Melinda Lopez
Melinda Lopez is an actress, playwright, and educator from Boston, MA[1] She is the first ever playwright-in-residence for the Huntington Theatre Company.[2] She teaches theatre and performance at Wellesley College and playwriting at Boston University.[1]
Career
As a playwright, Melinda Lopez has produced a sizable body of work that spans the last two decades and has garnered a variety of awards. Lopez’s plays include Alexandros (Laguna Playhouse), Caroline in Jersey (Williamstown Theatre Festival), and Sonia Flew, which premiered at the Huntington Theatre in Boston, MA in 2004 and won several Best New Play awards.[3] The Huntington’s production of Sonia Flew was the inaugural production at the Huntington’s space for new work, the Calderwood Pavilion at the Boston Center for the Arts.[4] Sonia Flew has since been produced for radio broadcast and in multiple other cities.[3] Lopez has also authored God Smells Like a Roast Pig (Women on Top Festival), The Order of Things (CentaStage), How do you Spell Hope? (Underground Railway Theatre), and a translation of Federico García Lorca's Blood Wedding for Suffolk University.[3] In 2009, she was commissioned by the National Institute of Health to author a work celebrating the bicentennial of Charles Darwin's birth, leading to her play From Orchids to Octopi, An Evolutionary Love Story.[5] In 2013, Melinda Lopez was made the first ever playwright in residence at the Huntington Theatre thanks to a three year grant from the Andrew W. Mellon Foundation.[6] Lopez has held residencies with Harvard University, the New York Theatre Workshop, Sundance, and the Lark.[4] Lopez has also acted in regional theaters across the country, most recently with Huntington Theatre Company and Speakeasy Stage Company of Boston, MA.[2]
Lopez's works frequently focus on the stories of Cuban or Cuban-American characters. Her play Becoming Cuba is set in 1897 Havana on the eve of the Spanish-American War,[7] Alexandros centers on a Cuban family in exile,[8] Sonia Flew is about a woman who was sent to the United States from Cuba as a child in 1961,[9] and her one-woman show Midnight Sandwich/Medianoche (previously titled God Smells Like a Roast Pig) deals explicitly with Lopez's own struggle with her Cuban heritage.[10]
Personal life
Melinda Lopez lives with her husband and daughter in Boston, MA.[11] She has been a member of Actor's Equity Association since 1990.[11] She holds a Bachelor of Arts from Dartmouth College and a Master of Arts from Boston University.[5] She is Cuban American, and works with Boston-area charities that give humanitarian aid to Cuba.[5] She is also a long distance runner and has completed two marathons.[5]
Works
- The Lesson, Boston Theatre Marathon,1999
- Midnight Sandwich/Medianoche; Or, God Smells Like a Roast Pig, The Women on Top Theatre Festival, 1999
- What The Market Will Bear, Boston Theatre Marathon, 2000
- Scenes from a Bordello, Boston Playwrights Theater, 2000
- The Order of Things, CentaStage, 2000
- How Do You Spell Hope?, Underground Railway Theatre, 2001
- The Two Fifteen Local, Boston Theatre Marathon, 2002
- Sonia Flew, Huntington Theatre Company, 2004
- Gary, Steppenwolf Theatre Company First Look New Play Festival, 2007
- Alexandros, Laguna Playhouse, 2008
- Caroline in Jersey, Williamstown Theatre Festival, 2009
- From Orchids to Octopi: An Evolutionary Love Story, Underground Railway Theatre, 2009
- Blood Wedding translation, Suffolk University, 2009
- Bad Santa, Boston Theatre Marathon, 2010
- Downward Facing Dog, Boston Theatre Marathon, 2011
- Becoming Cuba, Huntington Theatre Company, 2014
- Girl Meets Boy: A Comedy About the Universe, Boston Museum of Science, Ongoing
- Back the Night, Boston Playwrights' Theatre, 2016
Acting
| Show | Role | Company | Year |
|---|---|---|---|
| Many Colors Make the Thunder-king | Guthrie Theater | 1997 | |
| A Month in the Country | Lizaveta Bogdanovna | Huntington Theatre Company | 2002 |
| The Rose Tattoo | Assunta | Huntington Theatre Company | 2004 |
| Anna in the Tropics | Conchita | Speakeasy Stage Company | 2005 |
| Persephone | Persephone | Huntington Theatre Company | 2007 |
| Oil Thief | Amy | Boston Playwrights' Theatre | 2008 |
| The Motherf**ker with the Hat | Victoria | Speakeasy Stage Company | 2012 |
| Our Town | Mrs. Gibbs | Huntington Theatre Company | 2013 |
| Appropriate | Toni | Speakeasy Stage Company | 2015 |
Awards
| Year | Award | Category | Work | Result |
|---|---|---|---|---|
| 1999 | Charlotte Woolard Award | recognizing "a promising new voice in American theatre." | The Order of Things | Won |
| 1999 | Elliot Norton Award | Outstanding Solo Performance | God Smells Like a Roast Pig | Won |
| 2003 | Massachusetts Cultural Council | Grant for Playwriting | Won | |
| 2004 | Independent Reviewers of New England | Best New Play | Sonia Flew | Won |
| 2004 | Independent Reviewers of New England | Best Production | Sonia Flew | Won |
| 2004 | Elliot Norton Award | Best New Play | Sonia Flew | Won |
| 2004 | Elliot Norton Award | Best Production | Sonia Flew | Won |
| 2008 | Elliot Norton Award | Best New Play | Gary | Nominated |
| 2011 | Independent Reviewers of New England | Best New Play | From Orchids to Octopi | Won |
References
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