Young Man with Ideas
Young Man with Ideas | |
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File:Young Man with Ideas FilmPoster.jpeg | |
Directed by | Mitchell Leisen |
Produced by | Gottfried Reinhardt William H. Wright |
Written by | Ben Barzman Arthur Sheekman |
Starring | Glenn Ford Ruth Roman Denise Darcel Nina Foch |
Music by | David Rose |
Cinematography | Joseph Ruttenberg |
Edited by | Fredrick Y. Smith |
Distributed by | Metro-Goldwyn-Mayer |
Release dates
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Running time
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85 minutes[1] |
Country | United States |
Language | English |
Budget | $1,250,000[2] |
Box office | $848,000[2] |
Young Man with Ideas (1952) is a romantic-comedy film released by Metro-Goldwyn-Mayer in 1952. It was directed by Mitchell Leisen and stars Ruth Roman and Glenn Ford.
A young small-town lawyer played by Ford moves his family from the country to Los Angeles in the hope of passing the bar in California to ensure that his family can have a more prosperous lifestyle.
Contents
Plot
Maxwell Webster is a Montana attorney whose career isn't going as well as wife Julie feels it should be. She gets tipsy at a country club and praises her husband's work in front of colleagues, then urges him to ask boss Edmund Jethrow for a partnership. Instead, he loses his job.
They move to Los Angeles for a fresh start. All they can afford is a modest house where a bookie operation seems to be sharing a telephone line. The kind-hearted Max has only $12 to his name but lends it to a nightclub singer, Dorianne Grey. He shares books with young Joyce Laramie as both study for their California bar exam, which Joyce already has failed twice.
Misunderstandings develop. A gambler named Eddie wrongly believes Max is the bookie who owes him $800. Joyce helps get Max a job with a collection agency, but it turns out to use questionable business tactics. Julie writes home to Montana, trying to get Max's old job back. He is upset by her lack of confidence in him.
Eddie turns up and threatens Max, who slugs him. This leads to mob boss Brick Davis' getting involved and a brawl in Eddie's club, where Dorianne performs. Max is arrested and defends himself in court, over Julie's objections. He wins the case and then Joyce reveals they've both passed the bar. Julie, upset with her own behavior, is delighted to learn that a successful lawyer witnessed Max's work in court and has offered him a job.
Cast
Main
- Glenn Ford as Max Webster
- Ruth Roman as Julie Webster
- Nina Foch as Joyce Laramie
- Denise Darcel as Dorianne
- Ray Collins as Jethrow
- Sheldon Leonard as Rodwell 'Brick' Davis
Supporting
- Donna Corcoran as Caroline Webster
- Mary Wickes as Mrs. Jarvis Gilpin
- Bobby Diamond as Willis Gilpin
- Dick Wessel as Eddie Tasling
- Carl Milletaire as Tux Cullery
- Curtis Cooksey as Judge Jennings
- Karl 'Killer' Davis as Punchy (Credited as Karl Davis)
- Fay Roope as Kyle Thornhill
- John Call as Man With Bushy Hair
- Nadine Ashdown as Susan Webster
- Barry Rado as Max, Junior
- Norman Rado as Max, Junior
- Wilton Graff as Mr. Cardy
- Martha Wentworth as Mrs. Hammerty
Uncredited
- Jean Acker as Party Guest
- John Albright as Hotel Clerk
- Monya Andre as Mrs. Bowker
- Charles Andrews as Pullman Porter
- Benny Baker as Cynical Man
- Rudy Baron as Hammerty Boy
- Rodney Bell as Party Guest
- Barbara Billingsley as Aggie - Party Guest
- Lela Bliss as Mrs. Tom Hanley
- Marshall Bradford as Mr. Creely
- Paul Bradley as Attorney
- Leonard Bremen as Bill Collector
- Peter Brocco as Butler
- Harry Brown aa Salesman
- Robert Carson as Second Prosecutor
- Ed Cassidy as Train Conductor
- Wheaton Chambers as Proctor - Law Professor
- Mack Chandler as Photographer
- Russ Conway as Prosecuting Attorney
- Tom Daly as Salesman
- Bert Davidson as Party Guest
- Hal K. Dawson as Mr. Cumberly
- Lawrence Dobkin as Prosecutor at Hearing
- Charles Evans as Mr.Jankin - Party Guest
- Margaret Farrell as Party Guest
- Charles Ferguson as Juror
- Sam Flint as Mr. Jones
- Bess Flowers as Party Guest
- Jack Gargan as Party Guest
- A. Cameron Grant as Party Guest
- Dabbs Greer as Telephone Man
- Eula Guy as Miss Daniels
- Robert Haines as Juror
- Jonathan Hale as Stanley Rickson
- Richard Hale as Vishto
- Selmer Jackson as Merritt Crayton - Attorney
- Nikki Juston as Minor Role
- Paul Kruger as Bailiff
- Raymond Largay as Tom Hanley
- Earl Lee as Foreman of the Jury
- Ruth Lee as Secretary
- Margie Liszt as Registrar
- Louise Lorimer as Mrs. Martha Rixon
- Philo McCullough as Attorney
- Joseph Mell as Municipal Judge
- Helene Millard as Mrs. Creely
- Tom Monroe as Policeman
- Roger Moore as Real Estate Associate
- William Newell as Party Waiter
- Barry Norton as Lawyer at Seminar
- Isabel Randolph as Mrs. Martha Rickson
- Kay Riehl as Mrs. Jankin - Party Guest
- Shimen Ruskin as Waiter
- Dick Ryan as Court Clerk
- Charles Sherlock as Sheriff in Courtroom
- Eddie Lou Simms as Tiger
- Helen Spring as Mrs. Jones
- Amzie Strickland as Party Guest
- Frank Sully as Salesman
- Hal Taggart asCourtroom Spectator
- Arthur Tovey as Attorney
- John Trebach as Waiter
- Emmett Vogan as Mr. Bowker - Party Guest
- Nella Walker as Mrs. Jethrow
- Frank Wilcox as Morton H. Clay
- Wilson Wood as Milkman
- Will Wright as Party Guest
- John Zaremba as Court Clerk
Music
Denise Darcel sings I Don't Know Why (I Just Do) and Amoure Cherie.
Reception
According to MGM records the film earned $565,000 in the US and Canada and $283,000 elsewhere, resulting in a loss of $754,000.[2]
According to Bosley Crowther,
"this cheerful and unpretentious flurry of straight domestic farce has a lot more to recommend it than you'll find in some of [MGM's] heavier, gaudier films"; the script is "elastic and pleasingly written", its direction is "of a measuredly careless, off-beat sort that clips you with sudden droll surprises", and it is "played with seeming relish by a comparatively second-flight cast that appears to be thoroughly delighted to have something bouncy to do."[3]
According to Turner Classic Movies,
"Though Young Man with Ideas is one of Leisen's lesser efforts and represents the beginning of the end of his long career, the film features a good comedic performance by Glenn Ford, some excellent supporting work from Nina Foch, a brisk pace that reveals a light directorial touch, and a reasonable perspective on the trials and tribulations of romance."[1]