

External links