Natalie Cole en Español
| Natalie Cole en Español | ||||
|---|---|---|---|---|
| File:Natalie Cole en Espanol.jpg | ||||
| Studio album by Natalie Cole | ||||
| Released | June 25, 2013 | |||
| Genre | Latin pop | |||
| Length | 43:55 | |||
| Label | Verve | |||
| Producer | Rudy Pérez | |||
| Natalie Cole chronology | ||||
|
||||
Natalie Cole en Español is the twenty-third and final studio album by Natalie Cole, released on June 25, 2013 through Verve Records.[1] Produced by the Cuban American composer Rudy Pérez, it is her first and only Spanish album and her first record released following her kidney transplant in 2009.[2] The album is a follow-up to her third Christmas album Caroling, Caroling: Christmas with Natalie Cole. Natalie Cole en Español consists of twelve tracks, which are cover versions of Spanish standards. The album features duets with Juan Luis Guerra, Chris Botti, Arthur Hanlon, Andrea Bocelli and a posthumous duet with her father Nat King Cole.
Contents
Background
<templatestyles src="Template:Quote_box/styles.css" />
One of the really cool things that Rudy said to me was, 'I'm not looking for you to become Spanish or Latin. I need you to still be Natalie Cole.'
—Cole talking to Los Angeles Times about the recording process for the album[2]
Cole had expressed interest in recording a Spanish album for nearly a decade but her label Capitol rejected her pitch and told her "the timing wasn't right". David Foster, with whom she had previously worked with on Unforgettable... with Love (1991), encouraged to attempt to record the album again.[3] Cole cited Salvadoran nurse Esther as one of the primary influences for the recording of the album. Cole received a kidney transplant from Esther's niece in 2009 and referred to her connection with the nurse as causing her to be "drawn even more to Latin people, Latin programs".[2] She added her connection to the Salvadoran family led her to "feel like [she's] part Latino now" and "(made) the desire to make this record become even stronger".[3]
Weary of comparisons to her father's 1958 Spanish album Cole Español, Cole described her album as "not [being] a tribute to my father as much as it is a tribute to Latin music because of my father".[3] Since Cole did not speak Spanish, she learned and recorded the song phonetically. She compared her father's Spanish accent as being "not as good as [her's]".[4] During the recording of the album, Pérez served as her language coach.[5] Cole said "Black people and Hispanic people have the same kind of feel for passion, for music, for fun, for heart." She expressed a love for language by listing "I love French ... I love Portuguese, I love Italiano[,]" but emphasized that "for [her] right now is Español".[6]
In the recording sessions, Pérez translated the lyrics into English to allow Cole to capture the emotions of the songs. Cole recalled on the first days of recording that she cried as "the translation of these Spanish lyrics is like poetry." When listening to the album, she found that "[she] liked [her]self singing in Spanish". She compared the recording process to that of Unforgettable... with Love as it allowed her to step out of her comfort zone to create what she viewed as art.[7]
Reception
Critical response
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AllMusic |    [8] |
| JazzTimes | (favorable)[9] |
Natalie Cole en Español received generally favorable reviews from music critics. Andy Kellman of AllMusic described the album as not being "a mere throwback to a brief phase in Nat's career". Kellman called it "a likable diversion from her norm" and commended her for using zest to make up for her lack of fluency.[8] JazzTimes' Christopher Loudon commended Cole's "deeper emotional connection to the lyrics" in comparison to her father's Spanish albums. Loudon praised the album as "all slickly grand-scale, yet it works satisfyingly well".[9] Soultracks' Justin Kantor wrote that the album is "a polished set largely comprised of baladas romanticas with sweeping orchestration and spicy, yet decidedly controlled, vocal performances". Kantor found certain songs required "a tad more rhythmic creativity and free-spirited singing", but recommended the overall product to her fans.[10]
Track listing
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Frenesí" | Alberto Borras Domínguez | 3:24 |
| 2. | "Voy A Apagar La Luz / Contigo Aprendí (Medley)" | Armando Manzanero | 4:06 |
| 3. | "Acércate Más" (featuring Nat King Cole) | Osvaldo Farrés | 2:46 |
| 4. | "Mañana De Carnaval" | Luiz Bonfá, Antônio Maria | 3:08 |
| 5. | "Bésame Mucho" (featuring Andrea Bocelli) | Consuelo Velázquez | 4:02 |
| 6. | "Quizás, Quizás, Quizás" | Osvaldo Farrés | 2:27 |
| 7. | "Solamente Una Vez" | Agustín Lara | 2:30 |
| 8. | "Oye Como Va (Medley)" (featuring Arthur Hanlon) | Tito Puente, Bobby Collazo, Pablo Beltrán Ruiz, Rudy Pérez, David E. Brown, José Areas, Jose Rico Reyes | 4:59 |
| 9. | "Yo Lo Amo (And I Love Him)" (featuring Chris Botti) | Lennon/McCartney | 4:25 |
| 10. | "El Día Que Me Quieras" | Carlos Gardel, Alfredo Le Pera | 4:28 |
| 11. | "Bachata Rosa" (featuring Juan Luis Guerra) | Juan Luis Guerra | 4:02 |
| 12. | "Amapola" | Joseph Maria Lacalle | 3:20 |
|
Total length:
|
43:55 | ||
| iTunes bonus track | |||
|---|---|---|---|
| No. | Title | Writer(s) | Length |
| 13. | "Cuando Vuelva a Tu Lado" (featuring Arturo Sandoval) | Stanley Adams, María Grever | 3:37 |
|
Total length:
|
47:32 | ||
Charts and certifications
Weekly charts
|
Certifications
|
|||||||||||||||||||||||
References
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 2.0 2.1 2.2 Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 3.0 3.1 3.2 Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 8.0 8.1 Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 9.0 9.1 Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ "Top Stranih [Top Foreign]" (in Croatian). Top Foreign Albums. Hrvatska diskografska udruga. Retrieved January 7, 2014.
- ↑ "Oficjalna lista sprzedaży :: OLIS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved September 1, 2013.
- ↑ "Natalie Cole – Chart history" Billboard 200 for Natalie Cole. Retrieved January 7, 2014.
- ↑ "Natalie Cole – Chart history" Billboard Top Jazz Albums for Natalie Cole. Retrieved January 7, 2014.
- ↑ "Natalie Cole – Chart history" Billboard Latin Pop Albums for Natalie Cole. Retrieved January 7, 2014.
- ↑ "Natalie Cole – Chart history" Billboard Top Latin Albums for Natalie Cole. Retrieved January 7, 2014.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
 |
This 2010s album–related article is a stub. You can help Wikipedia by expanding it. |
