List of artworks by Ivan Albright

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The following is a list of notable artworks by American artist Ivan Albright (1897–1983), organized by medium and listed chronologically.[1]

Paintings

Image Title Date Technique Dimensions Current Location
The Oaks in Winter 1918 Watercolor unknown unknown.[2]
The Philosopher 1922 Oil on paper laid to panel 24 x 18 inches Private collection,[3] formerly the Milwaukee Art Center.[4]
I Am He of Whom He Spoke (Samson) 1925 Oil on canvas 26.13 x 20.13 inches Lowe Art Museum, University of Miami.[5][6]
Fur Collar (formerly The Baskerville Portrait) 1925-1926 Oil on canvas 30 x 20 inches National Academy of Design, New York.[7][8]
Paper Flowers 1926 Oil on canvas 26 x 20 inches Private collection.[9]
Burgomaster With a Key 1926 Oil on canvas 30 x 24.25 inches Detroit Institute of Arts.[10][11]
I Slept With the Starlight in My Face (The Rosicrucian) 1926 Oil on canvas 30 x 20 inches Wadsworth Atheneum, Hartford.[12][13][14]
Portrait of the Artist's Father Adam Emory Albright ca. 1926 Oil on canvas Unknown Unknown.[15][16]
I Walk To and Fro Through Civilization and I Talk As I Walk (Follow Me, The Monk) 1926-27 Oil on canvas 73 x 36 inches Art Institute of Chicago.[17][18]
I Drew a Picture in the Sand and the Water Washed It Away (The Theosophist) 1927 Oil on canvas 36 x 23 inches Art Institute of Chicago.[19][20]
The Lineman 1927 Oil on canvas 73 x 36 inches Art Institute of Chicago.[21][22]
Memories of the Past 1927 Oil on canvas 29.5 x 20.5 inches Art Institute of Chicago.[23][24]
Among Those Left (The Wheelwright, the Blacksmith) 1927-28 Oil on canvas 73 x 36 inches Carnegie Museum of Art, Pittsburgh.[25][26]
Woman 1928 Oil on canvas 33 x 22 inches Museum of Modern Art, New York.[27][28]
Maker of Dreams (Man With a Mallet, the Maker of Images) 1928 Oil on canvas 30 x 20.25 inches Private collection.[29]
Flesh (Smaller Than Tears Are the Little Blue Flowers) 1928 Oil on canvas 36 x 24 inches Art Institute of Chicago.[30][31]
Fleeting Time, Thou Hast Left Me Old 1928-29 Oil on canvas 30.25 x 20.25 inches Metropolitan Museum of Art, New York.[32][33]
Heavy the Oar to Him Who is Tired, Heavy the Coat, Heavy the Sea 1929 Oil on canvas 55.38 x 34.25 inches Art Institute of Chicago.[34][35]
There Were No Flowers Tonight (Midnight) 1929 Oil on canvas 48.5 x 30.25 inches National Gallery of Art, Washington D.C.[36][37]
Beneath My Feet 1929 Oil on canvas 18 x 22 inches Formerly collection of the artist.[38]
Into the World There Came a Soul Called Ida 1929-30 Oil on canvas 55 x 46 inches Art Institute of Chicago.[39][40]
And Man Created God in His Own Image (Room 203) 1930-31 Oil on canvas 48 x 26 inches Art Institute of Chicago.[41][42]
And Wherefore Now Ariseth the Illusion of a Third Dimension 1931 Oil on canvas 20 x 36 inches Art Institute of Chicago.[43][44]
Nude (Fourteen Year Old Child) 1931 Oil on canvas 22 x 15 inches (framed) Art Institute of Chicago.[45][46]
That Which I Should Have Done I Did Not Do (The Door) 1931-41 Oil on canvas 97 x 36 inches Art Institute of Chicago.[47][48]
And The Starlight in Her Eyes 1932 Gouache 13.25 x 17.75 inches Private collection.[49]
Self Portrait (Unfinished) 1933 Oil on canvas 15 x 11 inches Los Angeles County Museum of Art.[50][51]
The Farmer's Kitchen 1933-34 Oil on canvas 36 x 30 inches Smithsonian Institution, Washington D.C., transfer from the U.S. Department of Labor.[52][53]
Self Portrait 1934 Oil on canvas 30.25 x 18.25 inches New Trier Township High School, Winnetka, Illinois.[54]
Self Portrait 1935 Oil on canvas 35 x 24 inches Art Institute of Chicago.[55][56]
In the Year 1840 (Second Storeys Are Popular), or When Fall Winds Blow 1937 Tempera 14 x 22 inches Dallas Museum of Fine Arts.[57][58]
After the Race 1938 Oil on canvas 36 x 20 inches Forum Gallery, New York.[59][60]
Portrait of Peaches Willis 1938 Oil on panel 17 x 14.5 inches Pennsylvania Academy of the Fine Arts.[61]
Shore Sentinels 1939 Oil on canvas 26 x 45 inches Art Institute of Chicago.[62]
This Ichnolite of Mine 1940 Oil on canvas 14 x 7 inches Art Institute of Chicago.[63][64]
Black Cliffs, Schoodic Point, Maine, or Maine Coast 1940 Gouache 25 x 19 inches Art Institute of Chicago.[65][66]
Maine Landscape 1940 Gouache 13 x 19.25 inches Private collection.[67]
Lobster Salad 1940 Oil on canvas 19.5 x 31.5 inches Private collection.[68]
Lobsterman's Catch 1940 Oil on canvas 20 x 30 inches Forum Gallery, New York.[60]
Ah God, Herrings, Buoys, the Glittering Sea 1940 Gouache 22 x 29 inches Art Institute of Chicago.[69][70]
Stones at Stonington, Maine 1941 Gouache 14 x 20 inches University of Iowa Museum of Art.[71][72]
Bride with a Cold 1941 Oil on panel 9.75 x 6.75 inches Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C.[73][74]
Divided and Divided 1941 Oil on canvas 27 x 42 inches Art Institute of Chicago.[75][76]
Poor Room – There Is No Time, No End, No Today, No Yesterday, No Tomorrow, Only the Forever and Forever and Forever Without End (The Window) 1941-43

1948-55

1957-62

Oil on canvas 48 x 37 inches Art Institute of Chicago.[77][78]
A Guttated Self Portrait – A Nutant Lycanthrope Seen in Glass 1943 Gouache Unknown Unknown.[79]
Still Life 1943 Oil on mahogany panel 14 1/2 × 21 inches Middlebury College Museum of Art.[80]
The Picture of Dorian Gray 1943-44 Oil on canvas 85 x 42 inches Art Institute of Chicago.[81][82]
Manifestation 1944 Oil on canvas 19.5 x 15.5 inches William Benton Museum of Art.[83][84]
The Temptation of Saint Anthony 1944-45 Oil on canvas 50 x 60 inches Art Institute of Chicago.[85][86]
Bridal Falls, Ten Sleep, Wyoming 1946 Gouache 12 x 18 inches Art Institute of Chicago.[87][88]
After the Storm (Costal Rocks, Corea, Maine) 1947 Gouache 21.38 x 29.5 inches Private collection.[89]
Mephistopheles 1947 Oil on canvas 90 x 42 inches Private collection.[90][91]
Roaring Fork, Wyoming 1948 Gouache 22.5 x 30.25 inches Whitney Museum of American Art, New York.[92][93]
Around and Around 1948 Gouache 14.25 x 20.5 Private collection.[94]
We Are Gathered Here 1948 Gouache and watercolor 20 x 30.13 inches Private collection.[95]
Self Portrait 1948 Oil on canvas 24 x 20 inches National Academy of Design, New York.[96]
The Purist 1949 Gouache on panel 25.25 x 38.5 inches Solomon R. Guggenheim Museum, New York.[97]
The Wild Bunch (Hole in the Wall Gang) 1950-51 Oil on canvas 30.5 x 42 inches Phoenix Art Museum.[98][99]
Troubled Waves 1952 Oil on canvas 14 x 9 inches Private collection.[100][101]
Tin 1952-54 Gouache on panel 32 x 45.5 inches Formerly the collection of the artist.[102]
Portrait of Mary Block 1955-57 Oil on canvas 39.13 x 30 inches Art Institute of Chicago.[103][104]
The Rustlers 1959, 1963-64 Gouache 22 x 40 inches Art Institute of Chicago.[105][106]
Rue du Bac, Paris 1960 Gouache 25 x 15 inches Private collection.[107][108]
Alicia Patterson 1962 Enamel on copper 4.88 inches diameter Formerly collection of the artist.[109]
Red Onion 1962 Gouache 17.75 x 13.5 inches Private collection.[110]
Captain Joseph Medill Patterson 1962-64 Oil on Masonite 30 x 24 inches Art Institute of Chicago.[111][112]
Aspen Self Portrait 1963 Gouache 24 x 17 inches Private collection.[113]
To Tread Between Sky and Field 1964 Gouache 18 x 24 Private collection.[114]
The Cliffs Revolve – But Slowly 1965 Gouache 16.25 x 24.13 inches Private collection.[115]
Knees of Cypress (Reflections of a Cypress Swamp) 1965 Gouache on panel 16 x 20 inches Union League Club of Chicago.[116][117]
If Life Were Life – There Would Be No Death (The Vermonter) 1966-77 Oil on panel 37 x 27 inches Hood Museum of Art, Dartmouth College.[118][119]
The Trees: They Murmur So – Like People They Murmur – Murmur So 1967 Gouache 18 x 24 inches Private collection.[120]
Self Portrait in Georgia 1967-68 Oil on panel 36 x 26 inches Butler Institute of American Art.[121][122]
All Things Unassembled 1968 Gouache 16 x 20 inches Private collection.[123]
There Comes a Time 1969 Gouache on canvas board 16 x 20 inches Private collection.[124][125]
A Face From Georgia 1970 Oil on canvas 15.5 x 11 Art Institute of Chicago.[126][127]
In Light Rise the Domes of Rome 1970 Gouache 22.25 x 15.25 inches William Benton Museum of Art.[128][129]
Lima, Peru 1971 Gouache 5.5 x 11.5 inches William Benton Museum of Art.[130][131]
From Yesterday's Day 1971 Oil on canvas 8.5 x 15.25 inches Private collection.[132]
Apple on Apple – Ascent on Descent – Move the Apples 1971 Gouache 5.63 x 11.63 inches William Benton Museum of Art.[133][134]
The Image After 1972 Oil on canvas 8.5 x 15.25 inches Private collection. [135]
Pray for These Little Ones (Perforce They Live Together) 1974 Oil on silk 10.5 x 16.5 inches Art Institute of Chicago.[136][137]
The Sea of Galilee 1977 Gouache 14.5 x 20 inches Formerly the collection of the artist.[138]
Spoof-Tavern Club-Martinized Venus unknown Oil on plywood, joined with hinges 96 x 96 inches University of Michigan Museum of Art.[139]

Drawings

Image Title Date Technique Dimensions Current Location
Three Love Birds 1930 oil and charcoal on canvas 78.25 x 42 inches Art Institute of Chicago.[140][141]
Show Case Doll 1931-32 charcoal and oil on canvas 35 x 54 inches Art Institute of Chicago.[142][143]
Here Within Me – Stand I 1935 charcoal 18 x 11.5 inches American Israel Cultural Foundation.[144]
After the Race 1938 pastel on paper 27 x 14 inches Private collection.[145]
Silver Miner's Row, Aspen, Colorado 1956 metalpoint on ivory wove paper prepared with a white ground 14 x 22 inches Art Institute of Chicago.[146][147]
Elm Street Bridge Over the Ottauquechee 1965 metalpoint on off-white wove paper prepared with an ivory ground 16.5 x 20 inches Art Institute of Chicago.[148][149]
The Fallen, Georgia, or The Old and the New, Georgia 1965 metalpoint on cream wove paper prepared with a cream ground 10.25 x 16 inches Art Institute of Chicago.[150]
The Vermonter I 1965 charcoal on canvas 33 x 23.75 inches Formerly the collection of the artist.[151]
The Vermonter II 1966 charcoal and oil on canvas 35 x 26.75 inches Art Institute of Chicago.[152][153]
The Red Barn Walked Around Me 1968 metalpoint on off-white wove paper prepared with an ivory ground 16.5 x 20.25 inches Art Institute of Chicago.[154][155]
The Old Woodstock Inn, Vermont 1968 metalpoint on off-white wove paper prepared with an ivory ground 20 x 16 inches Art Institute of Chicago.[156][157]
First a Church – Then a Lumberyard 1969 metalpoint on off-white wove paper prepared with an ivory ground 16 x 20 inches Art Institute of Chicago.[158][159]
The Snow Moves Through the Morning Trees 1972 charcoal and black crayon, with stumping and erasing, on white wove card 20 x 28 inches Art Institute of Chicago.[160][161]
This Is Jill 1975 back crayon and graphite, on white clay-coated wove paper 15 x 13 inches Art Institute of Chicago.[162][163]
I Mary 1975-76 black crayon, with white crayon, touches of white gouache, scratching and erasing, on off-white clay coated paper 20 x 16 inches Art Institute of Chicago.[164][165]
Made When Legally Blind 1977 colored pencil 9 x 11.88 Formerly the collection of the artist.[166]

References

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