Weedflower
| File:Weedflower (Children's historical fiction novel) book cover.jpg | |
| Author | Cynthia Kadohata |
|---|---|
| Cover artist | Lisa Vega |
| Country | United States |
| Language | English |
| Genre | Children's fiction |
| Set in | United States, 1941 |
| Published | 1 April 2006 |
| Publisher | Aladdin Paperbacks |
| Media type | |
| Pages | 260 |
| ISBN | 978-1-4169-7566-3 |
Weedflower is an American children's historial fiction novel by Cynthia Kadohata, who received the Newbery and Whiting Awards. The cover photography of the first edition is by Kamil Vojnar. The story is set in the United States and told from the perspective of twelve-year-old Japanese-American Sumiko. A 6.5 hours long audiobook version of Weedflower, read by Kimberly Farr, has been published.[1]
Plot
The story takes place in 1941. A classmate invites the main character Sumiko to a birthday part. Sumiko goes to the party with a gift her uncle bought. However, she is uninvited into the house because she is Japanese. When she returns home, she lies to her family so as not to disappoint them. Afterwards, she tells the truth of the situation to her cousin Bull and her little brother Tak-Tak.[2]
To Sumiko's surprise, Japan bombs Hawaii's Pearl Harbor the next day. The United States declares war on Japan. Sumiko and her family are forced to burn everything that may seem "disloyal" or suspicious, including Sumiko's dead parents' photo. Sumiko is kept home from school. Her grandfather is arrested for being first-generation Japanese (issei) and formal principal of a Japanese school, and her uncle arrested for being former president of a Japanese flower growing association.[3]
By the end of February, more than two thousand Japanese have been wrongfully arrested and relocated to prison camps. Gradually, all Japanese, including Sumiko's family, have to leave their homes and belongings and go to camps. Sumiko has to leave her flower farm, and move twice afterwards from the San Carlos racetrack camp to Poston War Relocation Center in Poston, Arizona.[4]
When Sumiko arrives at her "permanent" camp in Poston, she meets many people, including Sachi, Mr. Moto, and an Indian boy called Frank, who eventually becomes her first real friend. Sumiko also gardens as a pastime to relive her memories from her flower farm back in her Californian home.[5]
Several months later, the United States announces that the Japanese can go outside the camps to be employed. After initial reluctance, Sumiko leaves with her aunt to a sewing factory in Illinois. Her cousins, Bull and Ichiro, leave to fight for the army. After saying an abrupt, quick goodbye to Frank, she leaves the camp, and seeks out her future in Illinois.[6]
Awards, Achievements, and Recognition
- ALA Best Books for Young Adults Nominee
- ALA Notable Children's Book Nominee
- Agatha Award Finalist
- Booklist Editors' Choice
- CBC/NCSS Notable Social Studies Trade Book
- CCBC Choices (Cooperative Children's Book Council)
- Charlie May Simon Book Award ML (AR)
- Chicago Public Library's Best of the Best
- Dorothy Canfield Fisher Book Award Master List (VT)
- IRA/CBC Children's Choices
- Indian Paintbrush Book Award Master List (WY)
- Jane Addams Children's Book Award
- Kentucky Bluegrass Award Master List
- Keystone to Reading Book Award Master List (PA)
- Massachusetts Children's Book Award Master List
- Nene Award Master List (HI)
- Oppenheim Toy Portfolio Platinum Award
- PEN USA Literary Award for Children's Literature
- Texas Bluebonnet Master List
- Young Hoosier Book Award Master List (IN)[7]
Reception
Critical reception has been mostly positive. Weedflower has received reviews from BookPage, Kirkus, and Publishers Weekly, and starred reviews from Booklist and School Library Journal. BookPage had stated that the novel provides a "well-rounded look at a painful moment in this country's history."[8] Booklist praised that the novel had "beautifully individualized characters". The School Library Journal said "the concise yet lyrical prose conveys [Sumiko's] story in a compelling narrative that will resonate with a wide audience". Publishers Weekly stated that "Kadohata clearly and eloquently conveys her heroine's mixture of shame, anger and courage".[9] Kirkus claimed that the story is "quietly powerful".[10] On the other hand, VOYA magazine criticized that the book has "inconsistent and flat characterization and a narrative tendency to tell rather than to show, as well as an overabundance of exclamation points".[11]
See also
References
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