Vampire's Kiss

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For other uses, see Kiss of the Vampire.
Vampire's Kiss
File:Vampires kiss.jpg
Theatrical release poster
Directed by Robert Bierman
Produced by <templatestyles src="Plainlist/styles.css"/>
Written by Joseph Minion
Starring <templatestyles src="Plainlist/styles.css"/>
Music by Colin Towns
Cinematography Stefan Czapsky
Edited by Angus Newton
Distributed by Hemdale Film Corporation
Release dates
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  • June 2, 1989 (1989-06-02)
Running time
 103 minutes
Country United States
Language English
German
Budget $2 million[citation needed]
Box office $725,131 (US)[1]

Vampire's Kiss is a 1989 American black comedy horror film, directed by Robert Bierman, written by Joseph Minion, and stars Nicolas Cage, María Conchita Alonso, Jennifer Beals, and Elizabeth Ashley. The film tells the story of a mentally-ill literary agent, whose condition turns even worse when ends up thinking that he was bitten by a vampire. It was a box office failure but went on to become a cult film.

Plot

Peter Loew (Nicolas Cage) is a driven literary agent, who is slowly going insane. He works all day, and club hops at night, with little in his life but one night stands and the pursuit of money and prestige. He sees a therapist (Ashley) frequently, and during these sessions, his declining mental health becomes clear through a series of increasingly bizarre rants that eventually begin to scare even his psychiatrist. After taking a girl he met in a club named Jackie (Kasi Lemmons) back to his place, a bat flies in through his window, scaring them both.

At his next session he mentions to his therapist that the bat aroused him. After visiting an art museum with Jackie the next day, he ditches her and she leaves an angry message on his phone.

Loew meets Rachel (Beals) at a night club, and takes her home. She pins him down, reveals fangs, and feeds on him. He soon begins to believe that he is changing into a vampire. He stares into a bathroom mirror and fails to see his reflection; he wears dark sunglasses during the day; and, when his "fangs" fail to develop, he purchases a pair of cheap plastic vampire teeth. All the while, Rachel visits him nightly to feed on his blood.

He experiences mood swings and calls Jackie back apologetically, asking to meet her at a bar. As he is about to leave, a jealous Rachel appears and beckons him back inside. A dejected Jackie eventually leaves the bar and leaves an angry note on his door asking him to leave her alone.

A subplot concerns a secretary working at Loew's office, Alva Restrepo (Alonso). Loew torments her by forcing her to search through an enormous file for a 1963 contract. When she fails to find the contract, he at first browbeats and humiliates her, then visits her at home, and finally attacks and attempts to bite her at the place they both work. She mistakes the attempt to drink her blood as a rape attempt, causing her to pull out a gun, and Loew begs her to shoot him. Since it is only loaded with blanks, she fires at the floor to scare him off. He eventually overpowers her and mocks her rape-assumption by ripping her shirt open and knocking her down. He then takes the gun and attempts to fire it in his mouth, but after doing it twice, the blanks do not kill him.

He goes out to a club wearing his vampire teeth, and begins to seduce a woman, but when he gets too grabby she slaps him off, but he then overpowers her and bites her neck, having taken out the fangs and using his real teeth. He then puts the plastic fangs back in. Leaving the club, Loew has a brief, ambiguous encounter with Rachel: she admits to knowing him, but gives the impression that they have not been in contact for a long period. He accuses her of being a vampire, and is expelled from the club.

Alva wakes up with her shirt ripped open, possibly thinking she was raped, and eventually tells her brother about the sexual assault, and he goes after Loew to seek revenge. Loew is wandering the streets in a blood-spattered business suit, talking to himself. In a hallucinatory exchange, he tells his therapist that he raped someone and also murdered someone else. Based on a newspaper, the latter appears to be true, as the girl he bit in the club is announced dead. As Loew returns to his now-disastrous apartment (which he'd been using as a sort of vampire cave) Alva points out Loew to her brother, who pursues him inside his home with a tire iron.

In the midst of argument with an imaginary romantic interest (supposedly a patient of his psychiatrist) he begins to retch again from the blood he had swallowed, and crawls under an upturned sofa. Alva's brother finds him and upturns the sofa, and Loew holds a large broken shard of wood to his chest as a makeshift stake, repeating the gesture he had made earlier to strangers on the street when he had asked them to stake them. Alva's brother, in a rage, pushes down on the stake and it pierces Loew's chest. As Loew dies, he envisions the vampire-Rachel smiling at him one last time.

Cast

Release

Vampire's Kiss was released June 2, 1989. It grossed $725,131 in the US.[1] It was released on home video in August 1990.[2] MGM released it on DVD in August 2002,[3] and Scream Factory released it on Blu-ray in February 2015.[4]

Reception

Vampire's Kiss was considered a commercial flop upon its initial release but has developed a cult following since that time.[5][6] Rotten Tomatoes, a review aggregator, reports that 59% of 22 surveyed critics gave the film a positive review; the average rating is 5.9/10.[7] In contrast, Metacritic has the film ranked at an average score of 31 based on 10 critic reviews.[8] Variety wrote, "Cage's over-the-top performance generates little sympathy for the character, so it’s tough to be interested in him as his personality disorder worsens."[9] Caryn James of The New York Times wrote, "[T]he film is dominated and destroyed by Mr. Cage's chaotic, self-indulgent performance."[10] Kevin Thomas of the Los Angeles Times called it "a sleek, outrageous dark comedy that's all the funnier for constantly teetering on the brink of sheer tastelessness and silliness."[11] Hal Hinson of The Washington Post called the film "stone-dead bad, incoherently bad", but said that Cage's overacting must be seen to be believed.[12] Carrie Rickey of The Philadelphia Inquirer called it an "imaginative, if warped, black comedy" that "succeeds as a wicked allegory of What Men Want".[13] Reviewing the film on Blu-ray, Anthony Arrigo of Bloody Disgusting wrote, "The film may not work very well as a comedy, but there's enough of a dark derangement present to make it almost unsettling."[14]

See also

References

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External links

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