21st Critics' Choice Awards

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21st Critics' Choice Awards
Date January 17, 2016
Site Barker Hangar, Santa Monica, California, United States
Host T.J. Miller
Official website www.criticschoice.com
Highlights
Best Film Spotlight
Most awards Mad Max: Fury Road (9)
Most nominations Mad Max: Fury Road (13)
Television coverage
Network A&E / Lifetime / LMN

The 21st Critics' Choice Awards were presented on January 17, 2016 at the Barker Hangar at the Santa Monica Airport, honoring the finest achievements of 2015 filmmaking. The ceremony was broadcast on A&E and hosted by T.J. Miller. The nominees were announced on December 14, 2015.[1] In addition, this year marked the first time the awards were presented with the Critics' Choice Television Awards.[2]

Winners and nominees

Sylvester Stallone, Best Supporting Actor winner
File:Alicia Vikander 2013.jpg
Alicia Vikander, Best Supporting Actress winner
Tom McCarthy, Best Original Screenplay co-winner
Adam McKay, Best Adapted Screenplay co-winner
File:Tom Hardy Cannes 2015.jpg
Tom Hardy, Best Actor in an Action Movie winner
Charlize Theron, Best Actress in an Action Movie winner
Christian Bale, Best Actor in a Comedy Movie winner
Amy Schumer, Best Actress in a Comedy Movie winner
Best Picture

Spotlight

Best Director

George MillerMad Max: Fury Road

Best Actor

Leonardo DiCaprioThe Revenant as Hugh Glass

Best Actress

Brie LarsonRoom as Joy "Ma" Newsome

Best Supporting Actor

Sylvester StalloneCreed as Rocky Balboa

Best Supporting Actress

Alicia VikanderThe Danish Girl as Gerda Wegener

Best Young Actor/Actress

Jacob TremblayRoom as Jack Newsome

Best Acting Ensemble

Spotlight

Best Original Screenplay

Tom McCarthy and Josh SingerSpotlight

Best Adapted Screenplay

Adam McKay and Charles RandolphThe Big Short

Best Animated Feature

Inside Out

Best Action Movie

Mad Max: Fury Road

Best Actor in an Action Movie

Tom HardyMad Max: Fury Road as Max Rockatansky

Best Actress in an Action Movie

Charlize TheronMad Max: Fury Road as Imperator Furiosa

Best Sci-Fi/Horror Movie

Ex Machina

Best Comedy

The Big Short

Best Actor in a Comedy

Christian BaleThe Big Short as Michael Burry

Best Actress in a Comedy

Amy SchumerTrainwreck as Amy Townsend

Best Documentary Feature

Amy

Best Foreign Language Film

Son of Saul (Saul fia)Hungary

Best Art Direction

Colin Gibson (Production Designer) – Mad Max: Fury Road

Best Costume Design

Jenny BeavanMad Max: Fury Road

Best Cinematography

Emmanuel LubezkiThe Revenant

Best Editing

Margaret SixelMad Max: Fury Road

Best Score

Ennio MorriconeThe Hateful Eight

Best Song

"See You Again" – Furious 7

Best Hair and Makeup

Mad Max: Fury Road

Best Visual Effects

Mad Max: Fury Road

Louis XIII Genius Award

Industrial Light & Magic

Critics' Choice MVP Award

Amy Schumer

"Most Bingeworthy" Fan-Voted Award

Outlander (Starz)

Star Wars: The Force Awakens controversy

The film Star Wars: The Force Awakens screened too late for the vast majority of the Broadcast Film Critics Association to see it in time for consideration for the awards. But after what an email to members called "an unprecedented cry out" from its membership, the BFCA's board of directors called a "special referendum" on adding the movie to the 10 candidates for Best Picture, which it won. (A similar situation happened for the 6th Critics' Choice Awards in 2001, in which the film Cast Away was voted by referendum to be included among the nominees for Best Picture.) The BFCA faced immediate criticism, including from its own members, over what many saw as an attempt to increase ratings for the awards ceremony's broadcast on A&E (which, is 50% owned by Disney, the company behind Star Wars) on January 17.[3] Two members, Eric Melin (who runs Scene-Stealers.com, the film critic at the Lawrence Journal-World, and the president of the Kansas City Film Critics Circle), and Scott Renshaw of Salt Lake City Weekly, resigned in protest.

Melin, in an open letter, said: <templatestyles src="Template:Blockquote/styles.css" />

"In order for a professional critics body to have integrity, nomination and voting guidelines must be consistent with the way they were laid out at the beginning of the process. Nominating Star Wars: The Force Awakens for Best Picture does not follow those guidelines, and re-ignites a loophole for this kind of thing to happen every year... Unlike the other nominations, this was not decided upon using a weighted ballot of all possibilities, and it smells like a desperate ploy to get better TV ratings. Additionally, your insistence on billing the Critic’s Choice Awards as the 'most accurate predictor of the Academy Awards' is antithetical to the purpose of having a 'critic’s choice' award at all. The awards should not serve as another TV marketing arm to the studios. Rather, it should represent the views and opinions of film critics, which is a very different group from the Academy of Motion Picture Arts and Sciences. As film criticism continues to be devalued and the lines between journalist, critic, and studio shill continue to be blurred, the only thing we have is our integrity, and this smacks of a marketing ploy. Believe me, I know because my day job is a social media marketer. What I am not is an employee of A&E Networks, and the only thing I have as a lowly paid film critic is the courage of my convictions."

— Eric Melin, [4]

Similarly in another open letter, Scott Renshaw said: <templatestyles src="Template:Blockquote/styles.css" />

"This decision has been a long time coming, but was made inevitable by the decision to change the voting process to allow Star Wars: Episode VII- The Force Awakens to be included as a nominee after the official nominating deadline. Irrespective of any precedent that may be invoked... it is obvious to me that this decision is based more on marketing value than making sure that the best films are included. If that were the case, the entire nomination process would have been opened up again to allow The Force Awakens to be considered in all categories. Any suggestion that this decision was made primarily for any reason other than to improve ratings for the awards broadcast feels disingenuous at best. An awards voting body has nothing to stand on but its integrity. I no longer feel my own personal integrity is consistent with ongoing membership in this organization."

— Scott Renshaw, [5]

[better source needed]

Films by multiple nominations and wins

See also

References

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External links