Once Upon a Time in Anatolia

Once Upon a Time in Anatolia
File:Once Upon a Time in Anatolia.jpg Original theatrical poster
Directed by	Nuri Bilge Ceylan
Produced by	Zeynep Özbatur Atakan
Written by	Nuri Bilge Ceylan Ercan Kesal Ebru Ceylan
Starring	Muhammet Uzuner Yılmaz Erdoğan Taner Birsel
Cinematography	Gökhan Tiryaki
Edited by	Bora Gökşingöl Nuri Bilge Ceylan
Production company	Zeyno Film
Distributed by	The Cinema Guild
Release dates	21 May 2011 (2011-05-21) (Cannes Film Festival) 23 September 2011 (2011-09-23) (Turkey)
Running time	157 minutes
Country	Turkey Bosnia and Herzegovina
Language	Turkish

Once Upon a Time in Anatolia (Turkish: Bir Zamanlar Anadolu’da) is a 2011 Turkish drama film, co-written and directed by Nuri Bilge Ceylan based on the true experience of one of the film's writers, telling the story of a group of men who search for a dead body on the Anatolian steppe. The film, which went on nationwide general release across Turkey on September 23, 2011 (2011-09-23), premiered at the 2011 Cannes Film Festival where it was a co-winner of the Grand Prix.

Plot

Through the night, three cars carry a small group of men – police officers, a doctor, a prosecutor, grave diggers, gendarmerie forces, and two brothers, homicide suspects – around in the rural surroundings of the Anatolian town Keskin, in search of a buried body. Kenan, one of the suspects, leads them from one water fountain to another; at the time of the crime he was drunk and he cannot recall where he and his mentally challenged brother buried the body. The darkness and visual indistinctness of the landscape do not help; each spot looks the same as the others.

Meanwhile the men discuss a variety of topics, such as yoghurt, lamb chops, urination, family, spouses, ex-wives, death, suicide, hierarchy, bureaucracy, ethics, and their jobs. Philosophy is also discussed, with one apparently central and particular idea/theme mentioned a couple of times throughout the film—the idea that children invariably pay for their parents' mistakes.

The prosecutor tells the doctor about a particularly mysterious death where a woman correctly predicted to her husband the exact date of her own death, which was a short time after she had given birth to a child. The doctor asks about the cause of death and the prosecutor says it was natural, a heart attack. The doctor then asks whether an autopsy was performed, and the prosecutor replies that there was no need as the cause of death was obvious and unsuspicious. The doctor suggests that it may have been a self-induced heart attack with the use of drugs and therefore a suicide.

Before dawn the prosecutor gets hungry, and the group stops at a nearby village to eat. The electric power goes off, and the host's daughter silently brings the men tea on a tray, with a lamp on the tray lighting her face. Several of the men, including Kenan, are struck by her beauty. After the meal Kenan reveals what happened the night of the killing – while drunk he let slip the secret that the victim's son was actually his, and then things got ugly.

Daylight breaks. The body is found and taken to the local hospital for autopsy. The mother and son (perhaps 12 years old) are waiting outside the hospital. The son throws a stone at Kenan hitting him between the eyes. Kenan cries.

At the hospital the prosecutor again discusses the woman who predicted her own death with the doctor. They further discuss the possibility of suicide, where it is established that a certain prescription drug could have been used to induce the heart attack. The prosecutor is familiar with the drug as his father-in-law took it for his heart problems. Possible reasons for suicide are also discussed, and the two come to a possible motive—her husband's confirmed infidelity. At the end of the discussion the prosecutor's behavior suggests that the woman may have been his own wife.

The prosecutor invites the victim's wife to identify the body in the hospital morgue, files the necessary paperwork, and departs, leaving the doctor to perform the autopsy. The autopsy reveals the presence of soil in the lungs, implying that the victim had been buried alive, but the doctor intentionally omits that from the report.

The movie ends with a shot from the doctor's perspective of the mother and son in the distance walking away with the husband's belongings. The son sees that a soccer ball has been accidentally kicked far from a schoolyard and he runs and retrieves it and kicks it back to the children in the yard. He then runs back to his mother.

Cast

• tr as Doctor Cemal
• Yılmaz Erdoğan as Commissar Naci
• Taner Birsel as Prosecutor Nusret
• Ahmet Mümtaz Taylan as Chauffeur Arap Ali
• tr as Suspect Kenan
• tr as Mukhtar
• tr as Mukhtar's Daughter
• tr as Murder Victim Yaşar
• Uğur Arslanoğlu as Courthouse Driver Tevfik
• tr as Police Officer İzzet
• Şafak Karali as Courthouse Clerk Abidin
• Emre Şen as Sergeant Önder
• Burhan Yıldız as Suspect Ramazan
• Nihan Okutucu as Yaşar's wife Gülnaz

Production

Director Nuri Bilge Ceylan grew up in a small town similar to the one in the film in terms of mentality and hierarchy, and says he feels a close connection to the characters depicted. The story is based on real events. One of Ceylan's co-writers was an actual doctor, and, in order to attain his license, had been required to work for two years in the town where the plot is set. The story in the film is based on very similar events the co-writer experienced during this period. The title of the film references Sergio Leone's film Once Upon a Time in the West, and was something one of the drivers uttered during the actual events. When writing the screenplay, the filmmakers tried to be as realistic as possible, and the main aim was to portray the special atmosphere, which had left a strong impression on the doctor. A number of quotations from stories by Anton Chekhov were incorporated in the script. The film was produced through Turkey's Zeyno Film, in co-production with the Bosnian company Production2006 Sarajevo, and the Turkish companies NBC Film, 1000 Volt Post Production, the Turkish Radio and Television Corporation, Imaj and Fida Film. Filming took place during eleven weeks around Keskin, a district of the Kırıkkale Province in Central Anatolia. It was shot in the CinemaScope format.

Awards

Award	Date of ceremony	Category	Nominee(s)	Result
Asia Pacific Screen Award	24 November 2011	Achievement in Cinematography	Gökhan Tiryaki	Won
		Achievement in Directing	Nuri Bilge Ceylan	Won
		Best Feature	Zeynep Özbatur Atakan Mirsad Purivatra Eda Arikan İbrahim Şahin Müge Kolat Murat Akdilek Nuri Bilge Ceylan	Nominated
		Best Screenplay	Ercan Kesal Ebru Ceylan Nuri Bilge Ceylan	Nominated
		Jury Grand Prize		Won
Cannes Film Festival	22 May 2011	Grand Prix (tied with The Kid with a Bike)	Nuri Bilge Ceylan	Won
		Palme d'Or		Nominated
Chicago Film Critics Association	17 December 2012	Best Foreign Language Film		Nominated
Cinemanila International Film Festival	17 November 2011	Main Competition - Best Director	Nuri Bilge Ceylan	Won
Dubai International Film Festival	7–14 December 2011	Muhr AsiaAfrica Feature: Best Cinematographer	Gökhan Tiryaki	Won
		Muhr AsiaAfrica Feature: Special Jury Prize	Nuri Bilge Ceylan	Won
European Film Awards	1 December 2012	Best Cinematographer	Gökhan Tiryaki	Nominated
		Best Director	Nuri Bilge Ceylan	Nominated
Independent Spirit Awards	23 February 2013	Best Foreign Film		Nominated
Jameson Dublin International Film Festival	26 February 2012	Best Director	Nuri Bilge Ceylan	Won
Karlovy Vary International Film Festival	9 July 2011	NETPAC Award		Won
London Film Critics' Circle	20 January 2013	Director of the Year		Nominated
		Foreign Language Film of the Year		Nominated
New York Film Critics Circle	3 December 2012	Best Foreign Language Film		Nominated
Olso Films from the South Festival	16 October 2011	Best Feature	Nuri Bilge Ceylan	Nominated
Philadelphia Film Festival	29 October 2011	Audience Award Honorable Mention Masters		Won

Reception

The film has been met with critical acclaim. Review aggregation website Rotten Tomatoes gives the film a score of 94% based on 70 reviews, with an average rating of 8.2/10, while Metacritic gives a weighted average rating of 82 based on reviews from 21 critics, indicating "universal acclaim."

Dave Calhoun reviewed the film for Time Out London: "Ceylan is a sly and daring screen artist of the highest order and should draw wild praise with this new film for challenging both himself and us, the audience, with this lengthy, rigorous and masterly portrait of a night and day in the life of a murder investigation[.]" Calhoun compared the film to the director's previous works and noted how it to a lesser extent follows genre conventions: "Displaying a new interest in words and story (albeit of the most elusive kind), Once Upon A Time in Anatolia feels like a change of direction for Ceylan and may disappoint those who were especially attracted to the urbane melancholia of Uzak and Climates. ... Beyond being chronological, the film follows no obvious storytelling pattern. Things happen when they do and at a natural rhythm. ... Ceylan invites us along for the ride – but only if we're up for it."

The film received the Cannes Film Festival's second most prestigious award, the Grand Prix, in a shared win with the film The Kid with a Bike by the Dardenne brothers.

The film was selected as Turkey's official submission for the Academy Award for Best Foreign Language Film, but did not make the shortlist.

Sight & Sound listed Once Upon a Time in Anatolia as the 8th best film of 2012. Stephen Holden of The New York Times named it the sixth best movie of 2012, and "a searching reflection on the elusiveness of truth."

See also

• 2011 in film
• Cinema of Turkey
• Turkish films of 2011
• List of submissions to the 84th Academy Awards for Best Foreign Language Film
• List of Turkish submissions for the Academy Award for Best Foreign Language Film

External links

• Official website
• Once Upon a Time in Anatolia at IMDb
• Once Upon a Time in Anatolia at Rotten Tomatoes
• Once Upon a Time in Anatolia at Metacritic