Mary Longman
| Mary Longman | |
|---|---|
| Born | 1964 Fort Qu'Appelle, Saskatchewan |
| Nationality | Canadian |
| Education | Emily Carr Institute of Art and Design, Nova Scotia College of Art and Design, University of Victoria |
| Website | http://www.marylongman.com/ |
Mary Longman (born 1964 in Fort Qu'Appelle, Saskatchewan) is a Canadian artist. She is of Saulteaux heritage from the Gordon First Nation. Her Aboriginal name is Aski-Piyesiwiskwew.[1] She is known for her sculptures, drawings, and paintings, which examine political, cultural, spiritual and environmental issues related to the experiences of Aboriginal people and colonialism, including the Sixties Scoop and residential schools.[2]
Contents
Career
Longman is an Associate Professor in Art and Art History at the University of Saskatchewan specializing in Aboriginal Art History and sculpture and drawing.[3]
Exhibitions
Selected Solo Exhibitions[4]
2004 Makenzie Art Gallery, Regina, Saskatchewan, Mary Longman
2000 Thunder Bay Art Gallery, Thunder Bay, Ontario, Blood and Stones
1999 Dunlop Art Gallery, Regina, Saskatchewan, Saskdiaspora
Waneuskwewin Gallery, Saskatoon, Saskatchewan, Blood and Stones
1996 Kamloops Art Gallery, Kamloops, British Columbia, Traces
1995 Neutral Ground, Regina, Saskatchewan,Coming Home
1988 Emily Carr Institute of Art and Design, Vancouver, British Columbia, Wolves in Sheep's Clothing
References
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Sources
- Dales, Jennifer. (2010-01-10). "Landmarks of time and place: The art of Mary Longman" Rabble.ca. Retrieved 2016-02-28.
- "Mary Longman" University of Saskatchewan College of Arts & Sciences. Retrieved 2016-02-28.
- "Mary Longman" Aboriginal Curatorial Collective (ACC). Retrieved 2016-02-28.
- "Dr. Mary Longman MFA ‘93" NSCAD University Alumni & Friends. Retrieved 2016-02-28.
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