National Film Award for Best Non-Feature Film on Family Welfare

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Best Non-Feature Film on Family Welfare
Type National
Category Short films
Instituted 1982
First awarded 1982
Last awarded 2013
Total awarded 27
Awarded by Directorate of Film Festivals
Cash award ₹50,000 (US$740)
Medal 'Rajat Kamal' (Silver Lotus)
First awardee(s) Kal Aur Aaj
Recent awardee(s) Heyro Party

The Best Non-Feature Film on Family Welfare is one of the National Film Awards presented annually by the Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting, India. It is one of several awards presented for Non-Feature Films and awarded with 'Rajat Kamal' (Silver Lotus).

The award was instituted in 1982, at 30th National Film Awards and awarded annually for short films produced in the year across the country, in all Indian languages.

Awards

Award includes 'Rajat Kamal' (Silver Lotus Award) and cash prize. Cash prize amount varied over the period. Following table illustrates the cash prize amount over the years:

Year (Period) Cash Prize
1982 (30th) – 1983 (31st) Producer and Director: Rajat Kamal and ₹5,000 (US$74) Each
1982 (32nd) – 2005 (53rd) Producer and Director: Rajat Kamal and ₹10,000 (US$150) Each
2006 (54th) till date Producer and Director: Rajat Kamal and ₹50,000 (US$740) Each

Winners

Following are the award winners over the years:

Indicates a joint award for that year
List of films, showing the year, language(s), producer(s), director(s) and citation
Year Film(s) Language(s) Producer(s) Director(s) Citation
1982
(30th)		 Kal Aur Aaj[1] Hindi Vimala Swaminathan Vimala Swaminathan <templatestyles src="Template:Hidden begin/styles.css"/>
For family planning as a simple, entertaining and direct comparison of the situation of today, with the past, in terms immediately understandable to the common man.
1983
(31st)		 No Award[2]
1984
(32nd)		 Sweekar[3] Hindi Bal Mehta Vishram Revankar  –
1984
(32nd)		 Geeli Meetti[3] Hindi Women and Social Welfare Ministry Sanjay Kak  –
1985
(33rd)		 Bai[4] Marathi Streevani and Ishvani Sumitra Bhave <templatestyles src="Template:Hidden begin/styles.css"/>
For its realistic portrayal of poor, oppressed housewife who succeeds in her determined effort to rehabilitate herself and realise her potential to be on her own.
1986
(34th)		 No Award[5]
1987
(35th)		 No Award[6]
1988
(36th)		 Lacchmi[7] Hindi K. K. Garg for Films Division Om Prakash Sharma <templatestyles src="Template:Hidden begin/styles.css"/>
For weaving a powerful family welfare message into a credible story told simply and gently.
1988
(36th)		 Nirnay [7] Hindi B. R. Shedge for Films Division R. R. Swamy <templatestyles src="Template:Hidden begin/styles.css"/>
For the clarity and simplicity with which, making effective use of both animation and live action, it communicates aspects of sterilisation, evoking confidence in its procedures.
1989
(37th)		 Boy or Girl — How?[8] Hindi B. R. Shendge R. R. Swamy <templatestyles src="Template:Hidden begin/styles.css"/>
For effectively communicating an important message.
1990
(38th)		 No Award[9]
1991
(39th)		 A Matter of Motherhood[10] English Rajiv Mehrotra Rajiv Mehrotra <templatestyles src="Template:Hidden begin/styles.css"/>
For its competent attempt to educate the people, especially in the rural areas, on various aspects of motherhood in the prevailing atmosphere of traditional beliefs.
1992
(40th)		 Suno Bahu Rani[11] Hindi Om Prakash Sharma for Films Division K. K. Kapil <templatestyles src="Template:Hidden begin/styles.css"/>
For a deftly made film with the aid of puppets on the theme of family welfare.
1993
(41st)		 Taveez[12] Hindi Rajeev Mohan for Films Division Purushottam Berde for Films Division 10,000/- Each <templatestyles src="Template:Hidden begin/styles.css"/>
For promoting the small family norm in a direct and effective manner.
1994
(42nd)		 Clint[13] Malayalam and English Shiva Kumar Shiva Kumar <templatestyles src="Template:Hidden begin/styles.css"/>
For setting up a new model of the essence of family welfare, through its honest documentation of factors impinging on a child's life.
1995
(43rd)		 Soch Samajh Ke [14] Hindi Shanta Gokhle and Arun Khopkar Arun Khopkar <templatestyles src="Template:Hidden begin/styles.css"/>
For presenting aesthetically how family welfare could be achieved despite complex family relationships.
1996
(44th)		 Bhit [15] Bengali Films Division and K. R. G. Films Glbahar Singh <templatestyles src="Template:Hidden begin/styles.css"/>
For its credible depiction of a rural health worker's efforts in transforming her community.
1997
(45th)		 The Saviour [16] Hindi Shaila Paralkar Shaila Paralkar <templatestyles src="Template:Hidden begin/styles.css"/>
This film simply and dexterously communicates the fundamentals of child health care to the masses.
1997
(45th)		 Banglar Baul [16] Bengali Yash Chaudhary K. G. Das <templatestyles src="Template:Hidden begin/styles.css"/>
For its evocative exposition of family welfare issues employing the local folk and musical traditions.
1998
(46th)		 N. M. No. 367 – Sentence of Silence [17] English Y. N. Engineer for Films Division Joshy Joseph for Films Division <templatestyles src="Template:Hidden begin/styles.css"/>
For its strong redefining of the family ethos in changing social circumstances of the Indian christian community.
1999
(47th)		 No Award[18]
2000
(48th)		 Akkareninnu[19] Malayalam T. Sunil Kumar, Susmitham and Pallimalkunnu T. Sunil Kumar, Susmitham and Pallimalkunnu <templatestyles src="Template:Hidden begin/styles.css"/>
For focusing attention on the plight of a family with an AIDS patient and their struggle in overcoming the social stigma.
2000
(48th)		 Mahananda[19] Bengali Films Division Manik Das <templatestyles src="Template:Hidden begin/styles.css"/>
For handling a sensitive theme on family welfare, which depicts the fight of a village woman from a minority community who succeeds in her pursuit of a planned family.
2001
(49th)		 Sayante Thinte Padavukal[20] Malayalam Ratheesh Ramayya Satheesh Venganoor <templatestyles src="Template:Hidden begin/styles.css"/>
For sensitive portrayal of the plight of the aged who are neglected by their families.
2002
(50th)		 Dhatri Panna[21] Hindi Films Division and Ministry of Health and Family Welfare Gul Bahar Singh <templatestyles src="Template:Hidden begin/styles.css"/>
For its success in the simple yet difficult art of cinematic story telling with an important and explicit message for its rural audience, of how the tradition of the village dai can and must give way to the trained midwife.
2003
(51st)		 No Award[22]
2004
(52nd)		 Saanjh[23] Hindi Tripurari Sharan for Film and Television Institute of India Jasmine Kaur <templatestyles src="Template:Hidden begin/styles.css"/>
For a very sensitively structured short film which deals with the apathy of an old man and his encounter with reality.
2005
(53rd)		 No Award[24]
2006
(54th)		 No Award[25]
2007
(55th)		 Making The Face[26] English Public Service Broadcasting Trust Suvendu Chatterjee <templatestyles src="Template:Hidden begin/styles.css"/>
For its multilayered exploration of the issue of alternative sexuality in a politically troubled state; celebrating this sexual orientation in a spontaneous manner, the film depicts it as a normal proclivity in a family setup. This, in no way, effects one's daily chores, particularly as the protagonist is a make-up artist of great acceptance.
2008
(56th)		 Appuvin Nayagan – Spotty (My Hero)[27] Tamil A.V. Anoop Madhavan <templatestyles src="Template:Hidden begin/styles.css"/>
For scoring with a very tender story that transforms into a moving portrayal of a child's attachment to her toy and her grandfather's dilemma when he loses it. A sensitive film that offers fresh insights into a child's imagination and needs.
2009
(57th)		 No Award[28]
2010
(58th)		 Love in India[29] Bengali and English Overdose Kaushik Mukherjee <templatestyles src="Template:Hidden begin/styles.css"/>
Explores and deconstructs the traditional and orthodox landscapes of love, sexuality and conjugal relationships and the dynamics of emerging sexual politics and value systems in contemporary India with clarity and insight laced with subtle humour.
2011
(59th)		 Red Building where the Sun Sets[30] English Syed Sultan Ahmed and Tabassum Modi Revathi <templatestyles src="Template:Hidden begin/styles.css"/>
For illuminating the importance of parental responsibility through the story of a child caught in the turbulence of parental discord.
2012
(60th)		 After Glow[31] English and Gujarati FTII Kaushal Oza <templatestyles src="Template:Hidden begin/styles.css"/>
For an evocative portrayal of a bereaved woman. Laced with warmth and humour, the skillful and dexterous weaving of past and present underlines the beauty of intimate familial relationships.
2013
(61st)		 Heyro Party[32] Bengali Baishakhi Banerjee and Deepak Gawade Deepak Gawade <templatestyles src="Template:Hidden begin/styles.css"/>
For its poignant reflection of selfless dreams and aspirations, the film depicts the struggles and dilemmas of a poor family in a simple and compelling cinematic language.

References

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External links

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