Masquerade (1988 film)

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Masquerade
File:Masquerade.jpg
Theatrical release poster
Directed by Bob Swaim
Produced by Michael I. Levy
Written by Larry Brody (uncredited)
Screenplay by Dick Wolf
Starring <templatestyles src="Plainlist/styles.css"/>
Music by John Barry
Cinematography David Watkin
Edited by Scott Conrad
Production
company
Distributed by MGM/UA Communications Co.
Release dates
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  • March 11, 1988 (1988-03-11) (USA)
Running time
91 minutes
Country United States
Language English
Box office $15,855,828

Masquerade is a 1988 American romance mystery thriller film directed by Bob Swaim and starring Rob Lowe, Meg Tilly, Kim Cattrall, and Doug Savant. Written by Dick Wolf, the film is about a recently orphaned millionairess who falls in love with a young yacht racing captain who isn't completely truthful with her about his past.[1] The film was nominated for the Edgar Allan Poe Award for Best (Mystery) Motion Picture in 1989.[2]

Plot

Young yachting captain Tim Whalen (Rob Lowe) is having an affair with Brooke Morrison (Kim Cattrall), the wife of his boss, Granger Morrison (Brian Davies), in the upscale town of Southampton, Long Island. Tim is the new captain of Granger's racing sailboat Obsession. Young heiress Olivia Lawrence (Meg Tilly), following the recent death of her mother, returns home to Southampton after graduating from college. At a party, Olivia is introduced to Tim, who asks her to dance. Impressed with her knowledge of sailing, Tim asks her to go sailing with him, and she accepts.

Olivia is living in the family mansion with her alcoholic stepfather, Tony Gateworth (John Glover), and his new live-in girlfriend, Anne Briscoe (Dana Delany). Her mother's will provided that Gateworth retain access to the family's eight properties. Olivia has nothing but contempt for her stepfather, who married her mother for her money. At her family attorney's office in New York City, Olivia learns she cannot restrict Gateworth's access to her homes, and the nearly one million dollars a year he receives from the estate barely covers his gambling debts.

Olivia and Tim go sailing on her boat Masquerade, which was her late father's pride and joy. Later, at Olivia's mansion, they are confronted by a drunk Gateworth who insults Tim, his former sailing competitor. In the coming days, Olivia and Tim begin dating and eventually fall in love. Olivia's newfound happiness, however, is soon offset by another ugly confrontation with Gateworth who tells her as her "guardian" he wants Tim out of her life. Olivia confides to her aunt that Tim is the first man she's felt comfortable with and that he isn't interested in her money. Later that day, at a lobster house on the outskirts of town, Gateworth and Tim meet surreptitiously to discuss their conspiracy to murder Olivia for her money. When Tim expresses doubts, Gateworth threatens to expose his past. He tells him the next step is to gain Olivia's confidence by having Tim defend her against him.

That weekend, Olivia and Tim have passionate sex in the mansion. Afterwards, a drunken Gateworth breaks into Olivia's room as planned, but Tim kills him with his own pistol. Believing they will be accused of murdering Gateworth, Olivia covers up Tim's role in the killing by claiming she killed Gateworth in self-defense. Tim establishes an alibi with an unsuspecting Brooke by resetting her bedside clock. During the investigation, Officer Mike McGill (Doug Savant)—a childhood friend with a romantic interest in Olivia—finds evidence that Tim may have been involved in the killing, but he does not report it to his captain, presumably because of his feelings for Olivia.

Gateworth's girlfriend, Anne Briscoe, begins questioning the investigation's findings, and tells the authorities about Olivia and Tim. Meanwhile, Tim breaks up with Brooke, who later confirms Tim's alibi to the police. Not long after Anne Briscoe informs McGill that her friend saw Gateworth at a diner with Tim, she is found hanged in an apparent suicide. McGill requests an autopsy.

While sailing aboard Masquerade, Olivia asks Tim to marry her, but he is reluctant, telling her he once spent 30 days in jail for writing bad checks. He also tells her about his affair with Brooke Morrison. His "honesty" convinces Olivia he is the right man, and the couple are soon married. Later, Olivia reveals she is pregnant. That night, Tim drives to the marina where he meets secretly with McGill, who was part of the original conspiracy—who in fact planned everything. Tim is reluctant about killing Olivia, but McGill insists she must die in a staged car accident. He threatens to put Tim away for Gateworth's murder if he doesn't cooperate.

When McGill learns that Tim has no intention of killing Olivia and that they are planning to sail for Florida on Masquerade the next day, he sabotages Olivia's sailboat and plants incriminating evidence in Tim's linen drawer. Tim discovers McGill's treachery and races to the marina to save Olivia, but is killed in the gas explosion meant to kill Olivia. In the marina office afterwards, Olivia discovers a newspaper clipping with a picture of Tim, Gateworth, and McGill, just as McGill enters the office. Seeing that she has figured out the conspiracy, he tries to kill her. In the ensuing struggle, Olivia pushes McGill out a window causing his death.

At Tim's funeral, Olivia learns from her family attorney that Tim recently insisted he be removed from Olivia's will, and however it may have started, he came to love Olivia in the end. [3]

Cast

Production

The film was originally called Dying for Love. Dick Wolf claimed the title was changed because of studio nervousness due to a series of AIDS-awareness condom ads equating making love with death.[5]

It was the first American film from Bob Swaim. It was greenlit by Alan Ladd Jr at MGM.[6]

Filming locations

The film was shot over ten weeks.[6]

Reception

Critical response

The film received mixed reviews upon its release. In his review in the Chicago Sun-Times, Roger Ebert gave the film three of four stars. Ebert singling out Meg Tilly's performance wrote, "Tilly's acting style is the right choice for the movie: Her dreaminess, which at first seems distracting, becomes an important part of the suspense, because while she drifts in her romantic reverie, a sweet smile on her face, we're mentally screaming at her to wake up and smell the coffee."[8]

In her review in The Washington Post, Rita Kempley called the film "mushy" and "pockey". Kempley reduces the director's efforts to "a gym teacher's sense of the erotic matched with a jackhammer's flair for the subtleties of psychological artifice."[9]

In their review in Spirituality & Practive, Frederic and Mary Ann Brussat called Masquerade "a gripping film about betrayal and murder."[10] The Brussats conclude, "Masquerade is a well-paced mystery with outstanding performances by the entire cast. Best of all, this film exposes the secret which many know but few will admit—contemporary American society is riven by class warfare."[10]

Awards and nominations

  • 1989 Edgar Allan Poe Award Nomination for Best Motion Picture (Dick Wolf)[2]

Box office

The film earned $15,855,828 in gross revenue in the United States.[1]

Film ratings

In New Zealand, the film was rated M for offensive language and sexual references. In the United States, the film was rated R.

References

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  5. OUTTAKES: BOX-OFFICE PROTECTION Klady, Leonard. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 24 May 1987: K16.
  6. 6.0 6.1 AN EXPATRIATE IN PARIS GETS THE HOLLYWOOD BUG Taylor, Clarke. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 16 Aug 1987: C42.
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External links