Gerald Freedman

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Gerald Freedman
Born Gerald Alan Freedman
(1927-06-25) June 25, 1927 (age 97)
Lorain, Ohio
Monuments The Gerald Freedman Theatre at UNCSA (2012)
Ethnicity Jewish
Education <templatestyles src="Plainlist/styles.css"/>
Title Dean Emeritus, School of Drama, University of North Carolina School of the Arts
Parent(s) <templatestyles src="Plainlist/styles.css"/>
  • Barnie B. Freedman (a doctor)
  • Fannie (Sepsenwol) Freedman
Awards Obie
Notes

Gerald Freedman (born June 25, 1927) was an American theatre director, librettist, and lyricist, and a college dean.

Life and career

Freedman was born in Lorain, Ohio and educated at Northwestern University under Alvina Krause and others. He earned both BA and MA degrees there.[3][4] He began his career as assistant director of such projects as Bells Are Ringing, West Side Story, and Gypsy. His first credit as a Broadway director was the 1961 musical The Gay Life. Additional Broadway credits include the 1964 and 1980 revivals of West Side Story, The Incomparable Max (1971), Arthur Miller's The Creation of the World and Other Business (1972), the 1975 and 1976 productions of The Robber Bridegroom, both of which garnered him Drama Desk Award nominations as Outstanding Director of a Musical, The Grand Tour (1979) with Joel Grey, and The School for Scandal (1995) with Tony Randall. He was also the off-Broadway director of the rock musical Hair when it premiered at the Public Theater.[5]

Freedman also wrote the book and lyrics for, as well as directed, the Broadway production of A Time for Singing, the short-lived 1966 musical adaptation of How Green Was My Valley.[citation needed]

Freedman was leading artistic director (1960-1967) and artistic director (1967-1971) of Joseph Papp's New York Shakespeare Festival, artistic director of the Great Lakes Theater Festival in Cleveland, Ohio (1985-1997), and co-artistic director of John Houseman’s The Acting Company (1974-1977). He taught at Yale School of Drama and the Juilliard School. He was Dean of the Drama School at the University of North Carolina School of the Arts (1991-2012). He was the first American ever invited to direct at the Globe Theatre in London.[1]

He is a member of the Kennedy Center New Play Committee and the College of Fellows of the American Theatre. He participates in the Oomoto Institute, Kameoka, Japan.[1]


Bibliography

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  • prefaces and commentary to edition of Titus Andronicus (1970)[2]

References

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External links

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