Colin McAlpin

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File:Colin McAlpin in 1903.jpg
Colin McAlpin in 1903[1]

Colin McAlpin (9 April 1870 – 13 May 1942) was an English composer, organist and writer of critical essays on music.

Life

File:Robin Hood Opera by Colin McAlpin at Wellingborough School cast photo.jpg
The cast of Colin McAlpin's opera Robin Hood, at Wellingborough School, ca.1885

McAlpin was born in 1870, in Leicester, England, son of John William McAlpin and Marie Louise McAlpin.[2] He was a composer of songs, operas and ballet music, and an organist. He published his first composition when he was only 15 and at Wellingborough School: an opera Robin Hood, the year before he was admitted to the Royal College of Music. One of his operas, The Cross and the Crescent, first produced at Covent Garden in 1903, won him the Manners Prize of £250.[3] His writings included critical essays published in journals The Musical Times and The Musical Quarterly.

McAlpin married a portrait painter, Susette Peach. They had one son, Roderic McAlpin (1906-1965). He died at Dorking, Surrey, in 1942.

Compositions

Operas

File:Colin McAlpin, King Arthur opera title page.jpg
The cover of McAlpin's opera King Arthur, signed by the composer
  • Robin Hood, an opera, written at school, about 1885
  • King Arthur: Opera in three Acts, words by Colin McAlpin. Leipzig and London: Bosworth & Co., 1897. Premiere: London: Leicester Theatre, 1896.[4] Performed by Leicester Philharmonic Choir in 1897
  • Fingal, an opera in four acts, with a cast of 9
  • The Vow, an opera in one act, libretto upon the Biblical story of Jephtha's daughter.[5] Premiere in Nottingham, 1915, produced by Charles Manners.[6]
  • The Cross and the Crescent, his prize-winning opera, produced by Charles Manners and first performed in 1903. Words from John Davidson's translation of Pour la Couronne, a tragedy by François Coppée.[7]
  • Ingomar, an opera, performed at Theatre Royal, Drury Lane in 1910.[8]

Cantatas

  • The Prince of Peace. Sacred cantata for chorus and organ, with soprano. tenor and bass solo. Cary & Co.: London[9][10]
  • Excalibur, in 2 Acts, for chorus SATB and orchestra

Songs

File:Colin McAlpin Ten Songs cover.jpg
The cover of McAlpin's Ten Songs.[11]
  • Like as a Father, Sacred Song, London: J. Williams, 1903[12]
  • Ten Songs, London: Cary & Co., 1903 [13][14][15]OCLC 498420435
    • 1. The light of love (Hartley Coleridge)
    • 2. She walks in beauty (Byron)
    • 3. Elegy: Oh! snatched away in beauty's bloom (Byron)
    • 4. A faded violet (Shelley)
    • 5. Slumber song (Colin McAlpin) - "sung by Miss Ada Crossley"
    • 6. Music, when soft voices die (Shelley)
    • 7. A widow-bird (Shelley)
    • 8. Thou wouldst be loved (Edgar Allan Poe)
    • 9. A lament (Shelley) - two stanzas
    • 10. There be none of Beauty's daughters (Byron)
  • Ten Songs. Whaley, Royce & Co. Winnipeg, Toronto (1905)[16]
  • Three Songs, London: Cary, 1904[17] OCLC 278282741
    • As of Yore
    • Spring
    • A Love Song
  • The Lad with the Bonnet of Blue (Alice C. MacDonell), London: Cary, 1899[18] OCLC 278282743
  • Love's Vigil (W.W. Robinson), London: Boosey & Hawkes, 1917[19]
  • Mary's Song. A Song of Bethlehem (Colin McAlpin), London: Cary & Co., 1903[20]
  • The Penitent (John Murray), London: Weekes & Co., 1902[21]
  • Kent, Ballad (J.H. Barnes, etc.), London: Francis, Day & Hunter, 1912[22]
  • The Vow, song for baritone

Choral Songs

  • The Cuckoo, choral song

Piano

  • Three Sketches, London: Willcocks & Co., 1893
  • Fantastic Dance, London: Cary, 1903

Organ

  • Grand March, pub. in The Organist September 1902, The Lorenz Publishing Co., Dayton, Ohio
  • 11 Pieces, The Organist Library Book 6, London: Cary, 1898[23]
  • 11 Pieces, The Organist Library Book 8, London: Cary, 1903

Writings

Books

Articles

  • "Germany: Her Music" The Musical Times, Vol. 57, No. 882. (1 August 1916), pp. 363–364
  • "Britain: Her Music" The Musical Times, Vol. 57, No. 884. (1 October 1916), pp. 445–447
  • "Carlyle and the Opera" The Musical Times, Vol. 58, No. 888. (1 February 1917), pp. 58–60
  • "The Reality of the Opera", Part I The Musical Times, Vol. 58, No. 891. (1 May 1917), pp. 201–203
  • "The Reality of the Opera", Part II The Musical Times, Vol. 58, No. 892. (1 June 1917), pp. 247–249
  • "Musical Criticism" The Musical Times, Vol. 58, No. 895, (1 September 1917), pp. 397–399
  • "Musical Appreciation: A Plea for Catholicity" The Musical Quarterly, Vol. 6, No. 3. (July 1920), pp. 403–416, OUP.
  • "On Hearing Music" The Musical Quarterly, Vol. 8, No. 3. (July 1922), pp. 419–434, OUP.
  • "Is Music the Language of the Emotions?" The Musical Quarterly, Vol. 11, No. 3. (July 1925), pp. 427–443, OUP.
  • "Concerning Form in Music" The Musical Quarterly, Vol 15, No. 1 (1929), pp. 55–71, OUP.
  • "Musical Modernism: Some Random Reflections" The Musical Quarterly, Vol 16, No. 1 (January 1930), pp. 1–20, New York: G. Schirmer Inc.

Bibliography

  • Fisher, David J., Colin McAlpin: his music to 1903. Thesis (M.Mus), University of Sheffield, Dept. of Music, 1989 OCLC 271082986

Notes

  1. ↑ Photograph from The Graphic, 3 October 1903
  2. ↑ 1871 England Census
  3. ↑ Hubbard and Krehbiel p.348
  4. ↑ Howey & Reimer, p.571
  5. ↑ Mentioned in The Era, 22 December, 1915
  6. ↑ Western Daily Press, 3 May 1915
  7. ↑ Reviewed in The Era, 22 December, 1915
  8. ↑ The Straits Times, 2 February 1909
  9. ↑ Arthur Elson: "Modern Composers of Europe"
  10. ↑ British Library ref. F.1274.bb.(3.)
  11. ↑ By permission of the Edgar Allan Poe Digital Collection, Harry Ransom Center, The University of Texas at Austin
  12. ↑ British Library ref. H.1187.cc.(41.)
  13. ↑ Edgar Allan Poe Digital Collection, Harry Ransom Center, University of Texas at Austin.
  14. ↑ British Library ref. G.485.p.(3.)
  15. ↑ British Library ref. G.383.d.(6.)
  16. ↑ British Library ref. G.424.q.(10.)
  17. ↑ British Library ref. H.1799.ww.(28.)
  18. ↑ British Library ref. H.1799.i.(56.)
  19. ↑ British Library ref. H.1846.y.(40.)
  20. ↑ British Library ref. H.1187.cc.(42.)
  21. ↑ British Library ref. H.1187.cc.(43.)
  22. ↑ British Library ref. H.1972.t.(27.)
  23. ↑ British Library ref. G.575.f.(5.)

References

  • Elson, Arthur. Modern Composers of Europe L.C. Page & Co., Boston, USA (1904)
  • Howey, Ann F. and Reimer, Stephen R. A Bibliography of Modern Arthuriana (1500-2000) D. S. Brewer, Cambridge (2006) ISBN 1 84384 068 5
  • Hubbard, W.L. and H.E. Krehbiel. The American History and Encyclopedia of Music: Operas Part II, Squire-Cooley Co., Toledo, Ohio, USA (1924)

External links

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