Samuel Hirszenberg
| Samuel (Szmul) Hirszenberg | |
|---|---|
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Self-Portrait, 1907
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| Born | February 22, 1865 Łódź, Poland |
| Died | Script error: The function "death_date_and_age" does not exist. Jerusalem |
| Education | Jan Matejko Academy of Fine Arts Academy of Fine Arts, Munich Académie Colarossi |
| Known for | Painting |
| Notable work | The Wandering Jew, Exile, The Sabbath Rest, The Eternal Jew |
| Movement | Realism |
Samuel Hirszenberg (also Shmuel Hirschenberg) (Łódź, February 22, 1865 – September 15, 1908, Jerusalem) was a Polish-Jewish realist painter active in the late 19th and early 20th century.
Biography
Shmuel (Samuel) Hirszenberg was born in 1865, the eldest son of a weaving mill worker in Polish Łódź. Against the will of his father, but thanks to the financial assistance of a doctor, he chose to be an artist. At the age of 15 he began his studies at the Academy of Fine Arts in Kraków, where he was heavily influenced by the realistic painting of Jan Matejko.[1] After two years of training in Kraków, he continued his studies from 1885-1889 at the Royal Academy of Arts in Munich.[2] In his first major work, "Jeschibah" (1887), he experienced some attention. After an exhibition at the Kunstverein Munich (1889), he showed at the art exhibition in Paris and was awarded a silver medal. In Paris, he completed his artistic training at the Académie Colarossi.
In 1891, Hirszenberg returned to Poland. In 1893 he resettled in his hometown of Łódź. While the images of the early years, like the paintings: Talmudic Studies, Sabbathnachmittag, Uriel Acosta and the Jewish cemetery, a certain kinship with the Jewish genre painting by Leopold Horowitz, Isadore Kaufmann and Maurycy Gottlieb, can be assigned to the later rather the symbolism. Themes of the "tearful" Jewish history came to the fore. Noteworthy are the three most famous pictures of this period: Wandering Jew (1899), Exile (1904) and Czarny Sztandar / Black Flag (1905). For more than four years he occupied himself with the large painting "The Eternal Jew" before he showed it in 1900 in the Paris Salon. Disappointed by the poor response in Paris and the rejection in Munich and Berlin, he retired for health reasons.[3] In 1901, he went for a year on a trip to Italy. In 1904, Hirszenberg moved to Kraków. In 1907, he immigrated to Palestine and began to work as a lecturer at the newly founded Bezalel School in Jerusalem, headed by Boris Schatz. After a short and intense creative period, he died in 1908 in Jerusalem.[4]
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See also
- Maurycy Trębacz (1861–1941), one of the most popular Jewish painters in Poland in the late 19th and early 20th century.[5]
References
- ↑ Cohen 1998th P. 223
- ↑ Matrikeleintrag from the 1883 Samuel Hirschenberg
- ↑ Ruth 1902nd P. 685
- ↑ Black 1949th P. 44f. http://books.google.com/books?id=Ufxqq-NOLnUC&pg=PR6&dq=jewish+Artists+of+the+19th+and+20th+Centuries&as_brr=3
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
Further reading
- Susan Tumarkin Goodman:The Emergence of Jewish Artists in Nineteenth-Century Europe.New York 2001. ISBN 978-1-85894-153-0.
- Richard I. Cohen,Jewish icons: art and society in modern Europe. Berkeley 1998th ISBN 0-520-20545-6. P. 223-235.
- Charles Black:Jewish Artists of the 19th and 20th Centuries. New York 1949. P. 43-49.
- Ruth:Samuel Hirszenberg: a biographical sketch.In:East and West, 2 (1902), volume 10 P. 673-688. Digitalsat
- Samuel Hirszenberg in Jewish Encyclopedia.
