Merata Mita

Merata Mita, CNZM (19 June 1942 – 31 May 2010) was a significant filmmaker in New Zealand as well as a key figure in the growth of the Māori screen industry. Mita was from the Māori tribes of Ngāti Pikiao and Ngāi Te Rangi.

Background

Mita was born in Maketu in the Bay of Plenty region of New Zealand's North Island. She was the third eldest of nine children and had a traditional rural Māori upbringing. She taught at Kawerau College for eight years, where she began using film and video to reach "unteachable" high school students, many of them Māori. The experience eventually led her into a lengthy career in the film and television industry. She was appointed Companion of the New Zealand Order of Merit in the New Year Honours 2010, for services to the film industry.

Films

Mita was the first indigenous woman and the first woman in Aotearoa New Zealand to solely write and direct a dramatic feature film, Mauri (1988) - notwithstanding Ramai Te Miha Hayward's co-direction of To Love A Maori (1972). An accomplished documentary director and producer for more than 25 years, Mita made landmark documentary films such as Patu! (1983) about the violent clashes between anti-apartheid protesters and the police during the controversial 1981 South African Springboks rugby tours in New Zealand. and Bastion Point: Day 507 (1980), about the eviction of Ngāti Whātua from their traditional land. Hotere (2001) documented the life and work of well-known Māori artist Ralph Hotere. She also directed the music video Waka for hip-hop artist Che Fu.

Actress

Mita played the role of 'Matu' in the New Zealand feature film Utu directed by her husband Geoff Murphy, starring Anzac Wallace and featuring veteran Māori actor Wi Kuki Kaa. She also acted in the television adaptation of 'The Protesters' written by Rowley Habib.

Documentary on Mita's work

In 1998, Mita herself became the subject of a documentary in the television series 'Rangatira: Merata Mita – Making Waves,' directed by Hinewehi Mohi.

In October 2014 NZ on Air announced funding for a film on Mita, Te Taki A Merata Mita – How Mum Decolonised The Screen, to be directed by her son Heperi Miata, for cinematic release and screening on Maori Television.

International Influence

Mita's influence among indigenous filmmakers internationally was considerable, through film organizations and film festivals in which she mentored such as the Sundance Film Festival's Native Film Initiative, the National Geographic All Roads Indigneous Film Festival, the Corporation for Public Broadcasting's consortium Pacific Islanders in Communications, and through her teaching at the University of Hawai'i, Manoa.

Recognition

In 2009 Te Waka Toi (part of Creative New Zealand) recognised Mita with the Te Tohu Toi Ke – “Making a difference” award. In the 2010 Queen’s New Year’s Honours she received a Companion of the New Zealand Order of Merit for service to the film industry.

Death

Mita died suddenly on 31 May 2010, after collapsing outside the studios of Māori Television.

Works

Mita directed or collaborated on numerous films including:

• Hotere (2001)
• Dread (1996)
• The Shooting of Dominick Kaiwhata (1993)
• Mana Waka (1990)
• Mauri (1988)
• Patu! (1983)
• The Bridge: A Story of Men in Dispute (1982)
• Bastion Point: Day 507 (1980)
• Keskidee Aroha (1980)
• Karanga Hokianga Ki O Tamariki (1979)
• The Hammer and the Anvil (1979)

External links

• Chloe Cull, Considering Merata Mita's Legacy], in Love Feminisims, Enjoy Public Art Gallery, 2015
• Brannavan Gnanalingam, A Magnificent Salvage: Mana Waka], Lumiere Reader, 2011
• Biography at NZ On Screen
• Watch Patu clip at NZ On Screen
• Patu! background at the NZ Film Archive
• Merata Mita at the Internet Movie Database