Ziggurat

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"Zigurat" redirects here. For other uses, see Ziggurat (disambiguation).
The reconstructed facade of the Neo-Sumerian Great Ziggurat of Ur, near Nasiriyah, Iraq

Ziggurats (/ˈzɪɡəræt/ ZIG-ər-at; Akkadian ziqqurat, D-stem of zaqāru "to build on a raised area") were massive structures built in the ancient Mesopotamian valley and western Iranian plateau, having the form of a terraced step pyramid of successively receding stories or levels.

Notable ziggurats include the Great Ziggurat of Ur near Nasiriyah, Iraq; the Ziggurat of Aqar Quf near Baghdad, Iraq; the now destroyed Etemenanki in Babylon (possibly the inspiration behind the biblical story of the Tower of Babel); Chogha Zanbil in Khūzestān, Iran; and Sialk near Kashan, Iran.

Description

Ziggurats were built by the Sumerians, Babylonians, Elamites, Akkadians, and Assyrians for local religions. Each ziggurat was part of a temple complex which included other buildings. The precursors of the ziggurat were raised platforms that date from the Ubaid period[1] during the fourth millennium BC. The earliest ziggurats began near the end of the Early Dynastic Period (2900–2350 BCE).[2] The latest Mesopotamian ziggurats date from the 6th century BC. Built in receding tiers upon a rectangular, oval, or square platform, the ziggurat was a pyramidal structure with a flat top. Sun-baked bricks made up the core of the ziggurat with facings of fired bricks on the outside. The facings were often glazed in different colors and may have had astrological significance. Kings sometimes had their names engraved on these glazed bricks. The number of tiers ranged from two to seven. According to archaeologist Harriet Crawford, "It is usually assumed that the ziggurats supported a shrine, though the only evidence for this comes from Herodotus, and physical evidence is nonexistent. It has also been suggested by a number of scholars that this shrine was the scene of the sacred marriage, the central rite of the great new year festival. Herodotus describes the furnishing of the shrine on top of the ziggurat at Babylon and says it contained a great golden couch on which a woman spent the night alone. The god Marduk was also said to come and sleep in his shrine. The likelihood of such a shrine ever being found is sadly remote. Erosion has usually reduced the surviving ziggurats to a fraction of their original height, but textual evidence may yet provide more facts about the purpose of these shrines. In the present state of our knowledge it seems reasonable to adopt as a working hypothesis the suggestion that the ziggurats developed out of the earlier temples on platforms and that small shrines stood on the highest stages..."[3] Access to the shrine would have been by a series of ramps on one side of the ziggurat or by a spiral ramp from base to summit. The Mesopotamian ziggurats were not places for public worship or ceremonies. They were believed to be dwelling places for the gods and each city had its own patron god. Only priests were permitted on the ziggurat or in the rooms at its base, and it was their responsibility to care for the gods and attend to their needs. The priests were very powerful members of Sumerian society.

CAD rendering of Sialk's largest ziggurat based on archeological evidence.

One of the best-preserved ziggurats is Chogha Zanbil in western Iran. The Sialk ziggurat, in Kashan, Iran, is the oldest known ziggurat, dating to the early 3rd millennium BC. Ziggurat designs ranged from simple bases upon which a temple sat, to marvels of mathematics and construction which spanned several terraced stories and were topped with a temple.

An example of a simple ziggurat is the White Temple of Uruk, in ancient Sumer. The ziggurat itself is the base on which the White Temple is set. Its purpose is to get the temple closer to the heavens,[citation needed] and provide access from the ground to it via steps. The Mesopotamians believed that these pyramid temples connected heaven and earth. In fact, the ziggurat at Babylon was known as Etemenankia or "House of the Platform between Heaven and Earth".

An example of an extensive and massive ziggurat is the Marduk ziggurat, or Etemenanki, of ancient Babylon. Unfortunately, not much of even the base is left of this massive structure, yet archeological findings and historical accounts put this tower at seven multicolored tiers, topped with a temple of exquisite proportions. The temple is thought to have been painted and maintained an indigo color, matching the tops of the tiers. It is known that there were three staircases leading to the temple, two of which (side flanked) were thought to have only ascended half the ziggurat's height.

Etemenanki, the name for the structure, is Sumerian and means "temple of the foundation of heaven and earth". The date of its original construction is unknown, with suggested dates ranging from the fourteenth to the ninth century BC, with textual evidence suggesting it existed in the second millennium.[4]

Interpretation and significance

According to Herodotus, at the top of each ziggurat was a shrine, although none of these shrines have survived.[1] One practical function of the ziggurats was a high place on which the priests could escape rising water that annually inundated lowlands and occasionally flooded for hundreds of miles, for example the 1967 flood.[5] Another practical function of the ziggurat was for security. Since the shrine was accessible only by way of three stairways,[6] a small number of guards could prevent non-priests from spying on the rituals at the shrine on top of the ziggurat, such as initiation rituals such as the Eleusinian mysteries, cooking of sacrificial food and burning of carcasses of sacrificial animals. Each ziggurat was part of a temple complex that included a courtyard, storage rooms, bathrooms, and living quarters, around which a city was built.[7]

See also

References

Notes

  1. ↑ 1.0 1.1 Crawford, page 73
  2. ↑ Crawford, page 73-74
  3. ↑ Crawford, page 85
  4. ↑ George , Andrew (2007) "The Tower of Babel: Archaeology, history and cuneiform texts" Archiv fuer Orientforschung, 51 (2005/2006). pp. 75-95. [1],
  5. ↑ Aramco World Magazine, March–April 1968, pages 32-33
  6. ↑ Crawford, page 75
  7. ↑ Oppenheim, pages 112, 326-328

Bibliography

  • T. Busink, "L´origine et évolution de la ziggurat babylonienne". Jaarbericht van het Vooraziatisch-Egyptisch Genootschap Ex Oriente Lux 21 (1970), 91-141.
  • R. Chadwick, "Calendars, Ziggurats, and the Stars". The Canadian Society for Mesopotamian Studies Bulletin (Toronto) 24 (Nov. 1992), 7-24.
  • R.G. Killick, "Ziggurat". The Dictionary of Art (ed. J. Turner, New York & London: Macmillan), vol. 33, 675-676.
  • H.J. Lenzen, Die Entwicklung der Zikurrat von ihren Anfängen bis zur Zeit der III. Dynastie von Ur (Leipzig 1942).
  • M. Roaf, Cultural Atlas of Mesopotamia and the Ancient Near East (New York 1990), 104-107.
  • E.C. Stone, "Ziggurat". The Oxford Encyclopedia of Archaeology in the Near East (ed. E.M. Meyers, New York & Oxford 1997), vol. 5, 390-391.
  • J.A. Black & A. Green, "Ziggurat". Dictionary of the Ancient Near East (eds. P. Bienkowski & A. Millard, London: British Museum), 327-328.
  • Harriet Crawford, Sumer and the Sumerians, Cambridge University Press, (New York 1993), ISBN 0-521-38850-3.
  • A. Leo Oppenheim, Ancient Mesopotamia, University of Chicago Press, (Chicago 1977), ISBN 0-226-63187-7.
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External links

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