Ann Temkin

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Ann Temkin
Born Connecticut, United States of America
Alma mater Harvard, Yale
Known for Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture

Ann Temkin is an American art curator, and currently the Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York.[1][2][3]

Education

Temkin completed her undergraduate education at Harvard University in 1981 and went on to earn a Ph.D in art history from Yale in 1984.[1][4]

Career

After completing her doctorate Temkin became an assistant curator in the Department of Painting and Sculpture at MoMA in 1984. In 1987 she began working at the Philadelphia Museum of Art under Mark Rosenthal. After spending a year as Acting Curator, Ann was named the Muriel and Philip Berman Curator of Modern and Contemporary Art at the Philadelphia Museum of Art in 1990.[5] There, she worked on exhibitions including: Barnett Newman (2002), Alice Neel (2001), Constantin Brancusi (1995), and Thinking Is Form: The Drawings of Joseph Beuys (1994). [6] She commissioned new work by artists like Sherrie Levine, Rirkrit Tiravanija and Richard Hamilton for her "Museum Studies" series, which she herself created.[7] Temkin was also responsible for the renovation to the modern and contemporary galleries at the Philadelphia Museum of Art.[7]

In 2003, after working for 13 years at the Philadelphia Museum of Art, Ann Temkin returned to working in the painting and sculpture department at the MoMA. Temkin was named the Marie Josée and Henry Kravis Chief Curator of Painting and Sculpture in 2008. She was the first woman to hold this position, considered the most prestigious in the field of modern art.[8]

As the Chief Curator of Painting and Sculpture she was responsible for curating or co-curating exhibitions including: Picasso Sculpture (2015); Robert Gober: The Heart Is Not a Metaphor (2014), the artist’s first American retrospective; Jasper Johns: Regrets (2014); Ileana Sonnabend: Ambassador for the New (2013); Ellsworth Kelly: Chatham Series (2013); Claes Oldenburg: The Street and The Store and Mouse Museum/Ray Gun Wing (2013); Abstract Expressionist New York (2010); Gabriel Orozco (2009); and Color Chart: Reinventing Color, 1950 to Today (2008).[6]

In order to address the lack of expertise in African American art at the MoMA, Temkin hired African American art history specialist Darby English as consulting curator. He aims to expand the MoMa's acquisitions in the area.[9]

Publications

Temkin is the author or co-author of several books, including:

  • Temkin, Ann. Thinking is Form: The Drawings of Joseph Beuys. Philadelphia: Philadelphia Museum of Art, 1993.
  • Garrels, Gary, Ann Temkin, Richard Flood, and Robert Gober. Robert Gober: Sculpture and Drawing. Minneapolis: Walker Art Center, 1999.
  • Temkin, Ann. Twentieth Century Painting and Sculpture in the Philadelphia Museum of Art. 2nd ed. Philadelphia: Philadelphia Museum of Art, 2001.
  • Brennan, Marcia, Alfred Pacquement, and Ann Temkin. A Modern Patronage: De Menil Gifts to American and European Museums. New Haven: The Menil Collection - Yale University Press, 2007.
  • Temkin, Ann. Claude Monet: Water Lilies (MoMA Artist Series). New York: The Museum of Modern Art, New York, 2009.
  • Temkin, Ann. MoMA Masterpieces: Painting and Sculpture. New York: Thames & Hudson Ltd, 2009.
  • Temkin, Ann. The Scream: Edvard Munch. New York: The Museum of Modern Art, New York, 2012.

Awards

References

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