Olhar
| Olhar | |||||
|---|---|---|---|---|---|
| File:Metrô Olhar.jpg | |||||
| Studio album by Metrô | |||||
| Released | 1985 | ||||
| Recorded | 1984/1985 | ||||
| Genre | New wave, synthpop, synthrock | ||||
| Label | Epic Records | ||||
| Producer | Luiz Carlos Maluly | ||||
| Metrô chronology | |||||
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| Virginie Boutaud chronology | |||||
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| Singles from Olhar | |||||
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Olhar (Portuguese for "Look") is the debut album by Brazilian synthpop band Metrô (not counting their self-titled album released as A Gota Suspensa in 1983), released in 1985 by Epic Records.[1] A critically and commercially successful album, Olhar spawned numerous hit singles which were very popular at the time of their release and are still remembered to this day, such as "Tudo Pode Mudar", "Cenas Obscenas" (which counted with a guest appearance by Léo Jaime on guitar and backing vocals), "Johnny Love" (which was included in the soundtrack of Lael Rodrigues' 1985 film Rock Estrela, in which the whole line-up of Metrô cameod as themselves) and "Ti Ti Ti", used as the opening theme of the eponymous telenovela which ran from 1985 to 1986.[2] A shorter version of their 1984 hit "Beat Acelerado" (subtitled "2nd Version") is also included.
The choirs in "Melodix" were provided by the new wave band Degradée, in which Metrô's guitarist Alec Haiat's brother Freddy played in. Guilherme Isnard of Zero provided backing vocals for "Tudo Pode Mudar".
"Hawaii–Bombay" is a Portuguese-language translation/cover of the eponymous song by Spanish band Mecano. The Portuguese lyrics were provided by Fernando Naporano, of Maria Angélica Não Mora Mais Aqui fame.
According to the album's liner notes, "Johnny Love" is a tribute to French musician Johnny Hallyday.[3]
Track listing
| No. | Title | Lyrics | Music | English title | Length |
|---|---|---|---|---|---|
| 1. | "Olhar" | Vicente França, Yann Laouenan | Vicente França, Yann Laouenan | Look | 4:16 |
| 2. | "Cenas Obscenas" (feat. Léo Jaime) | Léo Jaime, Leoni | Alec Haiat, Yann Laouenan | Obscene Scenes | 4:22 |
| 3. | "Johnny Love" | Alec Haiat, Joe Euthanazia, Yann Laouenan | Alec Haiat, Yann Laouenan | 4:51 | |
| 4. | "Sândalo de Dândi" | Tavinho Paes | Alec Haiat, Yann Laouenan | Dandy's Sandalwood | 3:53 |
| 5. | "Melodix" (feat. Degradée) | Metrô | Alec Haiat | 2:15 | |
| 6. | "Beat Acelerado" (2nd Version) | Alec Haiat, Vicente França, Yann Laouenan | Vicente França, Yann Laouenan | Fast Beat | 1:11 |
| 7. | "Tudo Pode Mudar" (feat. Guilherme Isnard) | Joe Euthanazia, Ronaldo Santos | Joe Euthanazia, Ronaldo Santos | Everything Can Change | 3:34 |
| 8. | "Hawaii–Bombay" (Mecano cover) | José María Cano (adaptation by Fernando Naporano) | José María Cano | 3:58 | |
| 9. | "Solução" | Wagner, Metrô | Alec Haiat | Solution | 2:54 |
| 10. | "Stabilo" | Ângelo Palumbo | Alec Haiat | 3:20 | |
| 11. | "Que Loucura!" | Yann Laouenan | Alec Haiat, Xavier Leblanc, Yann Laouenan | That's Crazy! | 3:21 |
| 12. | "Ti Ti Ti" | Rita Lee, Roberto de Carvalho | Rita Lee, Roberto de Carvalho | Chit-Chatter | 2:57 |
- NOTE: Early pressings of the album did not contain the track "Ti Ti Ti", with "Beat Acelerado (2nd Version)" being featured in its place.
Personnel
- Metrô
- Virginie Boutaud — vocals
- Daniel "Dany" Roland — drums
- Xavier Leblanc — bass
- Yann Laouenan — keyboards
- Alec Haiat — guitar
- Session musicians
- Léo Jaime — guitar, backing vocals in "Cenas Obscenas"; guitar in "Johnny Love"
- Degradée (Rogério Rego, Tom Marsh, Freddy Haiat, Salvador Rocca, Luiz Marcello) — choir in "Melodix"
- Guilherme Isnard — backing vocals in "Tudo Pode Mudar"
- Miscellaneous staff
- Luiz Carlos Maluly — production
References
- ↑ Metrô – Biografia (Portuguese)
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Metrô – "Johnny Love" lyrics (Portuguese)
