Polyphonic Era
Lua error in package.lua at line 80: module 'strict' not found.
During the Polyphonic Era (1200-1650[citation needed]), most notated music consisted of the simultaneous flow of several different melodies, all independent and equally important, or polyphony. Usually made of four or five different choral parts, the music was originally for unaccompanied voices and was used mostly in the mass and motet of church music and the madrigal in secular music.
Contents
Gothic period (1200-1550)
First forms of polyphonic music are developed known as Ars Antiqua or Ancient art.
Ars nova (14th Century)
New techniques of rhythm and melody brought more feeling to the music, paving the way for the first important polyphonic music schools. "Ars nova" means New art.
Important polyphonic schools (15th-16th century)
- Netherland (Flemish) School: Guillaume Dufay (1400-1474), Josquin des Prez (c. 1450-1521), and Orlande de Lassus (1532-1594)
- Venetian School: Adrian Willaert (c. 1488-1562), and Giovanni Gabrieli (c. 1557-c.1612)
- Roman School: Giovanni Pierluigi da Palestrina (c. 1525-1594), and Tomás Luis de Victoria (c. 1548-1611)
Secular polyphonic music (16th Century)
- Claudio Monteverdi (1567-1643)
- William Byrd (1543-1623)
- Thomas Morley (1557-1603)
- Orlando Gibbons (1583-1625)
Baroque period
During the Baroque period, forms become more elaborate, attention paid to dramatic effect, choruses combined with arias, duets and quartets with choral music accompanied by instruments. New church forms developed such as the oratorio, the passion, and the cantata.
- Giacomo Carissimi (1605-1674)
- J. S. Bach (1685-1750)
- Heinrich Schütz (1585-1672)
- G. F. Handel (1685-1759)
Further reading
- Ewen, David (1954). The Home Book of Musical Knowledge. Prentice-Hall.
