Scott Rankin
Scott Rankin (*1959 in Sydney) is an Australian theatre director, writer and co-founder and Creative Director of the arts and social change company Big hART .[1] He works in and with isolated communities and diverse cultural settings, as well as in commercial performance.
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Background
Rankin grew up in Sydney. His parents owned an early learning specialist toyshop, and the family lived cheaply on a Chinese junk moored on Sydney Harbour for 21 years, cleverly evading the authorities.[2] He enrolled in an Arts degree, but did not complete it, instead working in a retirement village and offering music workshops to homeless youth. Rankin has two older sisters and is married to visual artist Rebecca Lavis. They have three children. Since 1981, he has mainly lived and worked from the far north-west coast of Tasmania, with periods in Sydney.
Work
As creative director of Big hART and as playwright and director, Scott Rankin has created or collaborated on many large-scale Australian stage productions: Namatjira for the Namatjira family;[3]Ngapartji Ngapartji for Trevor Jamieson,[4][5][6] Box the pony for Leah Purcell,;[7][8] RiverlanD for Wesley Enoch;[9] StickybrickS for the Northcott Public Housing community in Surrey Hills, Sydney;[10] Junk Theory for the Sutherland Shire,[11] as well as internationally touring works such as Certified Male.[12] Rankin's work has made a significant long-term contribution to contemporary Australian theatre, as well as under the umbrella of Big hART, providing new ideas for community cultural development (CCD) practice in disadvantaged communities.
Recognition
Scott Rankin and his theatre works have received many awards:
- 2 Premier’s Literary Awards of NSW and Queensland;[13]
- 3 Melbourne Green Room Awards for Beasty Girl (most innovative work, best female actor in leading role (Leah Purcell), best direction)[14]
- 2 Green Room Award Nominations for Namatjira (best production and best actor (Trevor Jamieson));[15]
- 2 Sydney Theatre Critics Awards (best new Australian work and best newcomer (Derik Lynch)[16] and another 6 nominations (best mainstage production, best direction, best actor in a leading role, best actor in a supporting role, best lighting design and best score or sound design);[17]
- 1 Indigenous Deadly Award (most outstanding achievement in film, TV or theatre);[18]
- 1 Critics Choice artsHub Award;[19]
- 1 Helpmann Award;[20]
- 1 Human Rights Award (arts);[14] 1 Human Rights Commendation (arts)
- 1 World Health Organization Award for Safe Communities.[21]
- He has been awarded the Ros Bower Award for outstanding achievement in services to community cultural development,[14]
- Fellow of the Australia Council for the Arts,.[14][22]
His works have been included in many arts festivals in i.e. Melbourne, Adelaide, Perth, Brisbane, Sydney, Edinburgh and the Tasmanian Ten Days on the Island Festival and toured to Sweden, Iceland, Ireland, Scotland, England, South Africa, New Zealand, Germany[23] and the Netherlands.[24]
List of Works
Hipbone Sticking Out (forthcoming 2013)[26]
Beat Bop Road (2009)
This is Living (2009)[30]
Nyuntu Ngali (2009)
Ngapartji Ngapartji (2008)[31]
StickybrickS (2007)
Brave Men Run in Our Family (2007)
Junk Theory (2007)
Riverland (2004)
Beasty Girl: The Secret Life of Errol Flynn (2003)[32]
What the World Needs Now (2002)
Career Highlights of the Mamu (2002)
Leaves Falling at Midnight (2001)
Certified Male (1999)[33]
Pumping Irony (1999)
Pandora's Shed (1998)
Box the Pony (1997)
Glynn Nicholas Group – Wrung Out (1996)
Three Men Walk into a Bar (1996)
Girl / Pandora Slams the Lid (1994)
Pandora Slams the Lid (1993)
Girl
Kissing Frogs (1991)
Glynn With a Why? (1988)
References
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Further reading
Rankin, Scott & Nicholas, Glynn: Certified Male: Let's Face It...Men Are Funny Buggers: Songs & Highlights from the Hit Show, sound recording, Balaclava: Art Cackle & Hoot, 2000.
Rankin, Scott: Namatjira: Written for the Namatjira Family (Aranda); and, Ngapartji Ngapartji: Written for Trevor Jamieson (Pitjantjatjara), Strawberry Hills: Currency Press, 2012.
Rankin, Scott: “DIY Virtuosity Versus Professional Mediocrity”, in: Australasian Drama Studies, (52) Apr 2008, p. 97–112.
Albert, Jane: “The Rankin File (Interview with playwright, Scott Rankin)”, in: The Australian, 1–2 Feb 2003, p. 16–17.
External links
www.bighart.org (access: 13 November 2012)
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