Resuscitation of a Hanged Man

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Resuscitation of a Hanged Man
File:Resuscitation of a Hanged Man (Denis Johnson).png
First edition cover
Author Denis Johnson
Country United States
Language English
Publisher Farrar, Straus and Giroux
Publication date
March 5, 1991
Media type Print (hardcover)
Pages 256
ISBN 978-0-374-24949-6
OCLC 22309628
813/.54
LC Class PS3560.O3745 R47 1990

Resuscitation of a Hanged Man is a novel by Denis Johnson published in 1991 by Farrar, Straus and Giroux.

The story explores the struggles of a private investigator, Leonard English, to become a person of religious faith, and his isolated descent into madness.[1][2][3]

Plot

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Critical assessment

Critic Mona Simpson, testifying to Johnson's "ability to write a gorgeous sentence", registers this critique of Resuscitation of a Hanged Man:

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Denis Johnson is an artist. He writes with a natural authority, and there is real music in his prose. Yet in this book he has not found a subject to match the scale of his talent and intelligence. Nor has he found a steady vantage point from which to view that subject.[4]

Theme

Critic David L. Ulin argues that the thematic center of The Resuscitation of a Hanged Man—"the key to the entire novel"—resides in the protagonist Leonard English's inability to distinguish his "brief, intense flashes of the starkest lucency" from his bouts of dementia. The protagonist laments that "our delusions are just as likely to be real as our most careful scientific observations."[5]

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"The nature of Johnson's own [religious] beliefs seems to have been inexpressible. Late in life, he'd given up trying to explain: 'If I've discussed these things in the past, I shouldn't have', he said in 2013. 'I'm not qualified. I don't know who God is, or any of that. People concerned with those questions turn up in my stories, but I can't explain why they do. Sometimes I wish they wouldn't.'"—Novelist and critic Aaron Thier in Denis Johnson's God, The Point (2017)[6]

Johnson renders striking descriptions of the real world from which English crafts his delusions which serve to illustrate his character's descent into madness.[7] Ulin offers this caveat: <templatestyles src="Template:Blockquote/styles.css" />

As Leonard English continues his descent, it is this quality of open-endedness that...becomes Resuscitation of a Hanged Man's one real weakness. For when he begins to focus on the conspiracy he thinks he sees everywhere, English's sense of possibility narrows, although the book does not. The result is a murkiness that affects the final 100 pages, rendering English's thoughts and motivations increasingly unclear.[8][9][10]

Literary critic Mona Simpson notes that "Roman Catholicism is a persistent theme in Mr. Johnson's work...evincing a deep attraction to the lavish emblems and ritual of the Mass."[11][12]

Johnson "flirts" with the detective genre in this novel—Simpson compares English with the investigator Jake Gittes in Chinatown (1974)—however, the thematic element in The Resuscitation of a Hanged Man is "God", according to critic Aaron Thier: "God the metaphor, God the stylistic trope, God the real and eternal being..."[13][14]

Simpson comments on Johnson's development of his subsidiary characters in a novel in which the protagonist searches for his "doppelgänger":

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Almost every character in Resuscitation of a Hanged Man is an extreme type, yet the book doesn't have the exuberant choreographic energy that is necessary to pull off this sort of masked pageant. Denis Johnson wants to write about one man's wrestle with the voice of God. Ultimately, the other characters are merely gorgeously written figures in the landscape behind him.[15]

Footnotes

Sources

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