1980s in Western fashion

Among women large hair-dos and puffed-up styles typified the decade. (Justine Bateman, 1987).

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The short, tight spandex mini skirts were a popular fashion item for young women in the second half of the 1980s

1980s fashion in Britain, America, Europe and Australasia had heavy emphasis on expensive clothes and fashion accessories. Apparel tended to be very bright and vivid in appearance. Women expressed an image of wealth and success through shiny costume jewelry, such as large faux-gold earrings, pearl necklaces, and clothing covered with sequins and diamonds. Punk fashion began as a reaction against both the hippie movement of the past decades and the materialist values of the current decade. The first half of the decade was relatively tame in comparison to the second half, which is when the iconic 1980s color scheme had come into popularity.

Hair in the 1980s was typically big, curly, bouffant and heavily styled. Television shows such as Dynasty helped popularize the high volume bouffant and glamorous image associated with it. Women from the 1980s wore bright, heavy makeup. Everyday fashion in the '80s consisted of light-colored lips, dark and thick eyelashes, and pink or light blue rouge (otherwise known as blush).

Some of the top fashion models of the 1980s were Brooke Shields, Christie Brinkley, Joan Severance, Kim Alexis, Carol Alt, Yasmin Le Bon, Renée Simonsen, Kelly Emberg, Ines de la Fressange, Tatjana Patitz, Elle Macpherson and Paulina Porizkova.

Women's Fashion

Early 1980s (1980–82)

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A jelly shoe.

Minimalism

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Young woman in 1980 wearing a low-cut spaghetti strap dress.

• The early 1980s were very different from the rest of the decade, with some carryovers from the late 1970s. The early 1980s saw a minimalist approach to fashion, with less emphasis on accessories, and practicality considered just as much as aesthetics. Clothing colors were subdued, quiet and basic; varying shades of brown, tan, and orange were common.
• Fashionable clothing in the early 1980s included both unisex and gender-specific attire. Widespread fashions for women in the early 1980s included sweaters (including turtleneck, crew neck, and v-neck varieties); fur-lined puffer jackets; tunics; faux-fur coats; velvet blazers; trench coats (made in both fake and real leather); crop tops; tube tops; knee-length skirts (of no prescribed length, as designers opted for choice); loose, flowy, knee-length dresses (with high-cut and low-cut necklines, varying sleeve lengths, and made in a variety of fabrics including cotton, silk, satin, and polyester); high-waisted loose pants; embroidered jeans; leather pants; and designer jeans. Women's pants of the 1980s were, in general, worn with long inseams – a style carried over from the 1970s.
• Accessories for women in the 1980s were mostly late 1970's carryovers. This included thin belts, knee-high boots with thick kitten heels, sneakers, jelly shoes (a new trend at the time), mules, round-toed shoes and boots, jelly bracelets (inspired by Madonna in 1983), shoes with thick heels, small, thin necklaces (with a variety of materials, such as gold and pearls), and small watches.

Aerobics Craze

• The fitness craze of the 1970s continued into the early 1980s. General women's street-wear worn in the early 1980s included ripped sweatshirts, leotards, tights, sweatpants, and tracksuits (especially ones made in velour).
• Athletic accessories were a massive trend in the early 1980s, and their popularity was largely boosted by the aerobics craze. This included leg warmers, wide belts, elastic headbands, and athletic shoes known as 'sneakers' in the US or 'trainers' in the UK.

Professional Fashion

• In the 1970s, more women were joining the work force, so, by the early 1980s, working women were no longer considered unusual. As a way to proclaim themselves as equals in the job market, women started to dress more seriously at work. Popular clothes for women in the job market include knee-length skirts, wide-legged slacks, a matching blazer, and a blouse of a different color. Kitten-heeled shoes were often worn. Formal shoes became more comfortable during this period in time, with manufacturers adding soles that were more flexible and supportive. The shoes with moderately spiked heels and relatively pointy toes from the very late 1970's remained a fashion trend.

Mid 1980s (1983–86)

A young woman from the mid 1980s wearing a denim mini skirt with two thin belts.

Bright colors

• Women's fashion in the mid-1980s became more colorful around 1985. This included long wool coats, long flared skirts, slim miniskirts, slightly tapered pants and stirrup ones, designer jeans, spandex cycling shorts, extremely long and bulky sweaters, jumpsuits, pastel colors, leather trenchcoats, fur coats, extremely large scarves, beanies, leather gloves, and dresses worn with wide or thin belts. The aerobics craze of the early 1980s continued into the mid 1980s, but the clothes became more colorful than they were before.
• Women's shoes of the mid 1980s included strappy sandals, kitten-heeled sandals, pumps, and Keds.
• In the 1980s, rising pop star Madonna proved to be very influential to female fashions. She first emerged on the dance music scene with her "street urchin" look consisting of short skirts worn over leggings, necklaces, rubber bracelets, fishnet gloves, hairbows, long layered strings of beads, bleached, untidy hair with dark roots, headbands, and lace ribbons. In her "Like a Virgin" phase, millions of young girls around the world emulated her fashion example that included brassieres worn as outerwear, huge crucifix jewelry, lace gloves, tulle skirts, and boytoy belts.
• Gloves (sometimes laced or fingerless) were popularized by Madonna, as well as fishnet stockings and layers of beaded necklaces. Short, tight Lycra or leather miniskirts and tubular dresses were also worn, as were cropped bolero-style jackets. Black was the preferred color. Prior to the mid-1980s, it had been taboo to show a slip or a bra strap in public. A visible undergarment had been a sign of social ineptness. With the new fashion's most extreme forms, young women would forgo conventional outer-garments for vintage-style bustiers with lacy slips and several large crucifixes. This was both an assertion of sexual freedom and a conscious rejection of prevailing androgynous fashions.

Power Dressing

President Ronald Reagan and his wife, Nancy, are seen with Jacqueline Kennedy Onassis.

• The television prime time shows Dallas and, in particular, Dynasty had an impact in the area of the increasingly oversized shoulder pads. Shoulder pads, popularized by Joan Collins and Linda Evans from the soap opera Dynasty were popular from the mid 1980s to the early 1990s. Dallas, however, promoted displays of wealth involving jewelry and sparkling clothing. Meanwhile, women's fashion and business shoes revisited the pointed toes and spiked heels that were popular in the 1950s and early 1960s. Some stores stocked canvas or satin covered fashion shoes in white and dyed them to the customer's preferred color, preferably bright colors.
• Women are becoming more confident in the workplace and are trying harder to step up in their career. More and more of these women want to fit into the management level by trying to emulate men via fashion and outward appearance to appear more masculine and powerful. Most of the higher position in the work field were occupied by man at that time, it is understandable that how womenswear is influenced by man’s figure and body feature to mock the general existing powerful image at that time. Hence, they would want garments that empower them and make them look more masculine in shape, thus making the woman appear to be more capable of higher level tasks and seem more professional by fitting in with the male majority. This would be accomplished with attributes such as wider shoulders with the aid of padding and larger sleeves.
• A movie by Lizzie Borden, Working Girls had an impact on how the society perceives women in different fields and positions, it also features feminism and topics on capitalism. Working Girls is an independent production published in 1986 about the daily life of upper class prostitutes in a small Manhattan bordello. The main characters in the story have backgrounds such as graduates from Yale university and Law; the movie makes it clear that they were not forced into the field but chose it themselves. Throughout the film, power dressing was promoted along with the capability of women taking control of their own future.
• After the western economic boom of the mid-'80s, the younger generation had a decreased influence in fashion as they had less of an impact on the market. The main consumer became the older generations that were more financially stable and were influenced by international political news. Thatcherism were promoted in the UK by the British Conservative Party. The idea of greed as motivation and that development in society is needed has hasten the change of the face of the modern world. Leader of the British conservative party, Margaret Thatcher, in her power suit quickly became one of the most well-known symbol in the 1980s. Suits worn by Margaret Thatcher were usually single color toned with a matching hat, jacket and skirt, that ends below the knee. A wide shoulder cutting and pearl necklace was also part of her regular attire. Her political style was straightforward, effective and sometimes criticized as not empathetic enough. But there is no doubt that her appearance portrayed her ability, power and authority, which is what a lot of working women at that era desired.

New Romantic

Young Englishman wearing a pirate shirt

• New Romantic was a new wave and fashion movement influenced by punk attire that occurred primarily in British and Irish nightclubs as a backlash to council estates during the early and mid 1980s. The New Romantic style favored streaky bold eyeliner, spiked hair, clothing designs that referenced historic eras, and celebrations of glamour.
• Designer and club host Leigh Bowery became known for his exuberant designs and rose to a high status in the early 1980s underground club scene as a muse for artists such as Boy George and Duran Duran. Veteran punk fashion designer Vivienne Westwood produced clothing specifically for bands such as Adam and the Ants, and later developed the "pirate look" of full-sleeved, frilled "buccaneer" shirts often made of expensive fabrics, paired with gold-braided Hussar jackets and high-waist baggy trousers which tapered at the ankle. Colin Swift, Stevie Stewart and David Holah were also influential designers. One element of this trend that went mainstream and remained popular for most of the decade were short shirt collars worn unfolded against the neck (popped collars) with the top one or two buttons unfastened.

Late 1980s (1987–89)

Consumer-Friendly Fashions

• From 1987 onward, the short skirt was the only length supported by fashion designers. Although skirts of any length were acceptable to wear in the years before, all attention was given to the short skirt, especially among teenage girls and young women. Shoulder pads became increasingly smaller. These trends continued into the early 1990s.
• Women's apparel in the late 1980s included jackets (both cropped and long), coats (both cloth and fake fur), reversible inside-out coats (leather on one side, fake fur on the other), rugby sweatshirts, sweater dresses, tafetta and pouf dresses, baby doll dresses, jumpsuits, miniskirts, stretch pants, tapered pants, happy pants (homemade pants made in bold designs with bright colors), and opaque tights. Popular colors included neon hues, plum, gold, and bright wines.
• Accessories included bright-colored shoes with thin heels, berets, lacy gloves, beaded necklaces, and plastic bracelets.

Men's Fashion

Early 1980s (1980–82)

Athletic Clothing

Sylvester Stallone in 1983

• In the early 1980s, fashion had carried onward from the late 1970s. Athletic clothes were more popular than jeans during this period, as were more subdued colors. Popular colors were black, white, indigo, forest green, burgundy, and different shades of browns, tans, and oranges. Velour, velvet, and polyester were popular fabrics used in clothes, especially button-up and v-neck shirts. Looser pants remained popular during this time, being fairly wide but straight, and tighter shirts were especially popular. The general public, at this time, wanted to wear low-maintenance clothing with more basic colors, as the global recession going on at the time kept extravagant clothes out of reach.
• Popular clothing in the early 1980s worn by men includes tracksuits, v-neck sweaters, polyester and velour polo-neck shirts, sports jerseys, straight-leg jeans, polyester button-ups, cowboy boots, beanies, and hoodies. Around this time it became acceptable for men to wear sports coats and slacks to places that previously required a suit. In the UK, children's pants remained flared, but only slightly.

New wave influence

• From the early to mid 1980s, post-punk and new wave music groups influenced mainstream male and female fashion. Commercially made slim-fitting suits, thin neckties, striped T-shirts, Members Only jackets, clubwear, metallic fabric shirts, cat eye glasses, horn rim glasses with brightly colored frames, androgynous neon colored makeup, and pristine leather jackets were widely worn. Common hairstyles included a short quiff for men, or teased big hair for women, and typical unisex colors for clothing included turquoise, teal, red, neon yellow and purple.

Preppy Look

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David Byrne wearing a preppy style seersucker blazer and white oxford shirt, 1986.

• In response to the punk fashion of the mid-late 1970s, there was a throwback to the late 1950s Ivy League style. This revival came to be definitively summarized in an enormously popular paperback released in 1980: The Official Preppy Handbook. Popular preppy clothing for men included Oxford shirts, turtlenecks, polo shirts with popped collars, khaki slacks, argyle socks, dress pants, suspenders (or alternatively, skinny ties in leather or bold patterns), seersucker or striped linen suits, corduroy, and plaid sweaters that were often worn tied around the shoulders.

Mid 1980s (1983–86)

Miami Vice/Magnum P.I. Look and Michael Jackson's Influence

• In the mid 1980s, popular trends included wool sport coats, Levi 501s, Hawaiian shirts, shell suits, hand-knit sweaters, sports shirts, hoodies, flannel shirts, reversible flannel vests, jackets with the insides quilted, nylon jackets, gold rings, spandex cycling shorts, cowboy boots, and khaki pants with jagged seams.
• The mid 1980s brought an explosion of colorful styles in men's clothing, prompted by television series such as Miami Vice and Magnum, P.I.. This resulted in trends such as t-shirts underneath expensive suit jackets with broad, padded shoulders, hawaiian shirts (complemented with sport coats, often with top-stitched lapels for a "custom-tailored" look), and (in counterpoint to the bright shirt) jackets that were often gray, tan, rust or white. Easy-care micro-suede and corduroy jackets became popular choices, especially those with a Western style.
• Michael Jackson was also a big influence of teenage boys' and young men's fashions, such as matching red/black leather pants and jackets, white gloves, sunglasses and oversized, slouch shouldered faded leather jackets with puffy sleeves.

Power Dressing

1940s inspired pinstripe suit with large shoulder pads and double breasted fastening. These "power suits" were fashionable in Britain from the early 1980s until the late 1990s.

Men's business attire saw a return of pinstripes for the first time since the 1970s. The new pinstripes were much wider than in 1930s and 1940s suits but were similar to the 1970s styles. Three-piece suits began their decline in the early 1980s and lapels on suits became very narrow, akin to that of the early 1960s. While vests (waistcoats) in the 1970s had commonly been worn high with six or five buttons, those made in the early 1980s often had only four buttons and were made to be worn low. The thin ties briefly popular in the early '80s were soon replaced by wider, striped neckties, generally in more conservative colors than the kipper ties of the '70s. Double breasted suits inspired by the 1940s were reintroduced in the 1980s by designers like Giorgio Armani, Ralph Lauren, and Anne Klein. They were known as 'power suits', and were typically made in navy blue, charcoal grey or air force blue.

Late 1980s (1987–89)

Doc Martens

Dr. Martens boots

• Doc Martens were dark shoes or boots with air-cushioned soles that were worn by both sexes in the 1980s. They were an essential fashion accessory for the skinhead and punk subcultures in the United Kingdom. Sometimes Doc Martens were paired with miniskirts or full, Laura Ashley- style dresses. They were an important feature of the post-punk 1980s Gothic look which featured long, back-combed hair, pale skin, dark eyeshadow, eyeliner, and lipstick, black nail varnish, spiked bracelets and dog-collars, black clothing (often made of gabardine), and leather or velvet trimmed in lace or fishnet material. Corsets were often worn by girls. British bands that inspired the gothic trend include The Cure, Siouxsie and the Banshees, and The Cult. This trend would return in the 1990s.

Parachute pants

Main article: Parachute pants

Parachute pants are a style of trousers characterized by the use of ripstop nylon or extremely baggy cuts. In the original tight-fitting, extraneously zippered style of the late 1970s and early 1980s, "parachute" referred to the pants' synthetic nylon material. In the later 1980s, "parachute" may have referred to the extreme bagginess of the pant. These are also referred to as "Hammer" pants, due to rapper MC Hammer's signature style. Hammer pants differ from the parachute pants of the 1970s and early 1980s. They are typically worn as menswear and are often brightly colored. Parachute pants became a fad in US culture in the 1980s as part of an increased cultural appropriation of breakdancing.

Unisex Accessories

Jewelry

Princess Diana, 1985

• Earrings became a mainstream fashion for male teenagers. Jelly or thin metal bracelets (also known as bangles) were very popular in the 1980s, and would be worn in mass quantities on one's wrist. Designer jewelry, such as diamonds and pearls, were popular among many women, not only for beauty, but as symbols of wealth and power.

Watches

• At the beginning of the decade, digital watches with metal bands were the dominant fashion. They remained popular but lost some of their status in later years. Newer digital watches with built-in calculators and primitive data organizers were strictly for gadget geeks. Adult professionals returned to dial watches by mid-decade. Leather straps returned as an option. By the late 1980s, some watch faces had returned to Roman numerals. In contrast, one ultramodern status symbol was the Movado museum watch. It featured a sleek design with a single large dot at twelve o'clock. The Tank watch by Cartier was a fashion icon that was revived and frequently seen on Cartier advertisements in print. Rolex watches were prominently seen on the television show Miami Vice. Teen culture preferred vibrant plastic Swatch watches. These first appeared in Europe, and reached North America by the mid-1980s. Young people would often wear two or three of these watches on the same arm.

Eyewear

• In the first half of the 1980s, glasses with large, plastic frames were in fashion for both men and women. Small metal framed eyeglasses made a return to fashion in 1984 and 1985, and in the late 1980s, glasses with tortoise-shell coloring became popular. These were smaller and rounder than the type that was popular earlier in the decade. Throughout the 1980s, Ray-Ban Wayfarers were extremely popular, as worn by Tom Cruise in the 1983 movie Risky Business.
• Miami Vice, in particular Sonny Crockett played by Don Johnson, boosted Ray-Ban's popularity by wearing a pair of Ray-Ban Wayfarers (Model L2052, Mock Tortoise), which increased sales of Ray Bans to 720,000 units in 1984.

Subcultures of the 1980s

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English singer Siouxsie Sioux in 1986 wearing black clothing, back-combed hair, and heavy black eyeliner. She was an inspiration for the gothic fashion trend that started in the early 1980s.

Heavy Metal style

Main article: Heavy Metal fashion

• In the first half of the 1980s, long hair, leather rocker jackets (biker jackets) or cut-off denim jackets, tight worn-out jeans, and white, high trainers (sneakers) and badges with logos of favorite metal bands were popular among metalheads, and musicians of heavy metal and speed metal bands. In the second half of the 1980s, this clothing style was popular among musicians and fans of more extreme and niche (often underground) metal bands – thrash metal, crossover thrash, early black metal, and early death metal bands. It was popular particularly in European nations, but it was also popular in the US, Canada, and Brazil.
• By the late 1980s, acid-washed jeans and denim jackets had become popular with both sexes. Acid washing is the process of chemically bleaching the denim, breaking down the fiber of material and forcing the dye to fade, thus leaving undertones of the original dye evidenced by pale white streaks or spots on the material. This became associated with the heavy metal trend (called "hair metal" in later decades for the large frizzy coiffures worn by both male and female enthusiasts).
• Severely bleached and ripped jeans, either manufactured purposely or done by hand, become a popular fashion trend, being a main component of glam metal music acts such as Poison.

Punk style

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Wendy Wu, lead singer of the British new-wave band The Photos, in 1980.

Main article: Punk fashion

• Throughout the 1980s, the punk style was popular among people aged 18–22. Characterized by multi-colored mohawks, ripped skinny jeans, worn band tee-shirts, and denim or leather jackets. This style was popular among people who listened to punk music such as The Sex Pistols, and later, (despite the band's self-proclaimed rock'n'roll image) Guns N' Roses. Usually the denim jackets (which became an identity of the group) were adorned by safety pins, buttons, patches, and several other pieces of music or cultural memorabilia. Oftentimes, fans of the punk style would take random bits of fabric and attach them to their other clothes with safety pins. This soon became a popular way of attaching clothing, and it is now known as "pin shirts" with young women. The shirts are, essentially, rectangular pieces of fabric that are pinned on one side with safety pins. In the 1980s, a dressed down look (e.g. buzzed hair, T-shirts, jeans and button up shirts) was also very popular with people involved in punk rock, more specifically the hardcore punk scene. The Circle Jerks frontman Keith Morris said "Some of those punk rock kids they interviewed were a little over the top, but the thing historically is – the L.A./Hollywood punk scene was basically based on English fashion. But we had nothing to do with that. Black flag and the Circle Jerks were so far from that. We looked like the kid who worked at the gas station or submarine shop." Punk dress was not simply a fashion statement. It epitomized a way of thinking and seeing oneself as an individual cultural producer and consumer. In this way, punk style led many people to ask further questions about their culture and their politics.

Rockabilly

Main article: Neo-Rockabilly

• In the early 1980s, the Teddy Boy look was popular in the UK among fans of groups like the Stray Cats, Crazy Cavan, Levi and the Rockats, or Shakin Stevens. Common items of clothing included drape jackets (generally in darker shades than those of the 1970s), drainpipe trousers, brothel creepers, bolo ties, white T-shirts, baseball jackets, hawaiian shirts, and black leather jackets like the Schott Perfecto. Common hairstyles included the quiff, pompadour, flat top, and ducktail.

Rap and hip-hop

Main article: Hip-hop fashion

• Athletic shoes had been worn as casual wear before, but for the first time they became a high-priced fashion item. Converse shoes were popular in the first half of the 1980s. Air Jordan basketball shoes (named for basketball player Michael Jordan) made their debut in 1984. The NBA banned these shoes from games when they debuted, which increased their cachet. Soon, other manufacturers introduced premium athletic shoes. Adidas sneakers took the decade by storm, becoming popular among teenage boys and young men; the Adidas sneaker was popularized by the Run-D.M.C. song My Adidas. Nike had a similar share of the market, with Air Max and similar shoes. High-tops, especially of white or black leather, became popular. In the early 1980s, long and white athletic socks, often calf-high or knee-high, were worn with sneakers. As the decade progressed, socks trended shorter, eventually topping out just above the height of the shoe.
• Ensembles featuring the colors of Africa (green, yellow and red) became wildly popular among African Americans, as did kente cloth. In the urban hip-hop communities, sneakers were usually worn unlaced and with a large amount of gold jewelry, as well as headwraps.

Preppy

• Wealthy teenagers, especially in the United States, wore a style that came to be known as "preppy." Preppy fashions are associated with classic and conservative style of dressing and clothing brands such as Izod Lacoste, Brooks Brothers, and Polo Ralph Lauren. An example of preppy attire would be a button-down Oxford cloth shirt, Ascot tie, cuffed khakis, and tasseled loafers, Keds, or Boat shoes. Throughout the 1980s and 1990s, preppy fashions featured a lot of pastels, turtleneck sweaters for girls, and polo shirts with designer logos. It was also considered "preppy" to wear a cable knit cardigan or argyle pattern sweater tied loosely around the shoulders.

Hairstyles

Main article: Hairstyles in the 1980s

Tom Bailey of the Thompson Twins in 1986.

The sideburns of the 1960s and 1970s saw a massive decline in fashion in the late 1970s. Big and eccentric hair styles were popularized by film and music stars, in particular among teenagers. These hairstyles became iconic during the 1980s. Although straight hair was the norm at the beginning of the decade, as many late 1970s styles were still relevant, the perm had come into fashion by 1980.

This was largely due to many movies released at the time, as well as a rebellious movement against the 1970s. There was generally an excessive amount of mousse used in styling an individual's hair, which resulted in the popular, shiny look and greater volume. Some mousse even contained glitter. Hairsprays such as AquaNet were also used in excess by people such as hard rock band Poison. The mullet existed in several different styles, all characterized by hair short on the sides and long in the back.

Mullets were popular in suburban and rural areas among working class men. This contrasted with a conservative look favored by business professionals, with neatly groomed short hair for men and sleek, straight hair for women.

Trends in men's facial hair included the designer stubble.

Image gallery

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  Women in Aerobics leggings, 1985.

• Girl wearing 1980 fashions.jpg

  Girl in 1980.

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  A French punk,1981.

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  American actress Suzanne Somers in 1981.

• MeridaZocaloDresses1981.jpg

  Mexican women, Mérida, Yucatán, Mexico in 1981.

• Cropped jeans 1983.jpg

  In 1983, pedal-pushers, in denim.

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  Lady Diana in 1985 wearing a dress with shoulder pads.

• 1985 fashion.jpg

  Young woman in Europe wearing a jacket with shoulder pads, 1985.

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  Scottish singer Annie Lennox of the Eurythmics in 1986.

• Irish girls 1986.jpg

  Irish girls in 1986.

• Friends in 1987.jpg

  Group of friends in Italy in 1987.

• Simon Le Bon in 1987.jpg

  Simon Le Bon of Duran Duran in 1987.

• Marie Fredriksson by Thomas Evensson (1987).jpg

  Swedish pop singer Marie Fredriksson in 1987.

• The Troubadour Employees of the 80s.jpg

  Photo taken at a Los Angeles club, 1987.

• Michael J Fox.jpg

  Michael J Fox and Tracy Pollan in 1988.

• Drew Barrymore Corey Feldman.jpg

  Drew Barrymore and Corey Feldman in 1989.

See also

• 2000–2009 in fashion
• 1990s in fashion
• 1970s in fashion

Notes

• John Peacock, The 1982s, ISBN 0-500-28076-2 (October 1, 1998)
• Tom Tierney, Great Fashion Designs of the Eighties, ISBN 0-486-40074-3 (March 18, 1998)
• Catherine McDermott, Made in Britain: Tradition and Style in Contemporary British Fashion, ISBN 1-84000-545-9 Fashion ISBN 0-19-284030-4 (June 1, 2007)

External links

• Children's clothing from the 1980s