Ska stroke

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File:Skank on Em64.png
Reggae downstroke pattern[1]<phonos file="Skank on Em64.mid">Play</phonos>.
File:Skank on Em64 sounds as.png
Though notated with quarter notes, the Ska stroke sounds like sixteenth notes due to muting or dampening.[1]
File:Upstroke skank on Em64.png
Reggae upstroke pattern[2]Audio file "Upstroke skank on Em64.mid" not found.
Skank guitar rhythm often considered "'the' reggae beat"[3]<phonos file="Reggae double riff on D and Em64 straight.mid">Play straight</phonos> or <phonos file="Reggae double riff on D and Em64 shuffle.mid">Play shuffle</phonos>.

The ska stroke or ska upstroke, skank or bang, is a guitar strumming technique that is used mostly in the performance of ska, rocksteady, and reggae music.[4] "Reggae is most easily recognized by...the skank."[5] Ska strokes serve as a rhythmic base to a song, and may be doubled by the drums. This style of playing has a dance associated with it, the skank. In reggae, the guitar usually plays a short, percussive, "scratchy chop sound [chord]," on beats 2 and 4 (1234), often supported by staccato piano (late 60s to the early 80s) or synthesizer.[6] Audio file "Reggae organ-shuffle.mid" not found

Ska strokes create a bouncing rhythm, going up then down in pitch.[4] Played in 4/4 time (𝄆1 & 2 & 3 & 4 & 𝄇), the chosen guitar chord is played on the downbeat (#'s rather than &'s), and then a ghost note is played on the upbeat (&'s rather than #'s) by lifting the left hand off the fret a few millimeters.[4] However most traditional ska is focused on the upbeat, playing on the downbeat is more closely associated with reggae, where the ska strokes are played much slower as opposed to ska.

Double-time: ||:1 & 2 & 3 & 4 & :||
Common-time: ||:1 2 3 4 1 2 3 4 :||
Half-time  : ||:1234123412341234:||

<phonos file="Skank- double, mid, and half times.mid">Play</phonos>

See also

Sources

  1. 1.0 1.1 Snyder, Jerry (1999). Jerry Snyder's Guitar School, p.28. ISBN 0-7390-0260-0.
  2. Snyder (1999), p.29.
  3. Johnston, Richard (2004). How to Play Rhythm Guitar, p.72. ISBN 0-87930-811-7.
  4. 4.0 4.1 4.2 (2013). Smithsonian Music: The Definitive Visual History, p.349. ISBN 9781465421265.
  5. Hombach, Jean-Pierre (2010). Bob Marley the Father of Music, p.14. ISBN 9781471620454.
  6. Hombach (2010), p.21.

External links

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