National Film Award – Special Jury Award / Special Mention (Non-Feature Film)

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National Film Award – Special Jury Award / Special Mention (Non-Feature Film)
Type National
Category Short films
Instituted 1978
First awarded  • 1984 (Special Jury Award)
 • 1978 (Special Mention)
Last awarded  • 2014 (Special Jury Award)
 • 2015 (Special Mention)
Total awarded  • 45 (Special Jury Award)
 • 72 (Special Mention)
Awarded by Directorate of Film Festivals
Cash award ₹100,000 (US$1,500)
(Special Jury Award)
Medal Rajat Kamal (Silver Lotus)
(Special Jury Award)
Previous name(s) Special Commendation (1978)
First awardee(s) <templatestyles src="Plainlist/styles.css"/>
  •  • Special Mention
     • Loksen Lavnani for Films Division
Recent awardee(s) <templatestyles src="Plainlist/styles.css"/>
  •  • Special Jury Award
     –
  •  • Special Mention
     • The Chameleon
     • Amma
     • Amma

The National Film Award – Special Jury Award / Special Mention (Non-Feature Film) is one of the National Film Awards presented annually by the Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting, India.

It is one of several awards presented for non-feature films. The recipients of Special Jury Award are awarded with Rajat Kamal (Silver Lotus), cash prize of ₹100,000 (US$1,500) and certificate of merit; whereas recipients of Special Mention are awarded with certificate of merit.

The award was instituted in 1978, at 26th National Film Awards and awarded annually for the short films produced in the year across the country, in all Indian languages.

Winners

Award includes 'Rajat Kamal' (Silver Lotus), cash prize of ₹200,000 (US$3,000) and certificate of merit for the recipients of Special Jury Award; whereas recipients of Special Mention are awarded with certificate of merit. This award considers all the aspects of film making than individual area. Following are the award winners over the years:

Special Jury Award

List of award recipients, showing the year (award ceremony), awarded as, film(s), language(s) and citation
Year Recipient(s) Awarded as Film(s) Language(s) Citation Refs.
1978
(26th)		 No Award [1]
1979
(27th)		 No Award
1980
(28th)		 No Award [2]
1981
(29th)		 No Award [3]
1982
(30th)		 No Award [4]
1983
(31st)		 No Award [5]
1984
(32nd)		 Hemkunt Saahib  –  –  –  – [6]
1985
(33rd)		 Rajan Khosa Director Bodhvriksha Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For his sensitive exploration of the anguish of a woman nursing her aged, paralysed grandmother. The film is characterised by economy and control and innovative cinematic form.
 [7]
1986
(34th)		 Yash Chaudhary Director Equal Partners English <templatestyles src="Template:Hidden begin/styles.css"/>
For the deft handling of a complex subject designed to promote better understanding between nations.
 [8]
1987
(35th)		 Rajiv Mehrotra  • Producer
 • Director
 • Cameraman		 Barren Harvest English <templatestyles src="Template:Hidden begin/styles.css"/>
For his creative and sensitive handling of the serious iodine deficiency in flood prone areas of Eastern UP.
 [9]
1988
(36th)		 Mani Kaul Director Before My Eyes  – <templatestyles src="Template:Hidden begin/styles.css"/>
For capturing the texture of Kashmir's landscape with a rare control over cinematic form that combines visual poetry with an effective use of sound on a track that uses no commentary.
 [10]
1989
(37th)		 K. R. Mohanan Director Kalamandalam Krishnankutty Poduval Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For excellence in the use of cinema in projecting the intricate relationship between the drummer and the dancer in Kathakali.
 [11]
1990
(38th)		 Gulzar Director Ustad Amjad Ali Khan Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For bringing out the essence of a man and his music, emphassising the qualities of an artiste being distinct, but not distant from the people, as part of an unbroken tradition.
 [12]
1991
(39th)		 Aribam Syam Sharma Director Meitei Pung English <templatestyles src="Template:Hidden begin/styles.css"/>
For sensitively depicting the role that Pung, the traditional drum, plays in the Sankirtana and social life of Manipur.
 [13]
1991
(39th)		 B. Narsing Rao Director Akruti  – <templatestyles src="Template:Hidden begin/styles.css"/>
For experimentation with forms of boulders of various shapes and textures, brilliantly visualised by Apurba Kishore Bir with the evocative music of Pandit Hari Prasad Chaurasia.
1992
(40th)		 Salam Karassery Producer Noottantinte Sakshi Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For a moving narrative about the courageous Maulvi patriot and centenarian Moidu Maulvi of Calicut, Kerala.
 [14]
1992
(40th)		 Sasibhushan Director
1993
(41st)		 Murali Nair Director Tragedy of an Indian Farmer English <templatestyles src="Template:Hidden begin/styles.css"/>
For transcreating a well-known and touching Malayalam poem into a celluloid poem, with great sensitivity and economy.
 [15]
1993
(41st)		 Mahesh Thottathil Director Death of a Prodigal Son  • Hindi
 • English		 <templatestyles src="Template:Hidden begin/styles.css"/>
For an interesting exploration of the stream-of-consciousness of a dying man in a restrained and stylised student film.
1994
(42nd)		 Soumitra Sarkar  • Producer
 • Director
 • Screenwriter		 Games We Played in My Youth  • English
 • Bengali		 <templatestyles src="Template:Hidden begin/styles.css"/>
For a refreshingly whimsical poem, which delights in the surprise of shifts and displacement.
 [16]
1995
(43rd)		 Sehjo Singh Producer Sona Maati Marwari <templatestyles src="Template:Hidden begin/styles.css"/>
For presenting an excellent, inspiring portrait of a woman peasant who is leading the struggle of women against land grabbing.
 [17]
1996
(44th)		 Nilotpal Majumdar  • Producer
 • Director
 • Cinematographer		 Dhatu Jhar '96 Bengali <templatestyles src="Template:Hidden begin/styles.css"/>
For his bold and experimental exploration of the dilemma between discovery and destruction.
 [18]
1997
(45th)		 No Award [19]
1998
(46th)		 Pavan Malhotra Actor Faqir Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For superb restraint in portraying of Innocence, in Gautom Ghose's film Faqir.
 [20]
1999
(47th)		 Deep Prakash Director Of Confucius, S-Spots and Toyguns  • English
 • Hindi
 • Marathi
 • Tamil		 <templatestyles src="Template:Hidden begin/styles.css"/>
For its stylised, graphic and playful narrative on modern life, violence and the contemporary media.
 [21]
2000
(48th)		 Roabin Mazumdar Producer A Memory of the Sea English <templatestyles src="Template:Hidden begin/styles.css"/>
For her skillful narration of the various cultures and religions from across the sea, that have historically influenced the coastal life of Malabar.
 [22]
2000
(48th)		 Lygia Mathews Director
2001
(49th)		 Kireet Khurana Producer Orchestra Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For effectively conveying the message of national integration through synchronous use of sound and animated images of musical instruments.
 [23]
2001
(49th)		 Bhimsain Director
2002
(50th)		 Wrik Basu and team Director 00:00 English <templatestyles src="Template:Hidden begin/styles.css"/>
For its intelligent and engaging use of cinematic form and structure as it weaves itself in and out of hotel rooms and peoples lives on New Years Eve at a sea-side hotel.
 [24]
2003
(51st)		 Kadhambari Chintamani Producer The Lijjat Sisterhood English <templatestyles src="Template:Hidden begin/styles.css"/>
For documenting the inspiring story of hundreds of women workers in the Lijjat papad making, selling and exporting. Through the first person interviews ranging from the oldest to the youngest, it is a vibrant narration of a unique experiment turned famously successful.
 [25]
2003
(51st)		 Ajit Oommen Director
2003
(51st)		 Sudhakar Reddy Director Ek Aakash  – <templatestyles src="Template:Hidden begin/styles.css"/>
For starting off as a simple rivalry of two kids from different backgrounds; in kite flying, becomes a battle of one-upmanship. Both are led by their ego and aggressive instincts, but eventually reach a point when they need others help.
2004
(52nd)		 Amit Dutta Director Kshy Tra Ghya Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For evolving an experimental form of narration within a story form, with excellent special visual effects in an innovative style.
 [26]
2005
(53rd)		 Rakesh Sharma Director Final Solution  • Hindi
 • Gujarati
 • English		 <templatestyles src="Template:Hidden begin/styles.css"/>
For its powerful, hard-hitting documentation with a brutally honest approach lending incisive insights into the Godhra incident, its aftermath and the abetment of large-scale violence.
 [27]
2006
(54th)		 Anuradha Mookerjee Producer Lama Dances of Sikkim English <templatestyles src="Template:Hidden begin/styles.css"/>
For presenting the ritualistic significance and the colourful nature of the Lama mask dances in cinematic language.
 [28]
2006
(54th)		 Manash Bhowmick Director
2007
(55th)		 Amalan Datta Producer Bhultir Khero Bengali <templatestyles src="Template:Hidden begin/styles.css"/>
For its brilliant evocation of Kolkata. The film brings out sights and sounds, smells and stories, myths and memories in a manner that is realistic and yet magical.
 [29]
2007
(55th)		 Anirban Datta Director
2007
(55th)		 Public Service Broadcasting Trust Producer Poomaram Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For its creative use of visual craft to reflect on the relationship between menstrual rituals, the colour red and nature of human existence. The film engages the audience very deeply in its experimental exploration of the inner life of young women protagonists and their unique relationship with blood.
2007
(55th)		 Vipin Vijay Director
2008
(56th)		 Rajesh S. Jala Director Children of the Pyre Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
Constrained by the stifling and searing world of children working in cremation grounds, the film helps them to recreate a world of their own. The director captures rare reflexive moments of the children and makes the viewers live their pain, joys and dreams.
 [30]
2009
(57th)		 Aasna Aslam Child actor Kelkkunnundo Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For her natural, sensitive and touching performance.
 [31]
2010
(58th)		 No Award [32]
2011
(59th)		 Anand Patwardhan Director Jai Bhim Comrade Marathi <templatestyles src="Template:Hidden begin/styles.css"/>
For his uncompromising and passionate style of documentary filmmaking, which relentlessly brings into sharp focus the socio political issues of national importance.
 [33]
2012
(60th)		 Shumona Goel Director I Am Micro English <templatestyles src="Template:Hidden begin/styles.css"/>
For a journey in black and white against the backdrop of an abandoned factory, overlaid with the reflections of a filmmaker. A powerful experimental essay which leaves one with lots of questions.
 [34]
2012
(60th)		 Shai Heredia
2012
(60th)		 Vasudha Joshi Director Cancer Katha English <templatestyles src="Template:Hidden begin/styles.css"/>
For a very personal rendition of a filmmaker's tryst with cancer – dealing with the harsh reality of the disease and unfolding the relationship of life, death, and film-making.
2013
(61st)		 Girish Kasaravalli Director Ananthamurthy – Not A Biography...But A Hypothesis English <templatestyles src="Template:Hidden begin/styles.css"/>
For the clarity and the insight with which it looks at the work of Ananthamurthy, one of the finest Indian writers, whose work carries exceptional social significance.
 [35]
2013
(61st)		 Satyanshu Singh Director Tamaash English <templatestyles src="Template:Hidden begin/styles.css"/>
For presenting a heartwarming story of friendship in a lucid and engaging style and for using elements of the magical and the macabre to create a modern day fable of Kashmir.
2013
(61st)		 Devanshu Singh
2014
(62nd)		 Films Division Producer A Poet, A City & A Footballer English <templatestyles src="Template:Hidden begin/styles.css"/>
For demonstrating the power of cinema in weaving together life, poetry and reflections of its protagonist in the face of impending death.
 [36]
2014
(62nd)		 Joshy Joseph Director
2015
(63rd)		 No Award [37]

Special Mention

List of award recipients, showing the year (award ceremony), awarded as, film(s), language(s) and citation
Year Recipient(s) Awarded as Film(s) Language(s) Citation Refs.
1978
(26th)		 Loksen Lavnani for Films Division Director The Burning Stone English <templatestyles src="Template:Hidden begin/styles.css"/>
For the sincerity and commitment of the filmmaker in this stark and uncompromising film in which the raw truth is portrayed with no attempt to make it palatable.
 [1]
1979
(27th)		 No Award
1980
(28th)		 Adoor Gopalakrishnan Producer The Chola Heritage English <templatestyles src="Template:Hidden begin/styles.css"/>
For its outstanding photography of the Chola sculpture.
 [2]
1980
(28th)		 Adoor Gopalakrishnan Director
1980
(28th)		 Films Division Producer Pampa English <templatestyles src="Template:Hidden begin/styles.css"/>
For its sensitive handling of a purposeful theme, encouraging initiative as a child.
1980
(28th)		 P. C. Sharma Director
1981
(29th)		 No Award [3]
1982
(30th)		 No Award [4]
1983
(31st)		 National Institute of Design Producer Jalshakti Hindi  – [5]
1983
(31st)		 I. S. Mathur Director
1983
(31st)		 Kerala State Film Development Corporation Producer Thalam Malayalam
1983
(31st)		 Joy Mathew Director
1983
(31st)		 National Institute of Design Producer Energy-Merry-Go-Round English
1983
(31st)		  – Best Biographical Film Veer Savarkar Marathi
1983
(31st)		  – Best Scientific Film Handling Fuel Oils Fission Power 306 Rejuvenation English
1983
(31st)		  – Best Exploration/Adventure Film Against Current Exploration Antartica English
1983
(31st)		  – Best Anthropological/Ethnographic Film Cobra: The Snake God English
1983
(31st)		 Perumkaliattam Malayalam
1983
(31st)		 Leather Puppetry of Karnataka English
1983
(31st)		 Nishan Hindi
1983
(31st)		  – Best Exploration/Adventure Film Against Current Exploration Antartica English
1983
(31st)		  – Best Historical Reconstruction Film Tambaccucha Samna Marathi
1983
(31st)		 Bidaai Hindi
1984
(32nd)		 No Award [6]
1985
(33rd)		 FTII Producer Prisoners of Circumstances Telugu <templatestyles src="Template:Hidden begin/styles.css"/>
For its objective presentation of the inhuman treatment of children in remand homes.
 [7]
1985
(33rd)		 Ramesh Handoo Director
1985
(33rd)		 R. K. Gupta Producer Anukaran Telugu <templatestyles src="Template:Hidden begin/styles.css"/>
For a poignant of discrimination against women in Indian society.
1985
(33rd)		 Gul Bahar Singh Director
1986
(34th)		 No Award [8]
1987
(35th)		 Ashok Gunjal Cameraman The Kingdom of God English <templatestyles src="Template:Hidden begin/styles.css"/>
For his aesthetically pleasing and technically proficient camerawork.
 [9]
1988
(36th)		 N. H. Prasad Director Dispossession English <templatestyles src="Template:Hidden begin/styles.css"/>
For its fresh and innovative experimentation with cinematic form, dealing with an unusual theme.
 [10]
1989
(37th)		 No Award [11]
1990
(38th)		 Raj Gopal Rao Director Technique of Seed Production in Wheat and Paddy English <templatestyles src="Template:Hidden begin/styles.css"/>
For effective dissemination of agricultural information.
 [12]
1990
(38th)		 Siddharth Kak Director Cactus and Roses English <templatestyles src="Template:Hidden begin/styles.css"/>
For his sophisticated presentation of a pioneering industrial establishment.
1990
(38th)		 Dilip Ghose Director Aadhi Haqueeqat Aadha Fasana Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For deglamourising the world of cinema in the minds of innocent toddler talent.
1990
(38th)		 Naresh Saxena Director Sambandh Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For the excellent nucleus of an idea, building an emotional bridge between a family and a tree.
1991
(39th)		 Debal Basu Director Living on the Junk English <templatestyles src="Template:Hidden begin/styles.css"/>
For his work in directing the film. The film is a sincere maiden effort in focussing attention on the significant contribution of ragpickers of a metropolis in minimising the treat to the environment from the junk of a consumerist society.
 [13]
1992
(40th)		 No Award [14]
1993
(41st)		 No Award [15]
1994
(42nd)		 Arun Kumar Roy  • Director
 • Screenwriter		 Of Tagore and Cinema English <templatestyles src="Template:Hidden begin/styles.css"/>
In acknowledgement of its archival value.
 [16]
1994
(42nd)		 Gautam Haldar Director The Story of Integration English <templatestyles src="Template:Hidden begin/styles.css"/>
In acknowledgement of his painstaking attempt to bring its subject to life.
1994
(42nd)		 Kaviyoor Sivaprasad  • Director
 • Screenwriter
 • Editor		 Ormaynde Theerangalil Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
In acknowledgement of his lyrical evocation of the passage of time.
1995
(43rd)		 Arvind Singh Director Ajit Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For his sensitive portrayal of migrant child labour.
 [17]
1995
(43rd)		 Rashmi Film Society Producer Ithihasathile Khasak  • English
 • Malayalam		 <templatestyles src="Template:Hidden begin/styles.css"/>
For its brave attempt to interpret a literary work, cinematically.
1995
(43rd)		 Biswadeb Dasgupta  • Producer
 • Director		 Majhi Bengali <templatestyles src="Template:Hidden begin/styles.css"/>
For presenting with sincerity that human values ultimately triumph.
1996
(44th)		 No Award [18]
1997
(45th)		 Gulbahar Singh Director Gotipua English <templatestyles src="Template:Hidden begin/styles.css"/>
For a well researched portrayal of the still-vital dance form which is the predecessor and creative source of the Odissi tradition.
 [19]
1998
(46th)		 Unni Vijayan Director Jee Karta Tha Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For his realisation of an innovative and a personalised style of constructing the film.
 [20]
1999
(47th)		 Vinod Subramanian Director Fire  • English
 • Hindi		 <templatestyles src="Template:Hidden begin/styles.css"/>
For its imaginative and multifaceted presentation of the theme.
 [21]
2000
(48th)		 Amal Neerod C. R. Cameraman Meena Jha Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For his pictorial vision and capturing of images imaginatively showing great promise.
 [22]
2000
(48th)		 Haimanti Banerjee Director Balgandharv Marathi <templatestyles src="Template:Hidden begin/styles.css"/>
For effectively capturing the spirit of the legendary Marathi theatre personality Balgandharv, the singer, well known for his portrayal of women characters.
2001
(49th)		 A. R. Tripathi Producer Kalahandi  • Oriya
 • English		 <templatestyles src="Template:Hidden begin/styles.css"/>
For his carefully crafted words giving an additional dimension to the film.
 [23]
2001
(49th)		 Sonali Kulkarni Actress Chaitra Marathi <templatestyles src="Template:Hidden begin/styles.css"/>
For the subtle display of her wide range of emotions.
2002
(50th)		 Raja Mitra Director Kalighat Paintings And Drawings English <templatestyles src="Template:Hidden begin/styles.css"/>
For its significant achievement in documenting the rich artistic tradition and its implicit social commentary.
 [24]
2003
(51st)		 Shilpi Dasgupta Director Mangali: An Exorcision  – <templatestyles src="Template:Hidden begin/styles.css"/>
For the thoughtful and laudable craft that shaped the film.
 [25]
2003
(51st)		 Aseem Bose Cameraman Water English <templatestyles src="Template:Hidden begin/styles.css"/>
For enhancing the impact of the film with his eloquent lens, that captures the spirit of the subject of the film.
2004
(52nd)		 No Award [26]
2005
(53rd)		 Vibhu Puri Director Chabiwali Pocket Watch Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For a director’s film with competent execution of a good concept with great art direction, cinematography and performances.
 [27]
2005
(53rd)		 Bidyut Kotoky Director Bhraimoman Theatre Assamese <templatestyles src="Template:Hidden begin/styles.css"/>
For its fascinating picture of a cultural sub-world of Assam, capturing true moments of emotion and joy.
2006
(54th)		 Kuldip Sinha Producer Special Children English <templatestyles src="Template:Hidden begin/styles.css"/>
For highlighting the problems faced by special children or differently abled children and their families-an aspect of our society that is still not receiving adequate attention.
 [28]
2006
(54th)		 Suresh Menon Director
2007
(55th)		 No Award [29]
2008
(56th)		 Aniket Rumade Child actor Vitthal Marathi <templatestyles src="Template:Hidden begin/styles.css"/>
For his excellent portrayal of a young boy, Vitthal, dealing with ritualistic norms forced on him and his struggle to contain the anger brewing within.
 [30]
2009
(57th)		 Nikita Bhagat Cinematographer Vilay  – <templatestyles src="Template:Hidden begin/styles.css"/>
For her evocative and path breaking camerawork. The innovative use of shift focus brought, images, textures and emotions to life.
 [31]
2010
(58th)		 Shiny Jacob Benjamin Director Ottayal
(One Woman Alone)		 Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For a heart warming portrayal of the woman Daya Bai, who trades along a challenging path in quest of truth. The director, delves into the spirit of the woman to understand the theology of liberation, with sincerity and intelligence.
 [32]
2010
(58th)		 Ronel Haobam Director The Zeliangrongs  • Manipuri
 • English		 <templatestyles src="Template:Hidden begin/styles.css"/>
For a well researched endeavour to reflect a composite group of ethnic communities of common origin and socio-cultural back-ground, which highlights the rich cultural heritage and the tribes’ traditional way of life, which is on the brink of extinction.
2010
(58th)		 Suraj Pawar Child actor Pistulya  • Marathi
 • Telugu		 <templatestyles src="Template:Hidden begin/styles.css"/>
For displaying, under distressing situation and harsh reality, Pistulya, the child protagonist, the authenticity with vibrant and emotive expression.
2011
(59th)		 Spandan Banerjee Director You Don’t Belong  • Bengali
 • English		 <templatestyles src="Template:Hidden begin/styles.css"/>
For creating an enjoyable musical journey that reveals the growth of a song from the pen of a poet to mainstream culture.
 [33]
2011
(59th)		 Renu Savant Director Airawat  • Marathi
 • Hindi		 <templatestyles src="Template:Hidden begin/styles.css"/>
For imaginatively painting a layered world of memories and modernity in a small town neighbourhood.
2012
(60th)		 Priya Goswami Director Pinch of Skin  • English
 • Hindi		 <templatestyles src="Template:Hidden begin/styles.css"/>
A film that explores a shocking reality amongst women of a particular community. It gives us a rare view into a world of hidebound sexual tradition.
 [34]
2012
(60th)		 Andrea Iannetta Director Allah Is Great  • English
 • Hindi
 • Danish		 <templatestyles src="Template:Hidden begin/styles.css"/>
A subtly humorous look at life and the vagaries of fate.
2012
(60th)		 Sanjay Jangid Animator Raah  – <templatestyles src="Template:Hidden begin/styles.css"/>
For exploring an innovative style of animation and the creation of arresting images.
2013
(61st)		 Shweta Ghosh Director Accsex  • English
 • Hindi		 <templatestyles src="Template:Hidden begin/styles.css"/>
For vigorously taking up the challenge of exploring sexuality in women perceived to be differently abled.
 [35]
2013
(61st)		 Kavita Bahl Director Candles In The Wind  • Punjabi
 • Hindi		 <templatestyles src="Template:Hidden begin/styles.css"/>
For its chilling depiction of the ground realities in the bread basket of India. The tone and texture of the film contradict the prevalent narrative of it being the best place to live and work.
2013
(61st)		 Nandan Saxena
2013
(61st)		 Madonne M. Ashwin Director Dharmam Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For its searing critique of middle class hypocrisy and a corrupt society as seen through the eyes of an impressionable child.
2013
(61st)		 Rajdeep Paul Director At the Cross Roads : Nondon Bagchi Life and Living  • English
 • Bengali		 <templatestyles src="Template:Hidden begin/styles.css"/>
For an entertaining biography of a wonderfully engaging personality, with shades of a near chaotic life style, set in a period known for its path-breaking music.
2013
(61st)		 Sarmistha Maiti
2014
(62nd)		 Mrinal Dev Director Gunjaa English <templatestyles src="Template:Hidden begin/styles.css"/>
For poignantly telling the story of Gunjaa, a young girl in Bihar, and her innocent but ironic understanding of death.
 [36]
2014
(62nd)		 Manoj Kumar Nitharwal Director Seek and Hide English <templatestyles src="Template:Hidden begin/styles.css"/>
For its fine juxtaposition of a child’s expression of fear with the unawareness of the parents to elucidate a complex story of pedophilia.
2014
(62nd)		 Ruchir Arun Director 5 O'Clock Accident English <templatestyles src="Template:Hidden begin/styles.css"/>
For its gritty story and compelling treatment of a voyeuristic teenager and the darkness that comes with his obsession.
2015
(63rd)		 Arun Shankar Director The Chameleon English <templatestyles src="Template:Hidden begin/styles.css"/>
For the twists and turns of a distorted mind.
 [37]
2015
(63rd)		 Neelan Director Amma Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For the rich tapestry of an era of struggle seen through the eyes of the protagonist.
2015
(63rd)		 Varun Tandon Director Syaahi Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For conglomeration of sense and sensibilities depicted through the innocence of a young mind.

References

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  9. ↑ 9.0 9.1 Lua error in package.lua at line 80: module 'strict' not found.
  10. ↑ 10.0 10.1 Lua error in package.lua at line 80: module 'strict' not found.
  11. ↑ 11.0 11.1 Lua error in package.lua at line 80: module 'strict' not found.
  12. ↑ 12.0 12.1 Lua error in package.lua at line 80: module 'strict' not found.
  13. ↑ 13.0 13.1 Lua error in package.lua at line 80: module 'strict' not found.
  14. ↑ 14.0 14.1 Lua error in package.lua at line 80: module 'strict' not found.
  15. ↑ 15.0 15.1 Lua error in package.lua at line 80: module 'strict' not found.
  16. ↑ 16.0 16.1 Lua error in package.lua at line 80: module 'strict' not found.
  17. ↑ 17.0 17.1 Lua error in package.lua at line 80: module 'strict' not found.
  18. ↑ 18.0 18.1 Lua error in package.lua at line 80: module 'strict' not found.
  19. ↑ 19.0 19.1 Lua error in package.lua at line 80: module 'strict' not found.
  20. ↑ 20.0 20.1 Lua error in package.lua at line 80: module 'strict' not found.
  21. ↑ 21.0 21.1 Lua error in package.lua at line 80: module 'strict' not found.
  22. ↑ 22.0 22.1 Lua error in package.lua at line 80: module 'strict' not found.
  23. ↑ 23.0 23.1 Lua error in package.lua at line 80: module 'strict' not found.
  24. ↑ 24.0 24.1 Lua error in package.lua at line 80: module 'strict' not found.
  25. ↑ 25.0 25.1 Lua error in package.lua at line 80: module 'strict' not found.
  26. ↑ 26.0 26.1 Lua error in package.lua at line 80: module 'strict' not found.
  27. ↑ 27.0 27.1 Lua error in package.lua at line 80: module 'strict' not found.
  28. ↑ 28.0 28.1 Lua error in package.lua at line 80: module 'strict' not found.
  29. ↑ 29.0 29.1 Lua error in package.lua at line 80: module 'strict' not found.
  30. ↑ 30.0 30.1 Lua error in package.lua at line 80: module 'strict' not found.
  31. ↑ 31.0 31.1 Lua error in package.lua at line 80: module 'strict' not found.
  32. ↑ 32.0 32.1 Lua error in package.lua at line 80: module 'strict' not found.
  33. ↑ 33.0 33.1 Lua error in package.lua at line 80: module 'strict' not found.
  34. ↑ 34.0 34.1 Lua error in package.lua at line 80: module 'strict' not found.
  35. ↑ 35.0 35.1 Lua error in package.lua at line 80: module 'strict' not found.
  36. ↑ 36.0 36.1 Lua error in package.lua at line 80: module 'strict' not found.
  37. ↑ 37.0 37.1 Lua error in package.lua at line 80: module 'strict' not found.

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